Singing the Body Electric features work by aaajiao, Philip-Lorca diCorcia, Felix Gonzalez-Torres, Jian Yi-Hong, Wolfgang Tillmans, Wei Jia, and Lisa Yuskavage. The show’s title is derived from Walt Whitman’s ecstatic and politically nuanced poem “I Sing the Body Electric” from Leaves of Grass (1855). The exhibition includes work from across various media that likewise celebrates and complicates themes of the body and desire, while exploring physicality and identity in the context of the synthetic and alienating nature of a highly digitized world. Singing the Body Electric is on view through August 10 at David Zwirner 80 Queen's Road Central, Hong Kong. photographs courtesy of the gallery
Tongues Untied at the MoCA Pacific Design Center Navigates Desire, Love and Loss to Explore Sexual and Political Repression
The Museum of Contemporary Art, Los Angeles, presents "Tongues Untied," an exhibition titled after the landmark film by poet, activist, and artist Marlon Riggs. "Tongues Untied" presents a selection of works from the museum’s permanent collection by John Boskovich, Felix Gonzalez-Torres, and others, alongside Riggs’s deeply personal and lyrical exploration of black gay identity in the United States. Made during a historical period marked by the onset of the AIDS crisis, the works navigate desire, love, loss, and mourning to engage and question sexual and political repression, expression, and deviation. This exhibition coincides with the 30th anniversary of the City of West Hollywood and is presented in concert with a celebration of its activist history. Tongues Untied will be on view until September 13, 2015 at MoCA Pacific Design Center.
Felix Gonzalez-Torres: Double
On view startin today at Plateau, Samsung Museum of Art in Seoul, Korea, a solo exhibition of Felix Gonzalez-Torres, entitled Double. This exhibition examines the broad spectrum of Gonzalez-Torres’s oeuvre with particular emphasis on the malleable nature of his works, demonstrating how their meaning, as much as the form, can shift as the architectural, social, and curatorial landscapes change. The exhibition will also be on view at the sister museum Leeum, as well as multiple locations throughout the city of Seoul, and will also be on view prior to and following the opening of the Gwangju Biennale on September 7th. Felix Gonzalez-Torres, who died at the early age of 38 in 1996, is considered one of the most influential artists of his generation. Using everyday objects such as mirrors, clocks, puzzles, candies and paper stacks, Gonzalez-Torres’s oeuvre more profoundly examined the “public” function of art, while presenting strictly private contemplations on love and the fragility of life. Felix Gonzalez-Torres, Double, will be open until September 28, 2012 at Plateau, Samsung Museum of Art, Samsung Life Insurance Building Taepyeongno2-Ga, Jung-Gu, Seoul, Korea