Fame Kills
Amy Winehouse by Hedi Slimane
Magic for Beginners
Olaf Breuning, Emmanuelle 2009
Jesse McLean, Magic For Beginners 2010, 20 min video
Ten artists are a part of a group show entitled Magic For Beginners at P.P.O.W. Gallery in NYC–including Bas Jan Ader and Olaf Breuning. "Their works concern themselves with an intensely personal present tense, with lives lived and documented in real time. These works are inward, solipsistic, and in some instances, similar to an occult experience or an exercise in ritualized revelation." Magic for Beginners is on view from July 28 to August 27. www.ppowgallery.com
Pulp Art: The Robert Lesser Collection
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Robert Lesser began collecting pulp paintings, comic books, and comic-character toys in the 1950s. As a student at the University of Chicago, Lesser’s literature studies combined with his fascination with popular culture kindled his interest in studying and collecting pulp art and comic memorabilia....In 1975 he wrote A Celebration of Comic Art and Memorabilia, an informational collectors guide; in 1997 he published Pulp Art: Original Cover Paintings for the Great American Pulp Magazines, a full-color collection of pulp paintings and history that includes expert interpretation. The style of artwork created for pulp magazines is often compared to Norman Rockwell’s cover designs for the “Saturday Evening Post,” but the character of the paintings was quite disparate from Rockwell’s jovial depictions of everyday life. Pulp Art flaunted unsettling images of violence, racism, sex, and crime. The publishing houses that produced pulp fiction such as Popular Publications, Street & Smith, Condé Nast, and Frank A. Munsey Company destroyed much of the artwork produced for the magazines after printing. The images weren’t suitable for display in homes or museums so artists and auctioneers deemed them worthless. Tens of thousands of pulp paintings were created, out of which only a small number survive today.The 90 works on display at the Museum of American Illustration are now a part of the collection of the New Britain Museum of American Art, promised gift of Robert Lesser. Now on view until July 31. www.societyillustrators.com
Polka Dots Are a Way to Infinity: Yayoi Kusama
In the next year we'll be hearing a lot about Yayoi Kusama. The Japanese artist Yayoi Kusama, who Yoko Ono sites as an influence, was born in Japan in 1929 and at the age of ten started to paint her infamous polka-dots and net motifs. In a Yayoi Kusama universe things would look like what the world would look like if an obsessive compulsive God on a mushroom trip created it. Yayoi Kusama says about polk-dots: "...a polka-dot has the form of the sun, which is a symbol of the energy of the whole world and our living life, and also the form of the moon, which is calm. Round, soft, colorful, senseless and unknowing. Polka-dots become movement... Polka dots are a way to infinity." Kusama has also published many books including Manhattan Suicide Addict - a photographic and typographic treatise on the isolation of exile through the pure formation of art. On view now at the Museo Nacional Centro de Arte Reina Sofía in Madrid many of Yayoi Kusama's most personal works on view until September. The exhibition will then move to the Centre Pompidou in París, then to the Tate in London, and finally to the Whitney in New York. www.museoreinasofia.es
Text by Oliver Maxwell Kupper for Pas Un Autre
MATTHEW STONE / RULES FOREVER (PART II)
In Stone's last exhibition at Union Gallery Forever Rules (Part I), Stone presented a single sculpture in the center of the gallery and 3 photo-collage works on wood. The sculpture and also main focus of the exhibition was an oak and birch floor-based sculpture, a structure entirely hand built by the artist, titled “Forever Rules”. The sculpture was formed in part by an open sided, oak dodecahedron, its pentagonal facets creating a complex, net-like form. In Plato's divine geometry, the dodecahedron is described as a perfect solid. Historically it has been attached to the concept of a fifth element, namely Ether (Aether) or Universe. It has represented the perfect mediation of the infinite and the finite, the sphere and the cube. For his second part exhibition Rules Forever (Part II), Stone will continue honoring Plato and will present a much larger sculptural element comprising four oak structures, but instead of a large photographic nude, cut into hundreds of wooden squares that passes through the structure, as in the show before, the artist has decided to cluster the structure with photographic collages, printed directly onto birch plywood. These digitally collaged configurations of torso and limb, show bodies intertwined and connected. Unmistakable as Stone's work, the gestures and classical poses of his languorous figures are intersected by areas of new color, cut, if only to reconnect, along unnatural, directional and geometric bias. On view until July 30 at the Union Gallery in the UK. www.union-gallery.com
HENNESSY X KAWS
