HOT AND BOTHERED GROUP SHOW COMES TO AN END

Marielle Chabal, 'QUEENS project. Moodboards #1 and #2', 2024, 'Hot and bothered (Nightmares in a bed full of pillows)' group show, 2024, Galerie Alberta Pane, Paris

Completing their exhibition July 20th, The Alberta Pane Gallery presents the group show Hot and bothered (Nightmares in a bed full of pillows), featuring the work of three international artists: Guendalina Cerruti, Marielle Chabal, and Davide Sgambaro. Gathered together for the first time in a group exhibition, the works of Cerruti, Chabal, and Sgambaro focus on the young generation’s existential concerns. Through various media the artists investigate similar issues, trying to unveil doubts and anxieties linked to an uncertain future. With their practices they attempt to propose new solutions to contemporary society’s disillusions, while using an absurd and sarcastic approach. Each art piece is unique and varies in execution, yet clearly displays their unified message through multiple different artistic approaches that manage to convey the evolution of self, starting at the absurdity and wonder of childhood to a more hollow and bitterly aware adulthood. The group exhibition is an exploration of identity and the growing pains that come with leaving your youth while still managing to carry that sense of creativity throughout your journey.

Hot and Bothered is on view until July 20th @ Alberta Pane Gallery 44-47, rue de Montmorency 75003, Paris, France, for more information, visit their website

"Portraiture as Social Commentary" Showcases the Genre's Explosive Social Capital @ Persons Projects in Berlin

 

Zofia Kulik
Land-Escape I (2001)
silver gelatin print, 180 x 150 cm

 

Persons Projects’ latest group exhibition, Portraiture as Social Commentary, not only highlights the different aspects of the genre but also links together a variety of artistic perspectives. A portrait is a painting, a photograph, a sculpture, or any other representation of a person in which the face and its expressions are predominant. They reveal the presence of the subject viewed from the perspective of the artist – a merger of contrasts between what’s projected by one and perceived by another. These images become mirrors of many faces that reflect both the political and cultural undercurrents relevant to the time period in which they were conceived.

Portraiture as Social Commentary is on view through January 27th, 2024, at Persons Projects, Lindenstr. 34–35, 10969 Berlin.

GOOD TASTE, A Group Exhibition Curated by Paige Silveria @ The Arts District Of DTLA

GOOD TASTE is a collaborative project, curated by Paige Silveria, presenting an intimate take on the current state of arts and culture in our society. It blends various disciplines of contemporary art into the format of a group exhibition. GOOD TASTE simultaneously exists in the mainstream yet provokes and predicts the mainstream. Artists featured include Philip Ashley, Soft Baroque, Lisa Boalt, Ganna Bogdan, Erik Brunetti, Cali Thornhill DeWitt, DRx, Erik Foss, Taj François, Lukas Gansterer, Joe Garvey, Jan Gatewood, Julian Klincewicz, Alex Knost, Stephen McClintock, Jason Nocito, Hassan Rahim, Shay Semple, B. Thom Stevenson, Nick Stewart, Devin Troy Strother, Peter Sutherland and Stephen Zerbe. GOOD TASTE was on view from August 22-28 at 801 Mateo Street in The Arts District of DTLA.

Annka Kultys Gallery Presents Quid est veritas? Group Exhibition in London

Quid est veritas?, a multi-generational group exhibition exploring the concept of philosophical truth, is now on view at Annka Kultys Gallery.  Through works by AES+F, Morehshin Allahyari, Imre Bak, crocodilePOWER, Simon Denny, Eva and Franco Mattes, Joseph Kosuth, Olia Lialina, Signe Pierce, Timur Si-Qin, and Theo Triantafyllidis, curator Anton Svyatsky scrutinizes the cognitive mechanisms by which humans operate the label of truth. The concept of truth has been and remains a central subject of philosophy, and yet its definition has proved elusive for thousands of years. In a time of universal deceit, propaganda, political truth-bending, and outright condemnation of truth, it becomes imperative to examine our relationship with it. With the dawning of the information age came unprecedented access to knowledge, and with that access, doubt has engulfed humanity. It can be said that doubt is the herald of enquiry and thus the harbinger of truth. Without doubt, no progress towards truth can be made. Each work in Quid est veritas? is intended as a provocation to self-examination, as well as invite the spectator to doubt their belief system by inquiring into their own process of belief formation.

Quid est veritas? is on view through August 3 at Annka Kultys Gallery 472 Hackney Road, London. photographs courtesy of the artists and Annka Kultys Gallery

Plumb Line: Charles White and the Contemporary @ California African American Museum

Charles White was a prolific painter, printmaker, muralist, draftsman, and photographer whose career spanned more than half a century. His portrayals of black subjects, life, and history were extensive and his emotional works struck a particular chord with his viewers. Plumb Line features contemporary artists whose work resonates with White’s profound and continuing influence. From abstraction to figuration, the artists of this exhibition find conversation with White through their expressive renderings of black skin and black community, as well as the treatment of black past and presence in both epic and intimate ways.

Plumb Line: Charles White and the Contemporary is on view through August 25 at the California African American Museum 600 State Dr, Los Angeles, CA. photographs courtesy of the California African American Museum

ASHES/ASHES Presents L’IM_MAGE_N Group Exhibition In New York

L’IM_MAGE_N is a group exhibition curated by Timothy Hull, featuring Graham Anderson, Gina Beavers, Mathew Cerletty, Gregory Edwards, Anya Kielar, and Chason Matthams. The show’s title plays on the word image, folding it into different linguistic aspects yet allowing for the stability of decipherment. One could look at this through the rhetoric of the pop image, denoting a distillation or simplification into something symbolically new. While elements may be re-arranged, the image can still be read and understood—if not intellectually, then psychically. Although the image is passed through a sieve, its meaning contains vestiges of its origin. L’IM_MAGE_N is on view through August 4 at ASHES/ASHES 56 Eldridge Street New York, NY. photographs courtesy the artists and ASHES/ASHES, New York

Ochi Projects Presents 'Soft Pretzel' Group Show @ Vacation Gallery In New York

Soft Pretzel features works that investigate sculptural forms and perceived tactility. Evaluating our ability to anticipate sensory experiences as they are conveyed through visual cues, each work explores implied softness, rigidity, dimension, weight and movement. The exhibition includes works by Tanya Brodsky, Rives Granade, Nasim Hantehzadeh, Lilian Martinez, Daniel McKee, Erin Morrison, Claudia Parducci, Ben Sanders and James Seward. Soft Pretzel is on view through October 28 @ Vacation Gallery, 24A Orchard Street, New York, NY 10002. images courtesy of Ochi Projects