Isa Genzken 75/75 Celebrates 75 Sculptures & 75 Years of Life @ Neue Nationalgalerie in Berlin

 
 

To mark Isa Genzken’s 75th birthday, the Neue Nationalgalerie is honoring the German artist with the exhibition Isa Genzken: 75/75, showing 75 sculptures spanning all phases of her oeuvre from the 1970s to the present. The presentation recalls displays of classical antiquity collections in its arrangement of individual sculptures in the Neue Nationalgalerie’s upper hall. In the configuration models, archetypes and assessments of the human and modern society emerge.

The sculptures are not hewn into form but rather embody in their heterogeneous materiality the technologies, plastic, concrete, decorations and functional objects that permeate daily life. Genzken transposes these reassessments and fluid framings into authenticity, beauty, absurdity and exaggeration. Her work derives from actualities, such as a window or the figure of an actor, which she then alters and distorts into her own realities and visual language. The individual, also her as an artist, and her biography are the instruments used in this scrutiny of Western culture’s ideals and types of production.

“The works are meant to function more as moving images than as sculptures, with a new view seen from every angle. Nothing is fixed or two-dimensional but rather cinematic,” said Isa Genzken in an interview in 2016. Visitors discover themselves being queried through the confrontation with familiar everydayness. Collages of personal worlds emerge. The viewers become participants, tools, and scales of measurement within the exhibition space, not least through reflections in the object surfaces.

75/75 is on view through November 27th at Neue Nationalgalerie, Potsdamer Str. 50, 10785 Berlin.

Werner Büttner's "Malerei 1982-2022" @ Galerie Max Hetzler

Malerei 1981–2022 is a solo exhibition of Werner Büttner’s work at Galerie Max Hetzler, Bleibtreustraße 45 and 15/16 in Berlin. This is the artist's tenth solo exhibition with the gallery.

Absurdity, irony and ambivalence play a central role in Werner Büttner's paintings, which gained recognition in the late 1970s under the term ‘Bad Painting’. Motifs of classical modernism are reworked, sometimes with the help of linguistic elements, and thus become unflinching commentaries on society and the broader condition humaine. ‘The generation before us – the conceptual artists – had declared painting as an outdated, bourgeois medium to be abolished. This prohibition had to be broken by us descendants, out of defiance, for distinction, and because the laws of generation demand it. And so, in juvenile presumption, I took hold of almost all known categories of painting – still lifes, self-portraits, animal pictures, seascapes, history painting, religious subjects, etc.’, the artist explains.

This exhibition comprises works from a creative period of over 40 years, offering an impressive insight into Büttner's practice. The impasto painting, applied in rapid brushstrokes and alla prima (wet- on-wet), lends the works a coarseness that is further emphasised by the typical artist's frames made of wooden slats. Isolated splashes and streaks of paint, created by the explosive movements of the brush, reinforce the dynamism and power of the paintings. In the later works, this fast technique is replaced by a more precise painterly style, yielding images with a greater intellectual and visual subtlety. A block of drawings and a group of sculptures by the artist will also be shown at Bleibtreustraße 15/16.

 
 

Malerei 1981-2022 is on view until August 19th at Galerie Max Hetzler, Bleibtreustraße 45 and 15/16, 10623 Berlin