Hennessy, the number one selling cognac in the world, just announced their exclusive Hennessy V.S bottle collaborative project with the artist KAWS, which will hit shelves in September 2011. In addition to the limited edition bottle, the duo will create multiple digital shorts, which will be distributed throughout the year. There will also be a private launch party in NYC this month. Stay tuned for an interview with KAWS in the first issue of Autre Quarterly. www.hennessy.com
Todd Eberle: Empire of Space
...The Empire of Space is a lavish look at Eberle’s career and features many rare and never-before-published portraits, landscapes, still lifes, and interiors. In the spirit of Walker Evans, Eberle creates an enduring and poetic portrait of America, the arts, and architecture through thoughtfully contrasting and analogous photographs. This exciting and definitive book on Eberle’s illustrious legacy is sure to rank among the most important publications to mix modernism, minimalism, and photography. www.rizzoliusa.com
POLLY MORGAN 'Burials'
....Polly Morgan is at the very forefront of modern taxidermy. She has contributed to a shift in public perception that has taken ‘the art of preparing, stuffing and mounting the skins of animals with lifelike effect’ to places never dreamed of by its original Victorian practitioners. The vitrines are still there but little else remains. Birds are taken out of their natural habitat and are reassembled, often in mass, creating sculptures of astonishing and often disquieting beauty. For ‘Psychopomps’ at Haunch of Venison last year, this theme of disintegration and recomposition was keenly explored. ‘Burials’ takes this idea to its logical end, interment and then potential rebirth elsewhere. ‘The coffin’ (Carrion Call), with its shrieking chicks, makes a welcome return, this time transported to the dimly-lit backroom of a Venetian palazzo; Count Dracula’s transportation of his own coffins from Transylvania to Carfax Abbey in London, performs an almost perfect reverse. A sense of imprisonment and the futility of escape dominates this exhibition, escape is actually, both metaphorically and physically, an unlikely possibility. Three new-style works adorn the walls, in the shapes of a spade, a coffin-lid and a headstone respectively. Other large-scale pieces that further celebrate the themes of rebirth and spring are also included in the form of an ancient (much twisted) maypole and a scorched flying machine held aloft by flame-orange finches and canaries. Polly Morgan 'Burials,' her first solo show in Italy, is on view until July 22 at the Workshop Arte Contemporanea in Venice - www.workshopvenice.com
[ART IN THE DESERT] Holographic Heart
Curated by Maximilla Lukacs the Red Arrow Gallery in Joshua Tree hosts Holographic Heart: Images of Ecstatic Tradition and Ritual from the HERE and NOW. On view will be photography by Eliot Lee Hazel, Logan White, Alison Scarpulla, Adarsha Benjamin, Yelena Yemchuk, Todd Weaver, Galen Pehrson, Jena Malone and more. July 9 at the Red Arrow Gallery from 7 to 9 p.m 61597 29 Palms Hwy Joshua Tree, CA.
Glamour of the Gods
Leo (John Gilbert) kisses Felicitas (Greta Garbo) in Flesh and the Devil (1926)
Glamour of the Gods is a celebration of Hollywood portraiture from the industry's 'Golden Age', the period 1920 to 1960. From Greta Garbo and Clark Gable to Audrey Hepburn, James Dean and Marilyn Monroe, it is these portraits that transformed actors and actresses into international style icons. In many cases these are the career-defining images of Hollywood's greatest names and help to illustrate their enduring appeal. Featuring over 70 photographs, most of which are exquisite vintage prints displayed for the first time, the exhibition is drawn from the extraordinary archive of the John Kobal Foundation and demonstrate photography's decisive role in creating and marketing the stars central to the Hollywood mystique. Now on view at the National Portrait Gallery in London until October 23. www.npg.org.uk
[NOVELS] A Wild Surge of Guilty Passion
"Based on a real case whose lurid details scandalized Americans in 1927 and sold millions of newspapers, acclaimed novelist Ron Hansen's latest work is a tour de force of erotic tension and looming violence. Trapped in a loveless marriage, Ruth Snyder is a voluptuous, reckless, and altogether irresistible woman who wishes not only to escape her husband but that he die—and the sooner the better. No less miserable in his own tedious marriage is Judd Gray, a dapper corset-and-brassiere salesman who travels the Northeast peddling his wares. He meets Ruth in a Manhattan diner, and soon they are conducting a white-hot affair involving hotel rooms, secret letters, clandestine travels, and above all, Ruth's increasing insistence that Judd kill her husband. Could he do it? Would he? What follows is a thrilling exposition of a murder plan, a police investigation, the lovers' attempt to escape prosecution, and a final reckoning for both of them that lays bare the horror and sorrow of what they have done. Dazzlingly well-written and artfully constructed, this impossible-to-put-down story marks the return of an American master known for his elegant and vivid novels that cut cleanly to the essence of the human heart, always and at once mysterious and filled with desire." More...
