Situated in the context of the first thrift store paintings altered by Danish artist Asger Jorn, Strategic Vandalism: The Legacy of Asger Jorn’s Modifications Paintings is a group show of over 30 prominent international artists investigating multifarious appropriation methods spanning from the mid-1960s to the flourishing techniques of the 1980s, up to the present day. Strategic Vandalism: The Legacy of Asger Jorn’s Modification Paintings features works by Enrico Baj, Marcel Duchamp, Max Ernst, Hans-Peter Feldmann, Vidya Gastaldon, Wade Guyton/Stephen Prina, Rachel Harrison, Ray Johnson, Jacqueline de Jong, Asger Jorn, Mike Kelley, Martin Kippenberger, Per Kirkeby, Lee Krasner, Albert Oehlen, Francis Picabia, Stephen Prina, R.H. Quaytman, Arnulf Rainer, Julian Schnabel, Jim Shaw, Gedi Sibony, Alexis Smith, Daniel Spoerri, John Stezaker, Betty Tompkins, and David Wojnarowicz. Strategic Vandalism is on view through April 13 at Petzel Gallery 456 W 18th Street, New York. photographs by Adam Lehrer
Marxism @ 303 Gallery
Richard Prince, You Bet Your Life, 2010
303 Gallery presents Marxism, an exhibition that examines the sociopolitical impact of the rebellious humor of the Marx Brothers - Chico, Groucho, Gummo, Harpo, and Zeppo - in relation to artwork by a gang of five contemporary artists - Marcel Duchamp, Jack Goldstein, Rodney Graham, Tim Lee and Richard Prince. The Marx Brothers are known for their subversive satire that cleverly addresses political and social issues with a touch of slapstick or a "honk honk" of Harpo's horn. Their beloved films continue to make people laugh with their particular brand of anarchic humor, where everything is taken literally and humor acts as a defense against the woes of the world. From Groucho's iconic mustache, glasses, and cigar to Chico's phony Italian accent and Harpo's squeaky walking stick, the Marx Brothers are unparalleled entertainers immortalized for their wit and use of simple props to address topics ranging from love and war to show business with a staunchly anti-authoritarian stance. Duchamp, Goldstein, Graham, Lee and Prince are similar innovators and provocateurs in the world of contemporary art, who have made work that relates to or references themes in the Marx Brothers' oeuvre. The exhibition will present works by each of the four artists as well as a large collection of historical material relating to the Marx Brothers, including films, photographs, records and props. Marxism is on view until August 3, 2012 at 303 Gallery, 547 W 21st Street
Stand Still Like a Hummingbird
Jerry McMillan, Ed Ruscha with six of his books on his head, 1970
David Zwirner gallery in New York presents Stand Still like the Hummingbird, an exhibition curated by Bellatrix Hubert in the gallery’s 525 and 533 spaces. It takes its title from a collection of short stories and essays by American writer Henry Miller, published in 1962. Known equally for his mysticism and dark humor, Miller proposed the idea of “flying backwards, standing still like a hummingbird” as a lighthearted antidote to the frantic pace of modern society. The exhibition also embraces the paradox in the appropriation of its title – the hummingbird only appears still because of the rapidity of its wings – and gathers a selection of paintings, sculptures, and videos by artists who engage with contradictions, impossibilities, and the absurd. The exhibition also explores the notion of "understated gestures and formal restraint" - finding its historical starting point in Marcel Duchamp's Comb and other readymades artworks that came to influence a century of art making. Works in the show include Forty-two postcards by On Kawara, stamped by the time he got up on a given day and simply titled I Got Up(1968-1976), a collection of Ed Ruscha’s photobooks (1964-1978), works by Bernd and Hilla Becher, Francis Alÿs, Marcel Duchamp, and more. Stand Still Like a Hummingbird will be on view from June 28 to August 3, 2012 at David Zwirner gallery, 525 West 19th Street, New York.
Mircea Cantor Wins the Marcel Duchamp Prize
Romanian born artist Mircea Cantor wins the 2011 Marcel Duchamp Prize.
Surrealism: The Poetry of Dreams
Victor Brauner, Romania/France 1903–66, Loup-table (Wolf-table) 1939, 1947, Wood and taxidermied fox
This June marks the beginning of a unique, expansive exhibit of surrealist artwork in Queensland, Australia. The Gallery of Modern art in Queensland, a land far from the birth of surrealism, is borrowing "the core" of one of the finest and largest collections held at the The Musée national d’art moderne in at the Centre Pompidou in Paris. Its a rare occasion in that the collection rarely leaves Paris. The exhibition presents more than 180 artworks by 56 artists, including paintings, sculptures, ‘surrealist objects’, films, photographs, drawings and collages. Surrealism: The Poetry of Dreams is on view June 11 to October 2 at the The Gallery of Modern Art in Queensland - www.qag.qld.gov.au.