Njideka Akunyili Crosby Dwell: Me, We, 2017
Acrylic, transfers, colored pencil, charcoal and collage on paper
96" x 124"
Bisa Butler
“Anaya with her Backpack”, 2017
cotton, organza, chiffon, lace, and netting
44" x 30"
Ariel Dannielle
“Family Sized,” 2018
Acrylic on unstretched canvas
72 x 90 1/2”
Plumb Line, installation view, Elon Schoenholz, 2019
Deborah Roberts
He looks like me (2019)
paper, pastel, tissue, buttons, ink, and acrylic on panel
61 1/4" x 49 1/2" inches
*MADE FOR PLUMB LINE
Plumb Line, installation view, Elon Schoenholz, 2019
Alfred Conteh “DJ and Tay,” 2019
Acrylic on Canvas
Approximately 84x32-37 inches,
*MADE FOR PLUMB LINE
Toyin Ojih Odutola
“Birmingham Study 1,” 2014
Charcoal on Mylar
30 1/8 x 32 1/2”
Greg Breda
Untitled (Salt, woman w/ big hat), 2013
Acrylic on mylar
63 3/4" x 42"
Plumb Line, installation view, Elon Schoenholz, 2019
Kohshin Finley
Bright as the Morning Sun, 2019
oil and mixed media on canvas
74 1/2" x 62”
*MADE FOR PLUMB LINE
Sadie Barnette
Untitled (Winfield St), 2018
Archival pigment print
Paper: 55 x 64 in
Framed: 56.75 x 65.75”
Edition of 3
Plumb Line, installation view, Elon Schoenholz, 2019
Charles White was a prolific painter, printmaker, muralist, draftsman, and photographer whose career spanned more than half a century. His portrayals of black subjects, life, and history were extensive and his emotional works struck a particular chord with his viewers. Plumb Line features contemporary artists whose work resonates with White’s profound and continuing influence. From abstraction to figuration, the artists of this exhibition find conversation with White through their expressive renderings of black skin and black community, as well as the treatment of black past and presence in both epic and intimate ways.
Plumb Line: Charles White and the Contemporary is on view through August 25 at the California African American Museum 600 State Dr, Los Angeles, CA. photographs courtesy of the California African American Museum