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LOCK, STOCK, AND, TEARDROPS
DUVE Berlin is presents a two-person exhibition premiering new artworks by artists ALI KEPENEK and MAX SNOW. For this exhibition, entitled, Lock, Stock & Teardrops Kepenek and Snow have created work that calls an attention to the theme of pain, a theme so universal yet greatly personal. A constant duality exists in Ali Kepenek and Max Snow’s recent work of photography, installation, sculpture and collage. Under the theme of pain, both artists address their life experiences from physical existence, through installation and sculpture, as well as the internal and emotional realm, as depicted in their portrait photographs and collages. On view at Duve Berlin Gallery from October 29 to December 10.
The Artistic Vision of Shen Wei
On view tonight in Reggio Emilia, Italy, is a very special site specific dance performance by choreographer Shen Wei, held in the galleries of the Collezione Maramotti – a beautiful collection of art founded by the by the family of the Max Mara fashion house. Shen Wei, master of the art of total dance, miraculously balanced between East and West, is an accomplished choreographer, director, dancer, painter, photographer and artistic director of Shen Wei Dance Arts, one of the most interesting groups in the world of dance. In Shen Wei's latest work, developed specifically for the Collezione Maramotti, Shen Wei presents (21 and 23 October) a new, site-specific creation, an original choreographed piece inspired by works in the permanent collection. In this new piece, the conventional perspective of the gallery visitor is redirected, spectators instead become witnesses and participants in a dialogue that feeds off the exchange of energies between the dancers and the works. Shen Wei's intention is thus to reveal a different framework that might enable visitors to consider works of contemporary art from a new and personal point of view.
Erotic Da Vinci
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Leonardo da Vinci, the Italian renaissance polymath, genius, is widely reported to be gay, but his portraits of the women in his lifetime have the subtly sexualized charge of a man infatuated. If you stare closely Da Vinci's portrait of Cecilia Gallerani stroking an ermine, as part of series painted in the Court of Milan, is suggestive in and of its hinting of the ermine's phallic symbolism, but also the thematic ambiguous grin of the girl herself. ‘Leonardo da Vinci: Painter at the Court of Milan,’ now on view at the National Gallery in London, is the most complete display of Leonardo’s rare surviving paintings ever held. This unprecedented exhibition – the first of its kind anywhere in the world. On view from November 9 to February 5.
Ryan Trecartin & Lizzie Fitch: ANY EVER
Under the title Any Ever the Musée d’Art Moderne de la Ville de Paris is presenting the first major exhibition in France by American artists Ryan Trecartin and Lizzie Fitch. For over five years now the duo's videos, installations and sculptures have been blowing consumer culture and intergenerational relations up to absurd proportions. Any Ever will be on view until January 8, 2012.
It's a Poor Sort of Memory that Only Works Backwards
S.M.A.K. presents the first Belgian retrospective by the filmmaker and artist Johan Grimonprez, entitledIt's a Poor Sort of Memory that Only Works Backwards: On Zapping, Close encounters, and the Commercial Break. In the course of several sections, Grimonprez brings his works face to face with contemporary and historical counterparts, some taken from the Internet. He enters into dialogue with the artists Roy Villevoye and Jan Dietvorst and also with other makers of film and television including Adam Curtis, Brian Springer, the Yes Men, Dr. John Mack and Adbusters. His constantly expanding ‘vlogging installation’ runs through the exhibition like a referential thread and, as a sort of artistic sketchbook, it offers an insight into the way Grimonprez broaches new topics and develops visual associations. On view at S.M.A.K. (Stedelijk Museum voor Actuele Kunst) in Ghent, Belgium until January 29, 2012.
GEORGE CONDO: Mental States
Since his arrival on New York’s East Village art scene in the early 1980s, George Condo has developed a unique and provocative style of painting. But, for all its outlandish humour and outrageousness, his work is deeply engaged withthe memory of European and American traditions of painting. His ‘imaginary portraits’ conjure varied mental states with a mixture of comic absurdity and heart-rending pathos, and his larger abstract paintings re-imagine the work of modern Masters. On view now at the Southbank Center in London, a major retrospective, entitled George Condo: Mental States, offers a comprehensive survey of three decades of Condo’s art.
De Kooning at the MOMA
Willem de Kooning retrospective on view at the MOMA until January 9.
Haute Culture
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General Idea was founded in Toronto in 1969 by Felix Partz, Jorge Zontal and AA Bronson. The collective interrogated media image culture through now legendary projects like File magazine, as well as paintings, installations, sculptures, mail art, photographs, videos, ephemera, TV programs and even a beauty pageant. The group’s transgressive concepts and provocative imagery challenged social power structures and traditional modes of artistic creation in ever-shifting ways, until Partz and Zontal’s untimely deaths from AIDS-related causes in 1994. Curated by Paris-based independent curator Frédéric Bonnet, Haute Culture: General Ideais the first comprehensive retrospective devoted to the collective. The exhibition is organized around five themes, each central to the trio’s production: “the artist, glamour and the creative process”; “mass culture”; “architects/archaeologists”; “sex and reality”; and “AIDS." Haute Culture: General Idea is on view until January 1 at the Art Gallery of Ontario.
