Strategic Vandalism: The Legacy of Asger Jorn’s Modification Paintings @ Petzel Gallery In New York

Situated in the context of the first thrift store paintings altered by Danish artist Asger Jorn, Strategic Vandalism: The Legacy of Asger Jorn’s Modifications Paintings is a group show of over 30 prominent international artists investigating multifarious appropriation methods spanning from the mid-1960s to the flourishing techniques of the 1980s, up to the present day. Strategic Vandalism: The Legacy of Asger Jorn’s Modification Paintings features works by Enrico Baj, Marcel Duchamp, Max Ernst, Hans-Peter Feldmann, Vidya Gastaldon, Wade Guyton/Stephen Prina, Rachel Harrison, Ray Johnson, Jacqueline de Jong, Asger Jorn, Mike Kelley, Martin Kippenberger, Per Kirkeby, Lee Krasner, Albert Oehlen, Francis Picabia, Stephen Prina, R.H. Quaytman, Arnulf Rainer, Julian Schnabel, Jim Shaw, Gedi Sibony, Alexis Smith, Daniel Spoerri, John Stezaker, Betty Tompkins, and David Wojnarowicz. Strategic Vandalism is on view through April 13 at Petzel Gallery 456 W 18th Street, New York. photographs by Adam Lehrer

Wolfgang Tillmans @ David Zwirner In New York

How likely is it that only I am right in this matter? is an exhibition of new and recent work by Wolfgang Tillmans. Tillmans here eschews his signature style of floor-to-ceiling installations in favor of a more minimal, linear presentation concise in subject matter as well as scope. Featuring photographs, video and sound, and a spoken-word piece, the show revisits themes explored by the artist throughout his thirty-year career, but also initiates a subtle reevaluation of how to portray a world consistently in flux. How likely is it that only I am right in this matter? is on view through October 20 at David Zwirner 519, 525 & 533 West 19th Street, New York. photographs by Adam Lehrer

Beside Myself Group Show Opens @ JTT In New York

Through their very gothic and physical imagery of mutation, fragmentation, disintegration and masquerade, the works in Beside Myself position themselves as objects in opposition to the self-same body; by presenting themselves as its shadow. This show demonstrate the ways in which art maintains not just the historical but also the magical ability to conceive of expansive and malleable identities in the midst of all those that society and culture prescribe. Beside Me is on view through August 3rd at JTT Gallery 191 Chrystie Street New York. photographs by Adam Lehrer

Drake Carr Presents "Gulp" @ The Hole In New York

Drake Carr presents Gulp, a new series of figurative sculptures composed in two parts. Like the composition of an album, Carr’s sculptural ensemble segues between genres, time signatures, and themes to populate a scene built of multiple tracks. Irregularities in scale and texture animate and describe the boundaries between each of the figures, casting kaleidoscopic patterning as the crux of the soiree’s representational and interpersonal logic. Stuffed and dressed, bodysuits and armatures shuffle and skip (like a scratched CD) in a warp of orientations. Gulp is on view through August 12th at The Hole 312 Bowery New York. photographs by Adam Lehrer

Highlights From Frieze New Yorks' Seventh Edition @ Randall's Island

Frieze New York closed its seventh edition on Sunday, May 6, bringing together 197 leading galleries from 30 countries. This year's fair enjoyed record visitor attendance and continued to build on its commitment to discovery - with new programming, curators, and a redesigned layout, bringing a fresh energy to the fair. Frieze returns to Randall's Island in May 2019 247 Centre Street 5th Floor New York. photographs by Adam Lehrer

