Landscapes is a selection of new work by David Black that explores paranormality and everyday life in Los Angeles. The images displayed in a sequential line present a day to night cyclical narrative of a landscape of our collected dreams. These visual glitches suggest the point of view of a passenger in a fast moving car on the city’s expansive freeway system. Black is interested in capturing opposing forces: light and dark, commercial and artistic, micro and macro, and they fuse to pose questions about illusion, mortality and truth. He also likes to play with archetypes: a dove flutters on the hood of a big car in its dark shadow; sunsets stutter into a strange series moiréd by the artifice of an LED screen from which they radiate. These allusive symbols and characters suggest a twisted storyline that feels fictional but also inherently autobiographical and vulnerable. Landscapes is on view through March 30 at the Lodge 10 24 North Western Avenue, Los Angeles. photographs by Agathe Pinard
The Highway Is For Gamblers: Read Our Interview With Artist Jeremy Everett Who Crashed A 60-Foot Long Truck Full Of Milk On A Utah Highway For Art →
In Jeremy Everett’s latest, most ambitious work of art, entitled FLOY – a magnum opus of grandiosity and scale – the artist crashes a 60-foot truck on a highway in Utah, leaving milk spilled across the asphalt. The wreckage was filmed from a helicopter – the artist had to race from the crash site to the helipad before the milk evaporated. Indeed, evaporation is an important part of Everett’s oeuvre – in his Double Pour series, for which his current exhibition at Wilding Cran is named after, the artist captured water spilled on a generic parking lot in Los Angeles before it dried and disappeared into the ether. While most artists apply material to material, Everett’s practice seems almost like a VHS tape on constant rewind; a fuzzy layering of time, space and ephemerality that makes you realize the illusion of time, the impermanence of life and the absurdity of everything. Read our interview with the artist here.