"Don't Look Back: The 90s At MOCA" Group Show @ The Museum of Contemporary Art In Los Angeles

Don’t Look Back: The 1990s at MOCA comprises works from MOCA’s permanent collection that identify the recent decade’s key concerns and transformations, including many that have not been on view since originally shown and acquired. If the 1980s were shaped by the advent of identity politics, producing significant works that examined the nexus of race, gender, and sexuality, the 1990s both extended and challenged these ideas. Many artists turned to large-scale installations as a way to convey a complicated interface between the public and the museum, or to articulate the realms of overlap and dissonance in individual and public identities. The exhibition includes works by Catherine Opie, Cady Noland, Sarah Sze, and Paul McCarthy, among others, and explores the complexities of the period by dividing the presentation into six thematically grouped sections, titled: Installation; The Outmoded; Noir America; Place and Identity; Touch, Intimacy, and Queerness; and Space, Place, and Scale. Don’t Look Back: The 1990s at MOCA will be on view until July 11, 2016 at the Museum of Contemporary Art In Los Angeles. photographs by Oliver Maxwell Kupper

Sharon Stone Hosts The Photo15 AIDS Monument Benefit and Photography Auction at Milk Studios In Hollywood

Last night at Milk Studios, Photo15 a live auction benefit, was held for the creation of the West Hollywood AIDS Memorial. For the benefit, dozens of the most iconic photographs from the past 50 years were donated by some of the art world’s greatest juggernaut photographers. Works by Jack Pierson, Herb Ritts, Olivier Zahm, Ellen von Unwerth, Katherine Opie, and many more were represented, and some of the most philanthropic buyers were there hoping to take home a piece of the action. Preceding the live auction, Sharon Stone gave an emotional and sobering speech about the AIDS epidemic and what it has taught us about humanity. In it she says, “This is not a lesson we’re just learning in the AIDS community – it’s a lesson we are learning about humanity. When we judge, when we turn our backs on each other, when we turn away from anyone in need, we have a global crisis.” Indeed, for this event to happen on the same day as a mass shooting in Oregan, we are once again reminded of the obligation we have to band together and put an end to our most deadly manifestations. Last night, hundreds of Angelenos came together to build awareness and honor those who have suffered from the tragedies of the AIDS epidemic. photographs by Oliver Maxwell Kupper

CATHERINE OPIE

Stephen Friedman Gallery presents an exhibition of early and recent work by Catherine Opie. Opie is considered to be one of the most important American photographers of her generation. This is her fourth solo exhibition at the gallery and follows her highly acclaimed solo mid-career surveys at the Guggenheim, New York in 2008-2009 and at the ICA, Boston, earlier this year. Shown here for the very first time is an early group of portraits from the artist's black and white 'Girlfriends' series and a major new body of landscape photographs, taken at sea. On view until January 23, Stephen Friedman Gallery, 25-28 Old Burlington Street, London.