Robert Mapplethorpe Curated By Roe Ethridge @ Gladstone Gallery In New York

Gladstone Gallery presents an exhibition of historic works by Robert Mapplethorpe, curated by artist, Roe Ethridge. This marks the gallery's first solo presentation as the New York representative of the Robert Mapplethorpe Foundation. Barbara Gladstone showed his work once before when she published the seminal Flowers portfolio in the early 1980s. Ethridge brings his own perspective as a contemporary artist who works in the same genres of portraiture and still life that are touchstones of Mapplethorpe's well-known oeuvre. Drawn from the extensive archive of the Robert Mapplethorpe Foundation, Ethridge has selected both iconic images-including self-portraits, flowers, and scenes of frank sexual provocation-and those exhibited for the first time to evoke his own experience of understanding the breadth of Mapplethorpe's mastery of process and composition. This show offers a compelling new look at Mapplethorpe's distinctive practice: rather than focusing on a specific time or subject, it explores less familiar images and themes that highlight the innovation of his work, still astonishing almost three decades after his death. Robert Mapplethorpe Curated by Roe Ethridge will be on view until April 14, 2018 at Gladstone Gallery in New York. photographs by Adam Lehrer

Read Our Short Goodbye Letter To Writer and Raconteur Glenn O'Brien

Clash’s Mick Jones shared his personal guide to a healthy and happy life: “Don’t be a cunt to anybody.” And always out front and center was Glenn, looking handsome and sophisticated in his slacks and shirts or his Basquiat-customized leather jacket, somehow seeming a notch cooler than the uber-cool legends of art, music and fashion he had on the show. There is no greater example of Glenn’s savvy for turning a cultural moment into a historical movement than the years he spent producing TV Party. It set the stage for where his career would head. Click here to read more. 

Cory Arcangel and Olia Lialina "Asymmetrical Response" @ The Kitchen In New York

In military parlance, the terms asymmetrical and symmetrical are employed to refer to political provocations and diplomatic démarches, escalation and tension, and power dynamics of the highest order. Not specific to war, these terms also refer more generally to a set of relations that define our connections to power. On the eve of Y2K, Russian­-born Olia Lialina—who is among the best-known participants in the 1990s net.art scene—first met American artist Cory Arcangel. Ever since, the artists have been deep in dialogue about the social and cultural impact of the Internet’s historical shift from a tool for military communication to an “information superhighway” promising open and equal exchange, and, finally, the increasingly asymmetric “content delivery system” we experience today. In this first collaboration, Arcangel and Lialina present complex bodies of work that arose through their continuing conversation. Cory Arcangel and Olia Lialina "Asymmetrical Response" will be on view until February 18, 2017 at The Kitchen NYC. photographs by Adam Lehrer

Oscar Murillo "Through Patches of Corn, Wheat and Mud" @ David Zwirner Gallery in New York

David Zwirner presents an exhibition of new works by Oscar Murillo. On view at 525 and 533 West 19th Street in New York will be paintings, drawings, sculptural elements, and film. Murillo addresses the conditions of display in the contemporary art world by engaging with a series of opposites—including work and play, production and consumption, and originality and appropriation. His practice is closely tied to notions of community and migration stemming from his cross-cultural ties to London, where he currently lives, and Colombia, where he was born. Oscar Murillo "Through Patches of Corn, Wheat and Mud"  will be on view until October 24, 2016. photographs by Adam Lehrer

Daniel Arsham "Circa 2345" @ Galerie Perrotin in New York

Galerie Perrotin presents Daniel Arsham’s first solo show with the gallery in New York. The exhibition will feature sculptural pieces, breakthrough use of color as well as a large scale installation. Daniel Arsham’s sculptural works are poetic constructions made up of juxtapositions of form and material: a 16mm film projector rendered in ash and hydrostone, or a 20th century iconic guitar, formed out of white glacial rock dust, its crumbling areas integral to its haunting beauty. Transforming compressed elemental materials such as stone, crystal and ash into carefully chosen important cultural artifacts, Arsham offers a brief glimpse into our current culture and its signifiers, as if seen far off into the future. Daniel Arsham "Circa 2345" will be on view until October 22, 2016 at Galerie Perrotin in New York. photographs by Adam Lehrer