Yan Morvan's Bikers
In Arles, at 5 rue des Arènes, Marc Bervillé from the Parisian gallery “Iconoclastes”, is featuring 25 photographs from an exceptional series by Yan Morvan on gang men and bikers in the 1970’s. More....
Helmut Newton: Sleepless Nights
Houston hosts the U.S. premiere of an exhibition featuring the entire contents from Helmut Newton´s first three groundbreaking books: White Women (1976), Sleepless Nights (1978), and Big Nudes (1981). The 205 photographs in these books established Newton´s reputation as the supreme recorder of female identity, and as a master craftsman of the photographic medium. A complete set of the prints in the exhibition has been acquired by the Museum of Fine Arts in Houston.
Ed Ruscha: On the Road
Ed Ruscha photographed by Dennis Hopper
In 1951, Kerouac wrote On the Road on his typewriter as a continuous 120 foot-long scroll, feverishly recording in twenty days his experiences during road trips in the U.S. and Mexico in the late 1940s. With its publication in 1957, Kerouac was acknowledged as the leading voice of the Beat Generation, a group of writers that included Alan Ginsberg and William Burroughs. Over the last few years Ed Ruscha has continued to explore his own fascination with the shifting emblems of American life by turning his keen aesthetic sensibility to Kerouac’s classic novel. Having created his own limited edition artist book version of On the Road in 2009 published by Gagosian Gallery and Steidl, and illustrated with photographs that he took, commissioned, or found, Ruscha has created an entirely new body of paintings and drawings that take their inspiration from passages in Kerouac’s novel. Opening today at the Hammer Museum in Los Angeles an exhibition entitled Ed Ruscha: On the Road includes Ruscha’s edition of Kerouac’s legendary novel, six large paintings on canvas, and ten drawings on museum board, each taking its text from On the Road. www.hammer.ucla.edu
The Accursed Poets
Paul Verlaine
Nineteenth-century French poete maudits (accursed poets — poets who lived outside or rebelled against society), such as Charles Baudelaire, Paul Verlaine, Arthur Rimbaud and Comte de Lautreamont, have inspired numerous artists of various eras. An exhibition in Japan showcases etchings and prints of 20th-century artists, including Maurice Denis, Salvador Dali and Roberto Matta, who celebrated such French poetry. On view are around 180 works, including Matta's interpretation of Rimbaud's "Une Saison en Enfer" and a copy of de Lautreamont's "Les Chants de Maldoror," which inspired print works by Bernard Buffet as well as illustrations by Dali. On view until August 7 at the Machida City Museum of Graphic Arts, (042) 726-2771, 4-28-1 Haramachida, Machida-shi.
Le Royal Monceau Exhibits Melvin Sokolsky
Luxury hotel Le Royal Monceau – Raffles Paris exhibits Work by photographer Melvin Sokolsky starting Thursday, July 7th, 2011 "Rétrospective" will showcase American photograph Melvin Sokolsky, a major figure in the revival of fashion photography in the 1960s. Considered the golden age of photography, this was a period of major innovations and audacious images, a decade that formulated a new vocabulary that still inspires image-makers to this day. www.raffles.com
Picasso at Work
Cannes, 8 February 1956. The photojournalist David Douglas Duncan stops his car in front of Villa La Californie, residence of one of the most famous artists of all time: Pablo Picasso. In his hand is a ring especially made for Picasso, who appreciates the gesture and invites him into his home, his studio and his intense life. With Stephanie Ansari and Tatyana Franck as its curators, Picasso at Work. Through the Lens of David Douglas Duncan brings together in the Museo Picasso Málaga 115 photographs selected from among the thousands that Duncan took of the artist and his milieu in those years. www.museopicassomalago.com
Second Annual Solid Sound Festival at MASS MoCA
Photos feature Thurston Moore Playing with Pillow Wand, Here We Go Magic, Adarsha Benjamin's polaroids on display at MASS MoCA.
AN OBSCENE DIARY: THE VISUAL WORLD OF SAM STEWARD
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