Watch Magliano's SS22 Digital Presentation For Milan Fashion Week

There are four humoral fluids: Melancholic, Sanguine, Phlegmatic, Choleric. These are the temperaments of Magliano's Spring/Summer 2022 characters, inspired by Hippocrates' Humoral Theory. A mash up of new appearances, the central role of upcycling introduced through fabrics recycled from past seasons, new organic dyes and stylistic pastiches. The collection is enriched by a daily gesture of typical Italian good luck charms: the classic broken heart, the chains dedicated to Saint Sebastian, the lucky baby tooth. 

This change of temperaments is the core narrative of the video presented for Milan Fashion Week. The models walk on a white limbo in a melancholic/phlegmatic way, gradually becoming more and more agitated and syncopated. This escalation is guided by the wind of a cinematographic machine, which more and more insistently gives drama to the walk. The choreographer Michele Rizzo organises the movements and their transformation, Tommaso Ottomano films the show, and the music is left to the improvisation of Edoardo Lovazzi, a young 12-year-old drummer.

 
 

Beers London Presents Humoral Theory By Morteza Khakshoor, Jerry Kowalsky & Moley Talhaoui

Humoral Theory presents artists Morteza Khakshoor, Jerry Kowalsky, and Moley Talhaoui, each of who have distinct and separate practices, and who show here together for the first time.

Also known as humourism, β€˜humoral theory’ was a model for the workings of the human body in which four humours existed as liquids within the body. The humours were blood, phlegm, black bile and yellow bile, and they governed aspects of the human disposition, including the sanguine, choleric, melancholic, or phlegmatic. As a sort of antiquated β€˜medical measurement’ of the body, it dates back to 3rd Century physicians who were interested in ailments and operations of the human body as being natural, as opposed to supernatural. Oddly, they are often referenced today in artistic and certain historic theories, perhaps because they summarize our natural bodily urges, impulses, and physicality into easily understandable categories. While humoral theory may seem slightly silly by today’s standards, they remain a poetic, metaphoric, and abstract means to understand the innate complexities of the human body, mind, and soul. Such thought predates medical, shamanistic, or (quasi)religious discoveries that occurred many centuries later – however naive they may still appear – such as flaying, trepanation, bloodletting, or even more modern psychological revelations as the Phrenology Chart, psychoanalytic study, or the Rorschaech Test, for example – all of which are alluded to (if not directly referenced by) various works on exhibit here.

Humoral Theory will be on view throughout February 22, 2020 at Beers London 1 Baldwin Street London, UK. photographs courtesy of the gallery