The Kiss At Turner
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Auguste Rodin’s life-size marble sculpture The Kiss (1901-04) will be installed at the Sunley Gallery at Turner Contemporary. On loan from the Tate collection and one of the most iconic images of sexual love, The Kiss was voted the nation’s favorite work of art in a 2003 poll. The embracing couple come from a true thirteenth century story of forbidden love, which was immortalized in Dante’s Inferno and by many artists since. The couple are the adulterous lovers Paolo Malatesta and Francesca da Rimini, who were slain by Francesca’s outraged husband. They appear in Dante’s Inferno, which describes how their passion grew as they read the story of Lancelot and Guinevere together. At the time, the perceived eroticism of Rodin’s sculpture was controversial leading to instances where the work was removed from public view.
New Paintings by Lisa Yuskavage
Over the past two decades, Lisa Yuskavage has developed her own genre of the female nude: lavish, erotic, cartoonish, vulgar, angelic young women cast within fantastical landscapes or dramatically lit interiors. They appear to occupy their own realm while narcissistically contemplating themselves and their bodies. Rich, atmospheric skies frequently augment the psychologically-charged mood, further adding to the impression of theatricality and creative possibility. On view now, David Zwirner gallery presents an exhibition of new paintings by Lisa Yuskavage, at the gallery’s 519 West 19th Street space. This will be the artist’s third solo show since her first exhibition at the gallery in 2006. On view until November 5th.
Rock n' Roll Photography
Rock & Roll music provided the soundtrack to American culture and shifting social dynamics in the late 20th century. While the genre has undergone many shifts since its origination mid-century, Rock & Roll and its outgrowths have continued to define and shape the social relations and culture of future generations. Drawn from the largest private collection of photographs of rock musicians in the United States, Backstage Pass: Rock & Roll Photography now on view at the Currin Museum of Art in New Hampshire, captures the intimate relationship between photographer and musician. Featuring 175 photographs—many rarely seen by the public—this exhibition provides a portal into the musical and cultural history of Rock & Roll, from its development in the 1950s to its influence on the sounds and styles of future generations. Photographs will be on view of artists as disparate as Kurt Cobain to Chet Baker. Backstage Pass: Rock & Roll Photography will be on view until January 7, 2012.
The Art of Playboy
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NEW YORK, N.Y.- The Comic Art of Playboy: Over Five Decades of Illustration and Cartoons, more than 85 paintings, illustrations and cartoons that graced the legendary men's magazine - led by pieces like Alberto Vargas' Darling, It's My Hat I Want Your Opinion On, Vargas Girl Playboy Pin-Up from April 1963 - will be the draw for collectors, Oct. 22-23, in New York at The Fletcher-Sinclair Mansion (2 East 79th Street, at 5th Ave.)
NEW YORK: BOUNDARIES OBSCURED
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PATRICIA PICCININI, Silicon, fiberglass, human hair, clothing
Haunch of Venison Gallery presents New York: Boundaries Obscured which is on view now. Artists featured in Boundaries Obscured respond to the growing trend of globalization and the blurring of cultural and geographical boundaries as use of technology becomes more prevalent. Major cities and rural enclaves are no longer distinct entities that operate in opposite contexts. Thus the featured artists depict both urban and rural scenes, addressing universal issues such as war, violence, politics, sex and eroticism, drugs, class, science and technology, waste and excess. These works highlight the overwhelming difficulties and/or advantages of being an individual in a relentlessly encroaching mass of information and external pressure. The exhibiting artists represent the world’s global and diversified (yet interdependent) climate. The artists range in age from 32 to 76 years old and hail from a range of countries including Iraq, India, Sierra Leone, Germany and the United States. “By exhibiting a group of artists at different stages in their careers, who come from radically different backgrounds, we intend to create a dynamic dialogue between the artists,” said Steinberger. The exhibition will include a painting by renowned American artist Peter Saul, whose recent solo exhibition at Haunch of Venison received critical acclaim. Saul is celebrated for his politically charged paintings that comment ironically on current events and public figures. Another highlight of the exhibition is German sculptor Günther Uecker’s ‘Aschemensch (Ash Man)’, a seminal painting from the artist’s only figurative series. Uecker created the work in 1986 as a reaction to the Chernobyl catastrophe. The work features an ambiguous human figure engulfed in sporadic black drips of paint, alluding to the radioactive materials that invaded Chernobyl. New York: Boundaries Obscured is on view until November 3 at Haunch of Venison in New York – 550 West 21st Street.
