Over the Influence Los Angeles is proud to present this unprecedented homage to Los Angeles gallerist Hollis Benton. In 1980 the Hollis Benton Gallery opened its doors on Rodeo Drive in Beverly Hills. Architect Michael Graves gave the architectural concept pro bono. Decked out in chrome, marble surfaces, and harsh accent walls; it was a loud bullhorn for the day’s visual culture. In its nearly ten-year run the gallery broke all the rules for selling out and became an aspirational pioneer in the process. Hollis Benton was a brash British collector with family connections to Hollywood. He bought Memphis furniture, Patrick Nagel paintings, and Robert Graham sculptures. His scene was never part of the mainstream art world of Los Angeles and for him that made him a maverick. In 1979, thanks to Benton’s long friendship with Hugh Hefner, the artists Patrick Nagel and LeRoy Neiman both began collaborations with Playboy magazine. It would rocket their fame making them voices of a generation. For nearly a decade both artists would paint multiple exclusive images for every issue of Playboy. Neiman became the Playboy Mansion’s artist-in-residence. Click here to read more. An Homage To Hollis Benton will be on view until June 24, 2017 at Over The Influence gallery in Los Angeles. photographs by Oliver Kupper
"Concrete Island" Group Exhibition @ Venus Los Angeles
"Welcome to Concrete Island: an overlooked city within a city, an entropical paradise where leisure is lean. Careen off the highway and into the cushion of your airbag to arrive at this bleak no man’s land, where you’ll be marooned in plain sight. No one will hear your cries against the tide of commuter traffic lapping at the shores of our deserted island, nestled between two lanes of howling interstate. This vestigial location is your vacation destination, boasting all the sights and specificities of any cultural petri dish. Come and brave this new world. This here and now – this moment – could last forever." Concrete Island, the first curatorial effort of Aaron Moulton, brings together over thirty mostly LA-based artists who have worked around the theme of JG Ballard's book Concrete Island (1974). Ballard’s tale reinterprets the contemporary city as a savage ecosystem where survival is an avant-garde condition. The protagonist is thrown from his urban reality to be marooned on a desert island in the middle of the city. The character is forced to endure a Robinson Crusoe-esque journey emulating humankind’s will to survive in the face of adversity. Concrete Island will be on view until May 13, 2017 at Venus Los Angeles. photographs by Oliver Maxwell Kupper