Intersect Art and Design Presents Intersect Palm Springs

Intersect Palm Springs, which ran from February 10-13, 2022, brought together a dynamic mix of more than 50 established and emerging contemporary and modern art and design galleries.

The Fair featured two Curated Spaces:

Good Vibrations, organized by Shana Nys Dambrot (Arts Editor, LA Weekly) and Hunter Drohojowska-Philp (Author, Rebels in Paradise: The Los Angeles Art Scene and the 1960s), offered an expanded view of geometric abstraction as it has evolved in Southern California from the 1950s to include the properties of light and the emotional and transcendent uses of color. Lorser Feitelson, Karl Benjamin, John Miller, Peter Lodato, Jim Isermann, Patrick Wilson, Dani Tull, Yunhee Min, Knowledge Bennett, and Jen Stark are among the artists to be included in this multi-generational show.

ZZyzx Redux, curated by Bernard Leibov (Director, BoxoPROJECTS), and presented with support from The Art Collective Fine Art Services, was inspired by that remote corner of the Mojave Desert which demonstrates the full cycle of modern Southern Californian desert history: from Indigenous trade route; to gold rush era federal fort; to railroad outpost; to a much hyped health resort; and finally an environmental research station. These cycles have spurred optimism, creative development, and new technologies as well as related aspects of dislocation, exploitation, and environmental damage. The exhibition looks at the sustainability of the current land rush in the local area through artworks both inspired by the attractant qualities of the region (light, space, architecture, nature, lifestyle) and those reminding us where history has taken us before. The exhibition includes work by artists Blake Baxter, Diane Best, Ryan Campbell, Gerald Clarke Jr., Sofia Enriquez, Kim Manfredi, Carlos Ramirez, Cara Romero, Aili Schmeltz, Ryan Schneider, Phillip K. Smith III, and Kim Stringfellow.

 

Tear by Richard Hudson. Presented by Michael Goedhuis at Intersect Palm Springs 2022 Focus on Form: Sculpture Garden

 

Focus on Form: Sculpture Garden provided a spotlight on sculpture at the entry to the Fair, featuring 18 large-scale works by such artists as Stephanie Bachiero (Peter Blake Gallery), Michael DeJong (New Discretions), Andy Dixon (Over the Influence), Tara de la Garza (bG Gallery), Richard Hudson (Michael Goedhuis), Robert Indiana (Galerie Gmurzynska), Dominique Labauvie (Bleu Acier), Robert Raphael (SITUATIONS), Alex Schweder (Edward Cella Art & Architecture), Jesse Small (Nancy Hoffman Gallery), Julian Voss-Andreae (HOHMANN), and Ben Allanoff.

Works from the Fair will be online at Artsy.net, Intersect’s exclusive online marketplace partner, through March 3, 2022.

Todd James: There's No Place Like Home @ Over The Influence In Los Angeles

Featuring mostly large-scale acrylic paintings, THERE’S NO PLACE LIKE HOME elaborates on Todd James’ recent theme of surreal interiors rendered in a lush, saturated palette. These are deeply personal spaces, populated with slightly abstracted objects, which form engaging compositions that draw the viewer into the artist’s world. There’s not place like home is on view through October 27 at Over The Influence 833 E 3rd St, Los Angeles. photographs by Lani Trock and courtesy of Over The Influence

Group Show “How They Ran” @ Over The Influence

Taking the name from the second chapter of Germaine Greer’s landmark text “The Obstacle Race” from 1979, “How They Ran” brings together a selected group of LA-based artists whose diverse practices represent the heartbeat of the Los Angeles art scene today. Greer’s book presented an art historical account of artists who are missing from academic literature and how they overcame historical obstacles to achieve notoriety anyway. Through this lens, Over the Influence will present a group exhibition of LA-based artists from different backgrounds, practices, and generations. "How They Ran" is on view through September 5th at Over The Influence 833 East 3rd Street Los Angeles. photographs by Lani Trock

"An Homage To Hollis Benton" Group Show Curated by Aaron Moulton @ Over The Influence Gallery In Los Angeles

Over the Influence Los Angeles is proud to present this unprecedented homage to Los Angeles gallerist Hollis Benton. In 1980 the Hollis Benton Gallery opened its doors on Rodeo Drive in Beverly Hills. Architect Michael Graves gave the architectural concept pro bono. Decked out in chrome, marble surfaces, and harsh accent walls; it was a loud bullhorn for the day’s visual culture. In its nearly ten-year run the gallery broke all the rules for selling out and became an aspirational pioneer in the process. Hollis Benton was a brash British collector with family connections to Hollywood. He bought Memphis furniture, Patrick Nagel paintings, and Robert Graham sculptures. His scene was never part of the mainstream art world of Los Angeles and for him that made him a maverick. In 1979, thanks to Benton’s long friendship with Hugh Hefner, the artists Patrick Nagel and LeRoy Neiman both began collaborations with Playboy magazine. It would rocket their fame making them voices of a generation. For nearly a decade both artists would paint multiple exclusive images for every issue of Playboy. Neiman became the Playboy Mansion’s artist-in-residence. Click here to read more. An Homage To Hollis Benton will be on view until June 24, 2017 at Over The Influence gallery in Los Angeles. photographs by Oliver Kupper