Rachel Gregor Presents Summer as an Inescapable Purgatory for Teenage Girlhood in Still Summer @ Hashimoto Contemporary

Still Summer by Rachel Gregor, Stickleback and the female nude

Rachel Gregor, Stickleback, 2023. Images courtesy of Hashimoto Contemporary.

The rules of adolescent girlhood are convoluted and often unspoken, something painter Rachel Gregor seeks to highlight in her first solo exhibition with Hashimoto Contemporary, Still Summer. The Kansas City-based painter portrays the summer before ninth grade (remembered through overexposed point-and-shoot film photos) as the tense passage into true young adulthood: newfound independence is at odds with a lack of agency, infantilization discredits budding knowledge about the world. Based on versions of herself, the characters in these new paintings are wolves in sheep’s clothing, rebelling to escape their physical and psychological barriers, or at least survive the small hell of Arcadian juvenility.

Still Summer is on view through December 2 @ Hashimoto Contemporary, 2754 S La Cienega Blvd. Los Angeles, CA 90034

 
 

Carroll Dunham's Wrestlers Paintings @ Gladstone Gallery In New York

 This show features large-scale paintings from Carroll Dunham's Wrestlers series, which demonstrate Dunham’s continued exploration of and fascination with interpretations of the nude body with particular attention to the male form. Made over the last year, these paintings reflect a clear new direction for the artist through the lens of the distinctive approach to painting that Dunham has employed and tinkered with throughout his career. Using the visual language of mythological depictions of wrestling, mined from art historical sources and his own memory, these paintings propose new through lines in Dunham’s practice that are both formal and autobiographical in nature. The exhibition is on view through June 16 at Gladstone Gallery 24th Street New York. photographs by Adam Lehrer

"Unique in Their Genders" Group Show @ Galerie Christophe Gaillard in Paris

Galerie Christophe Gaillard hosts “Unique in Their Genders” (“Uniques en leur genres”). This group show is a kind of “other world” in which self-eroticism, personality games and domestic space are theatre for the most intimate and unconfessed fantasies. In these (art) rooms, all variations are not only conceivable: they exist. Roles, then, aren’t as set as they are on the outside and in the shadowy light of a gallery that resembles to a domestic space, reality can reflect many surprises. On view until December 17 at Galerie Christophe Gaillard in Paris. photographs by Mazzy-Mae Green

See Our New Editorial by Raquel Pellicano Shot In An Architectural Gem in Brasília →

Located in the Brazilian Highlands - Brasília was developed by urban planners and architects Lúcio Costa and Oscar Niemeyer in 1956 in order to move the capital from Rio de Janeiro to a more centralized located. Downtown proper is filled brilliant examples of midcentury splendor and some of the greatest masterpieces belonging to Costa and Niemeyer - along with landscapes by Roberto Burle Marx. In the this editorial, shot in one of the beautiful modernist homes in the suburbs by photographer Raquel Pellicano, the model's beauty is matched perfectly against the beauty of the architecture with its steel, wood and concrete accents. Click here to see the full editorial. 

MATTHEW STONE / RULES FOREVER (PART II)

In Stone's last exhibition at Union Gallery Forever Rules (Part I), Stone presented a single sculpture in the center of the gallery and 3 photo-collage works on wood. The sculpture and also main focus of the exhibition was an oak and birch floor-based sculpture, a structure entirely hand built by the artist, titled “Forever Rules”. The sculpture was formed in part by an open sided, oak dodecahedron, its pentagonal facets creating a complex, net-like form. In Plato's divine geometry, the dodecahedron is described as a perfect solid. Historically it has been attached to the concept of a fifth element, namely Ether (Aether) or Universe. It has represented the perfect mediation of the infinite and the finite, the sphere and the cube.  For his second part exhibition Rules Forever (Part II), Stone will continue honoring Plato and will present a much larger sculptural element comprising four oak structures, but instead of a large photographic nude, cut into hundreds of wooden squares that passes through the structure, as in the show before, the artist has decided to cluster the structure with photographic collages, printed directly onto birch plywood. These digitally collaged configurations of torso and limb, show bodies intertwined and connected. Unmistakable as Stone's work, the gestures and classical poses of his languorous figures are intersected by areas of new color, cut, if only to reconnect, along unnatural, directional and geometric bias. On view until July 30 at the Union Gallery in the UK. www.union-gallery.com