FOOD For Thought: Gordon Matta-Clark’s Restaurant For Artists Changed The Culinary Discourse →

In 1971, artists Gordon Matta-Clark, Carol Goodden, and Tina Girouard opened FOOD, a landmark New York restaurant on the corner of Prince and Wooster Streets in SoHo. In the urban wilds of a not-yet-fully developed or gentrified Lower Manhattan of the early ‘70s, FOOD was a revolutionary laboratory for fresh sustainable cooking and unusual culinary collaborations. Artists like Robert Rauschenberg and John Cage created meals at FOOD. Although never realized, Mark di Suvero had plans to serve dishes through the windows via a crane—he would then instruct diners to eat with tools such as hammers and screwdrivers. As a hub for young artists in the nascency of their careers, the menu was affordable and simple, which created a unique atmosphere of camaraderie and community. Although FOOD, in its original incarnation, only lasted three years, the restaurant became a fabled institution and paradigmatic lesson for the possibility of food at the intersection of art.

Originally published in Autre’s Biodiversity Issue, FW 2021

KW Institute For Contemporary Art Celebrates It's 30th Anniversary With Year-long Program Of Exhibitions

Founded on July 1, 1991 by Klaus Biesenbach, Alexandra Binswanger, Philipp von Doering, Clemens Homburger, and Alfonso Rutigliano, KUNST-WERKE BERLIN e. V. put down roots in a derelict former margarine factory located on Auguststraße 69 in the Berlin-Mitte district. After organizing the pivotal innovative exhibition project 37 Räume in 1992, artistic director Klaus Biesenbach continued to present ground-breaking exhibitions that won the institution critical acclaim, both nationally and internationally, and in 1996 he initiated the now widely renowned Berlin Biennale for Contemporary Art.

In its thirty years, KW has considerably shaped the development of contemporary art by critically examining current tendencies and discourses within society. To mark its 30th anniversary, KUNST-WERKE BERLIN e. V. is is hosting a year-long program of exhibitions featuring artists Renée Green, Leonilson, Michael Stevenson, and Amelie von Wulffen; group exhibitions co-curated by artists Iman Issa and Ghislaine Leung; and a new performance piece by Michele Rizzo.

This series of new commissions, featuring Susan Philipsz’s acoustic work in KW’s courtyard in homage of political activist Rosa Luxemburg on the anniversary of her execution, was created during Philipsz’s residency at KW in 2002; the re-installation of Katharina Sieverding’s monumental print Deutschland wird deutscher (1993) is to be displayed in the entranceway of KW as well as on billboards across Berlin in April-May; and artist Sissel Tolaas will create a limited edition of soap carefully composed from particles she collected at the KW building, a former margarine factory.

Complementing this program, a major two-part art auction, organized in collaboration with renowned Berlin-based fine art auction house Grisebach, will take place in June and December 2021, featuring works by over 60 artists who have significantly contributed to KW’s legacy. The annual program’s key event will be a weekend-long celebration on July 2 – 4, 2021, featuring an extensive program of events, performances, and the launch of the first publication retracing KW’s history.

KW Institute for Contemporary Art’s full 30-year anniversary program can be found here.