Ever Gold [Projects] Celebrates Its 10th Anniversary With "Gold Standard" Exhibition

Ever Gold celebrates its 10th anniversary with an exhibition titled "Gold Standard" featuring works from artists Zachary Armstrong, Korakrit Arunanondchai, Mario Ayala, Sadie Barnette, Chris Burden, Frédéric Bruly Bouabré, Serge Attukwei Clottey, Petra Cortright, Mark Flood, Kate Groobey, Brian Harte, Marc Horowitz, Paul Kos, Jasmine Little, Mieke Marple, Shaina McCoy, Barry McGee, MOCA (Museum of Conceptual Art), Oscar Murillo, Guy Overfelt, Cameron Platter, Kour Pour, Sterling Ruby, Ed Ruscha, Tom Sachs, Adam Parker Smith,  Takis, and Christine Wang. Gold Standard will be on view through February 13 at Ever Gold [Projects] 1275 Minnesota St. Suite 105, San Francisco. photographs by Oliver Maxwell Kupper

Opening Of 'A Journey That Wasn’t' @ The Broad Museum

A Journey That Wasn’t considers artists’ complex representations of time, and features the return of the beloved video installation, The Visitors, by Ragnar Kjartansson. The exhibition presents more than 20 artists including Bernd and Hilla Becher, Gregory Crewdson, Andreas Gursky, Elliott Hundley, Pierre Huyghe, Anselm Kiefer, Sherrie Levine, Glenn Ligon, Sharon Lockhart, Paul Pfeiffer and Ed Ruscha. The featured works in the exhibition—ranging from painting and sculpture to photography, film and installation—examine the passage of time by alluding to nostalgia or sentiments about aging, often depicting specific places in states of decay; these works can act as documentation, memorial or symbol. Still others imply movement or narrative within single still images; in these works, historical styles and events are ruptured, collaged and re-contextualized as to become portals into seemingly other worlds. is on view through at The Broad Museum 221 South Grand Avenue Los Angeles. photographs by Oliver Maxwell Kupper

This Brush for Hire: Norm Laich & Many Other Artists @ Institute of Contemporary Art

This Brush for Hire: Norm Laich and Many Other Artists surveys an array of world-renowned artists and one indispensable assistant—the Los Angeles-based artist, sign painter, and fabricator Norm Laich. The exhibition will consist of paintings and graphic installations fabricated by Laich over the past three decades. Laich has been a key contributor to the production of many iconic works by a range of artists including Ed Ruscha, Paul McCarthy, Barbara Kruger, Allen Ruppersberg, and Jenny Holzer, among many others. The exhibition is on view through September 2 at Institute of Contemporary Art 717 East 7th Street Los Angeles. photographs by Oliver Maxwell Kupper

Ed Ruscha @ the Gagosian in Rome

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In his most recent paintings, Ed Ruscha continues to meditate on the melancholy of Psycho Spaghetti Westerns in complex pictures that conflate his signature elements with the visual devices, perspectival techniques, and refined atmospheres of Old Master paintings to depict the romantic road trip of youth reduced to roadside dystopia. Ed Ruscha "Paintings"will be on view until January 17th at the Gagosian in Rome, Via Francesco Crispi 16

Bad For You, Curated by Beth Rudin DeWoody @ Shizaru

Shizaru Gallery presents Bad For You, an exhibition of contemporary art curated by Beth Rudin DeWoody. Composed of artists based primarily in America, Bad For You seeks to capture the panoramic strand of contemporary art that deals with the exhibition’s eponymous title. Artists include Robert Longo, Marilyn Minter, Ed Ruscha, Aurel Schmidt, Andy Warhol and more. On view until November 23, 2012 at Shizary Gallery, 112 Mount Street, London, England. 

Ed Ruscha @ His Exhibition at the Kunsthaus Bregenz

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Reading Ed Ruscha – an exhibition of artist Ed Ruscha's publications and printed media over his expansive career are currently on view at the Kunsthaus Bregenz in Austria until October 14. Photograph by Rudolf Sagmeister

Stand Still Like a Hummingbird

Jerry McMillan, Ed Ruscha with six of his books on his head, 1970

David Zwirner gallery in New York presents Stand Still like the Hummingbird, an exhibition curated by Bellatrix Hubert in the gallery’s 525 and 533 spaces. It takes its title from a collection of short stories and essays by American writer Henry Miller, published in 1962. Known equally for his mysticism and dark humor, Miller proposed the idea of “flying backwards, standing still like a hummingbird” as a lighthearted antidote to the frantic pace of modern society. The exhibition also embraces the paradox in the appropriation of its title – the hummingbird only appears still because of the rapidity of its wings – and gathers a selection of paintings, sculptures, and videos by artists who engage with contradictions, impossibilities, and the absurd. The exhibition also explores the notion of "understated gestures and formal restraint" - finding its historical starting point in Marcel Duchamp's Comb and other readymades artworks that came to influence a century of art making. Works in the show include Forty-two postcards by On Kawara, stamped by the time he got up on a given day and simply titled I Got Up(1968-1976), a collection of Ed Ruscha’s photobooks (1964-1978), works by Bernd and Hilla Becher, Francis Alÿs, Marcel Duchamp, and more. Stand Still Like a Hummingbird will be on view from June 28 to August 3, 2012 at David Zwirner gallery, 525 West 19th Street, New York.

ED RUSCHA: ON THE ROAD in Miami

Exhibition view of Ed Ruscha's series of paintings inspired by Jack Kerouac's On The Road that was previously on view at the Hammer Museum in Los Angeles will be on view at the Moca, North Miami until September 2, 70 NE 125th Street, North Miami, Florida.

The Shaping of New Visions

Valie Export, Einkreisung (Encirclement) from the series Körperkonfigurationen (Body Configurations). 1976.

The Shaping of New Visions: Photography, Film, Photobook, on view this month at the MOMA in New York, covers the period from 1910 to today, offers a critical reassessment of photography's role in the avant-garde and neo-avant-garde movements—with a special emphasis on the medium's relation to Dada, Bauhaus, Surrealism, Constructivism, New Objectivity, Conceptual, and Post-Conceptual art—and in the development of contemporary artistic practices. The shaping of what came to be known as "New Vision" photography bore the obvious influence of "lens-based" and "time-based" works. El Lissitzky best summarized its ethos: "The new world will not need little pictures," he wrote in The Conquest of Art (1922). "If it needs a mirror, it has the photograph and the cinema." The Shaping of New Visions: Photography, Film, Photobook will be on view at the Museum of Contemporary art from April 18 to April 29, 2013.

[BOOKS] Rebels in Paradise

"Los Angeles, 1960: There was no modern art museum and there were few galleries, which is exactly what a number of daring young artists liked about it, among them Ed Ruscha, David Hockney, Robert Irwin, Bruce Nauman, Judy Chicago and John Baldessari. Freedom from an established way of seeing, making, and marketing art fueled their creativity, which in turn inspired the city. Today Los Angeles has four museums dedicated to contemporary art, around one hundred galleries, and thousands of artists. Here, at last, is the book that tells the saga of how the scene came into being, why a prevailing Los Angeles permissiveness, 1960s-style, spawned countless innovations, including Andy Warhol's first exhibition, Marcel Duchamp's first retrospective, Frank Gehry's mind-bending architecture, Rudi Gernreich's topless bathing suit, Dennis Hopper's Easy Rider, even the Beach Boys, the Byrds, the Doors, and other purveyors of a California style. In the 1960s, Los Angeles was the epicenter of cool." You can purchase the book here.