Zoe Crosher's "Sunlight as Spotlight" Opens @ Patrick Painter In Los Angeles

Zoe Crosher, enamored by Los Angeles, has an obsession that began during her time receiving her MFA from CalArts. Here, she has reimagined her “Day for Night” photographic works. In “Day for Night,” Crosher uses a photography technique used during the Film Noir days of Hollywood, by shooting images in such a way that they look like they were taken at night. She documents the disappearance of the Los Angeles River, using the sunlight to spotlight the image in frame. For this show, she has taken that process a step further and made light boxes out of the photographs, further emulating the film-like aspect by placing light behind the image, creating, in essence, a single-shot movie. Sunlight as Spotlight is on view through November 24 at Patrick Painter B2, 4031, 2525 Michigan Avenue, Santa Monica.

Private Opening Of The "Human Condition" Group Show Curated by John Wolf At A Former Hospital in Los Angeles

Human Condition is an immersive, site-specific exhibition that features the work of sixty emerging and established artists in a uniquely challenging space: a former hospital in West Adams, previously known as the Los Angeles Metropolitan Medical Center. Curated and produced by the Los Angeles-based art advisor John Wolf, Human Condition invites artists to re-contextualize the hospital’s functional history—over 40,000 square feet of it—as a venue to explore what it means to be human. Human Condition is a unique opportunity to experience artwork outside the confines of a typical art space. In using the skeletal remains of the hospital and its discarded medical supplies, artists and viewers are encouraged to explore the notion of what we leave behind—from objects to human history. Human Condition opens to the public on October 1, 2016 and runs through November 30, 2016. Address: 2231 S Western Ave. Los Angeles, CA. photographs by Oliver Maxwell Kupper

Sharon Stone Hosts The Photo15 AIDS Monument Benefit and Photography Auction at Milk Studios In Hollywood

Last night at Milk Studios, Photo15 a live auction benefit, was held for the creation of the West Hollywood AIDS Memorial. For the benefit, dozens of the most iconic photographs from the past 50 years were donated by some of the art world’s greatest juggernaut photographers. Works by Jack Pierson, Herb Ritts, Olivier Zahm, Ellen von Unwerth, Katherine Opie, and many more were represented, and some of the most philanthropic buyers were there hoping to take home a piece of the action. Preceding the live auction, Sharon Stone gave an emotional and sobering speech about the AIDS epidemic and what it has taught us about humanity. In it she says, “This is not a lesson we’re just learning in the AIDS community – it’s a lesson we are learning about humanity. When we judge, when we turn our backs on each other, when we turn away from anyone in need, we have a global crisis.” Indeed, for this event to happen on the same day as a mass shooting in Oregan, we are once again reminded of the obligation we have to band together and put an end to our most deadly manifestations. Last night, hundreds of Angelenos came together to build awareness and honor those who have suffered from the tragedies of the AIDS epidemic. photographs by Oliver Maxwell Kupper

Melanie Schiff, Zoe Crosher, Galia Linn and Mark Hagen @ LAXArt In Los Angeles

LAXArts presents an exhibition of work by Melanie Schiff (a series of photographs entitled Pains), Zoe Crosher (from her LA-Like: Prospecting Palm Fronds series), a sculpture installation of Vessels by Galia Linn and a modular wall sculpture by Mark Hagan. These exhibitions will be on view until October 24 at LAXArt, 7000 Santa Monica Blvd. Hollywood, C. photographs by Oliver Maxwell Kupper

Austere: A One Night Only Exhibition Held At A Former Accounting Office In Los Angeles

Austere, a one night exhibition curated by Shyan Rahimi and Cedric Aurelle, took place in a former accounting agency located on the 20th floor of the only office tower along Santa Monica’s Ocean Ave, overlooking the Pacific Ocean and the city of Los Angeles. Alongside aerial views and unique sunsets, the vacant office provided the starting point to an exhibition that addressed a contemporary world whose reality proceeds from the economic speculation of global players and political decisions of supra-powers. With the background of a fictional reinterpretation of this reality by the media, the exhibition convoked images, texts and stories that present a critical approach to contemporary narratives of a post-capitalist world stuck between global fears and dream-industry.  Artists included were William Cordova, Zoe Crosher, Lauren Elder, Sam Kenswil, Bradley Michael Kronz and more. photographs by Sara Clarken

A Group Show Entitled "To Hide To Show" Opens Tomorrow At MAMA Gallery In Los Angeles, Read Our Exclusive Interviews with the Artists →

Opening tomorrow night in Los Angeles, MAMA gallery will present To Hide To Show, a group exhibition derived from a contemporary French social anthropological study entitled Montrer / Occulter, which loosely translates to the exhibition’s title. The artists chosen to represent the ideas and concepts behind this study, and its conclusions, experiment with the notion of concealing and revealing on a societal, intellectual and creative basis. These artists include Clara Balzary, Zoe Crosher, Nana Ghana, Ariana Papademetropolous, Mattea Perrotta, Fay Ray, Lisa Solberg, and Johanna Tagada. Click here to read our interviews with all the artists. 

A Tour of Artist and Photographer Zoe Crosher's Studio

Zoe Crosher, Founder and President of the Los Angeles branch of The Fainting Club, is an artist who lives and works in Los Angeles. Inspired by the collapse of the image and the imaginary, Crosher explores disconnects between the fantasy of something and its reality. Through her conceptual mappings of identities and self-hoods, both of place (Out The Window and LA-LIKE) and person (The Michelle duBois Project), Crosher is interested in activating the gaps between expectation and misremembering. Recent works have been realized as sculptures and perfumes, billboards and desserts, entropic walls, and fools gold dust paintings, musical compositions and collaborations of all kinds, including curating, publications, and of course, images. Conflating the real and the fake, and concerned with an iterative process, repetition, and multiples that emerge through virtual and real-time, she engages the fiction of documentary and the impossibility of the archive, eschewing any sort of belief in a singular history – aka, the “Imagiatic”. photographs by Oliver Maxwell Kupper