Hunky Dory
"Strange fascination, fascinating me," quoth David Bowie in his song Changes on the album Hunky Dory. Artist, photographer, online magazine editor, and purveyor of arts and culture Christopher Lusher, based in Huntington, West Virginia, is the progenitor of somewhat of an art scene in one of the oldest states and most forgotten states in America. Like the revolutionary abolitionist John Brown, a West Virginian who murdered slave owners and was ultimately hanged for treason, Lusher carries the same rough-hewn spirit of good old fashion men famous by the annals of American history who know the the true nature of freedom and liberty, and certain inalienable rights. Responsible for bringing Harmony Korine's film Trash Humpers to the 2010 Appalachian Film Festival, contributing to Purple Fashion Magazine's Purple Diary, and editing his own online publication Hillbilly Magazine, Lusher proves it is the power of the innate, inexorable, and mysterious spirit of creation that art can be born in any corner of any part of the world. On October 21 Christopher Lusher's solo art exhibition, entitled Hunk Dory, will open at the Blank Gallery in West Virginia.
Text by Oliver Maxwell Kupper for Pas Un Autre
FERNAND LÉGER: A SURVEY OF ICONIC WORKS
Known for his use of color, bold forms, geometric contrasts, and enduring interest in the working class, French painter Fernand Léger was an artist icon of the 1930s. An exhibition unto itself, a limited-edition volume to be published by Assouline features a curated selection of his most outstanding pieces, hand-glued to each page for a lasting keepsake of Léger’s extraordinary oeuvre.
Lovers from the Hereafter
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Sculptor Jean-Marc Laroche shares with us his fantasy of eternal life with the installation, “Lovers from the Hereafter,” featuring intertwining skeletons embracing one another. The installation will be on view at the Museum of Sex in New York beginning October 5th, 2011 and includes two human-sized sculptures made of varnished resin and jointed with an invisible steel framework - an effect which resembles real bones. With regards to the "Lovers from the Hereafter" sculptures, Jean-Marc said, "They are themselves quite joyful and they thumb their noses at death and present the afterlife as a roll in the hay.” Throughout his career as a sculptor, he has created several erotic, sensual works, which have been brought together for this installation. Born in Paris in 1959, Jean-Marc Laroche began his career as a sculptor in the early 1990s.
Postmodernism: Style and Subversion
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Wet Magazine, April Greiman and Jayme Odgers
Of all movements in art and design history, postmodernism is perhaps the most controversial. This era defies definition, but it is a perfect subject for an exhibition. Postmodernism was an unstable mix of the theatrical and theoretical. It was visually thrilling, a multifaceted style that ranged from the colorful to the ruinous, the ludicrous to the luxurious. What they all had in common was a drastic departure from modernism’s utopian visions, which had been based on clarity and simplicity. The modernists wanted to open a window onto a new world. Postmodernism, by contrast, was more like a broken mirror, a reflecting surface made of many fragments. Its key principles were complexity and contradiction. It was meant to resist authority, yet over the course of two decades, from about 1970 to 1990, it became enmeshed in the very circuits of money and influence that it had initially sought to dismantle. Postmodernism shattered established ideas about style. It brought a radical freedom to art and design, through gestures that were often funny, sometimes confrontational and occasionally absurd. Most of all, postmodernism brought a new self-awareness about style itself. Postmodernism: Style and Subversion 1970 to 1990 is on view until January 15 at the Victoria & Albert Museum in London.
30 Americans
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Xaviera Simmons, One Day & Back Then (Standing), 2007. Courtesy of Rubell Family Collection, Miami.
30 Americans is a wide-ranging survey of work by many of the most important African American artists of the last three decades. Selected from the Rubell Family Collection, the exhibition brings together seminal figures such as Jean-Michel Basquiat and David Hammons with younger and emerging artists such as Kehinde Wiley and Shinique Smith. Often provocative and challenging, 30 Americans focuses on issues of racial, sexual, and historical identity in contemporary culture. It explores how each artist reckons with the notion of black identity in America, navigating such concerns as the struggle for civil rights, popular culture, and media imagery. At the same time, it highlights artistic legacy and influence, tracing subject matter and formal strategies across generations. 30 Americans consists of 76 paintings, sculptures, drawings, photographs, and videos, and includes spectacular works of art such as Leonardo Drew’s massive cotton and wax sculpture Untitled #25, several of Nick Cave’s exuberant Soundsuits, and a large-scale silhouette by Kara Walker. On view October 1 to February 12, 2012 at the Corcoran Art Gallery in Washinton, DC.
Alina Szapocznikow: Sculpture Undone
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