Behind the scenes photos by Adarsha Benjamin of 'Rebel' - a film by James Franco and Harmony Korine to be premiered at the Venice Biennale this June.
Fear & Loathing in San Juan: The Rum Diaries
Its a tale all too Hunter Stockton Thompson. In 1958 he completed his first novel, The Rum Diary - he was in his late 20s. Letters around this time, Hunter Thompson was a voracious letter writer - he kept a carbon copy of almost every letter he ever wrote since his teens and lasted until his suicide at 67 as some kind of obsessive, seemingly feverish, prophetic preservation of his legacy, before and after completion of the Rum Diary, paint a Hunter Thompson excited about finishing his first, real novel - after hopscotching from one one horse town newspaper to the next throughout much of his early journalistic career. But letters also show the harsh side of rejection and many letters to the effect from editors, as well as replies back from Thompson with belligerent threats of murder, revenge and spilled teeth. The Rum Diary tells the tale of a young American journalist disillusioned by a hopelessly bland America under Eisenhower who moves to a pristine San Juan, Puerto Rico to work for a flailing newspaper and becomes obsessed with a young blonde fiancee of a cohort. Its a tale all to Hunter Thomson: reportage of the strange world from behind the bullet proof glass of his own conciousness, a consciousness too big in a world that at same time made him feel so small. Rum soaked and covered in white tropical sand, The Rum Diary is a tale of bliss and abandon from a young writer finding his voice at the apex of an entirely American 20th century, groping madly for the American dream up the fuzzy blouse of some young, dumb secretary. The Rum Diary wasn't published until 1998, nearly 50 years after it was completed. This October, a film, entitled The Rum Diary, will bring this incredible book to to the silver screen.
DΓ©esse du Soleil
Once there were solar deities like Arinna, the sun goddess of the ancient Hittites and the storied beauty who inspired this short film by Lars Pillmann.
[Nouvelle Vague] Jean-Paul Belmondo Canonized at Cannes
Belmondo in Jean-Luc Godard's Breathless 1960
With his rough and tumble good looks and eternally dangling cigarette, Jean-Paul Belmondo has been a fixture in French cinema for nearly six decades. Belmondo, the actor who defined "New Wave" cinema with his debut roll in Jean-Luc Godard's Breathless will be canonized at this years Cannes Film Festival with a grand fΓͺte apropos for the celluloid icon; as well as the premier of Vincent Perrot and Jeff Domenechβs documentary Belmondo, The Career. The Cannes Film Festival runs May 11 β 22.
Jean-Paul Belmondo in Philippe de Broca's That Man From Rio 1964
Claudia Cardinale and Jean-Paul Belmondo in Mauro Bolognini's The Lovermakers, 1961
Jean-Paul Belmondo in Jean-Pierre Melville's LΓ©on Morin, Priest, 1961
Belmondo as Belmondo
[FILM] The Face Behind the Mask (1941)
The Face Behind the Mask is the story of a hopeful new immigrant, Janos Szaby (Peter Lorre), who, on his first day in New York City, is trapped in a hotel fire that leaves his face hideously scarred. Refused employment due to his appearance although he possesses tremendous skill as a watchmaker, the only way he can survive is by turning to theft, using his skilled hands to disable alarms. Eventually he becomes the leader of a gang of thieves, and raises enough money to commission and wear a realistic latex mask of his own face. Janos then falls in love with Helen (Evelyn Keyes) a blind woman who sees only the good in him, and attempts to leave his life of crime behind him. Unfortunately, his gang come to believe that he has betrayed them to the police, and attempt to kill him by car bomb, an attempt on his life that he survives but that Helen does not. In retaliation, Janos disguises himself as the pilot of the private plane the gang is flying out of the city with, which he lands in the Arizona Desert and lets out the fuel, suicidally stranding both the gang and himself without food or water, dooming them all to a slow death. At the film's end, Janos's body and that of his enemies are discovered by the police.
Post by Dustin Lynn
Reflections on Nature
film by Adarsha Benjamin
I Put a Spell On You
ELIZABETH TAYLOR FEBRUARY 27, 1932 β MARCH 23, 2011
Film: Beautiful Darling
Candy Darling
Beautiful Darling, a documentary film, pays tribute to the short but influential life of an extraordinary person -- the actress Candy Darling, born James Slattery in a Long Island suburb in 1944. Drawn to the feminine from childhood, by the mid-Sixties James had become Candy, a gorgeous, blonde actress and well-known downtown New York figure. Candy's career took her through the raucous and revolutionary Off-off-Broadway theater scene and into Andy Warhol's legendary Factory. There she became close to Warhol and starred in two Factory movies that still shock and amuse today: Flesh and Women in Revolt. Candy used her Warhol fame to land further film roles, and her admirer Tennessee Williams cast her in his play Small Craft Warnings. She dreamed of becoming a Hollywood star, but tragically died of lymphoma in the early Seventies, at only twenty-nine.
Candy Darling on her deathbed
The film will be released this April. www.beautifuldarling.com
Lonely Nights
a short film by Oliver Maxwell Kupper for Pas Un Autre
8mm Fragments 2
Shot by Oliver Maxwell Kupper for Pas Un Autre
8mm FRAGMENTS 1
Shot by Oliver Maxwell Kupper for Pas Un Autre
Italian Style on the Silver Screen
A major collection of rare images depicting the influence of Italian style in film will be unveiled at an exhibition at Proud Chelsea, which launched last Tuesday with a private viewing. The exhibition has been curated by celebrated top photographer Rankin and Italian fashion writer, film expert and cultural commentator Anna Battista in conjunction with Peroni Nastro Azzurro. The exhibition officially opened yesterday at Proud Chelsea and from there will tour another four UK cities , until Saturday 2nd April where it finishes in Bristol. The Peroni Collection β Italian Style on the Silver Screen explores the relationship between Italian fashion design and its enduring influence on film making, image making and characterisation. The exhibition will feature rare and never seen before images and costumes from the cinematic world. The Peroni Collection references not only classic Italian films like Ladri di Biciclette and Bellissima, but also more contemporary titles (including American Psycho and Casino Royale). The images, taken from classic Italian film and fashion archives from around the world, showcase the beauty of Italian fashion on celluloid. www.proud.co.uk
Let Us Now Praise Androgyny: Clara Bow in The Wild Party
In a publicity shot for sex symbol Clara Bow's first talkie, 'The Wild Party' (1927), she dresses in an unusually masculine style in sleeveless shirt, tie and braces (suspenders).
Deneuve
Stunningly beautiful, mysterious, ageless, and possessed by a peerless elegance, Catherine Deneuve is one of the most legendary actresses in all of cinema. Over the course of her 40 year careerβfrom early work with film giants like Luis BuΓ±uel, FranΓ§ois Truffaut, Roman Polanski, AgnΓ¨s Varda, and Jacques Demy to later films with celebrated contemporary cineastes like FranΓ§ois Ozon, Arnaud Desplechin, Raoul Ruiz, and moreβDeneuve has played muse for Europeβs greatest filmmakers, channeling her remarkable beauty and compelling eroticism to create some of cinemaβs most iconic roles. Presented in collaboration with the Cultural Services of the French Embassy and Institut Francais, a 25-film tribute to the actress being held at the Brooklyn Academy represents only a sliver of the over 100 films she has appeared in during her career. Deneuve runs from March 4 to March 31. www.bam.org
Openings: JAMES FRANCO / GUS VAN SANT "Unfinished"
"Unfinished" features two films, Endless Idaho and My Own Private River, which are collaborations between Gus Van Sant and James Franco. After casting Franco in the award-winning film Milk (2008), Van Sant showed him the dailies and other footage that he had shot many years before for My Own Private Idaho (1991), which starred River Phoenix and Keanu Reeves as street hustlers in Portland, Oregon. Much of this material did not make it into the final cut, and so Franco decided to fashion it into two new films, riffing off the original title. The opening is February 26th at the Gagosian in Beverly Hills and runs till April 9. www.gagosian.com
Goodbye Tura Satana! Into the Great Wild Beyond You Go....
Tura Satana, who is best known for her roll as Varla in Russ Meyer's 1965 cult film Faster Pussycat! Kill Kill!,has died. She lived fast, strange, and long; at one point even turning down a marriage proposal from Elvis Preseley. Bon voyage Tura Satana!
Stolen Youth: In Memory of Maria Shneider
Maria Shneider, who was paid $4,000 dollars to star opposite Marlon Brandon in Bertolucci's Last Tango in Paris, has died at the age of 58; she will be buried in Père Lachaise Cemetery in Paris.
Cinema: Santa Sangre
Alejandro Jodorowsky's surreal masterpiece is on DVD for the very first time. A young man is confined in a mental hospital. Through a flashback we see that he was traumatized as a child, when he and his family were circus performers: he saw his father cut off the arms of his mother, a religious fanatic and leader of the heretical church of Santa Sangre ("Holy Blood"), and then commit suicide. Back in the present, he escapes and rejoins his surviving and armless mother. Against his will, he "becomes her arms" and the two undertake a grisly campaign of murder and revenge.
Jacques Dutronc: Every Man For Himself
A friend and fellow Francophile recently sent me a link to the Jacques Dutronc music video for βLes gens sont fous, les temps sont flousβ (which translates roughly as βThe people are crazy, the times are vagueβ). Thus began an immediate obsession with the songwriter turned singer turned actor, who, in the 60s wrote hits for his then girlfriend, later wife, FranΓ§oise Hardy while at Vogue Records. He went on to become a star in his own right with his first chart-topper,βEt moi et moi et moi." Dressed to perfection in suit and tie at a time when most musicians were growing beards and donning bell-bottoms, Dutroncβs live performances were characterized by a wink and a nod to the audience, his sly, bemused expression transforming his particular brand of pop into a subtle parody of the genre itself.
Itβs no surprise then, that Dutronc later went into acting, eventually starring in Jean-Luc Godard's 1980 meta-film Every Man For Himself, in which the pop star plays an filmmaker, also named Godard, who is grappling with the dissolution of his marriage. A brand new 35mm print of the film has recently been pressed and will be shown in Chicago later this week and in Vancouver at the beginning of next month. See links for dates and times: Chicago & Vancouver.
Text by Anna Wittel for Pas Un Autre