Emma Webster "That Thought Might Think" At Petzel Gallery In New York

Emma Webster, The Material World, 2025. Oil on canvas102 x 190 x 2 in259.1 x 482.6 x 5.1 cm. Photo: Marten Elder. Courtesy of the artist and Petzel,New York

Emma Webster's inaugural solo exhibition at Petzel Gallery, "That Thought Might Think," is a mesmerizing journey into expansive, otherworldly landscapes that challenge our perception of reality. On view from March 7 through April 12, 2025, this exhibition showcases Webster's largest works to date, offering viewers an immersive experience. Central to the exhibition are two monumental paintings: "The Material World" and "Era of Eternity." "The Material World" transports viewers to a primordial realm, where lush foliage thrives under an obscured sun, evoking a sense of ancient majesty. In contrast, "Era of Eternity" captures a celestial spectacle—a spiraling sunburst accompanied by a flock of geese soaring over a canyon—eliciting feelings of awe and contemplation. Webster masterfully manipulates light and atmosphere, leaving us pondering whether we are witnessing the dawn of creation or the quietude of an impending dusk.

What sets Webster's work apart is her innovative fusion of traditional painting techniques with modern technology. By integrating virtual reality, hand-drawn sketches, and scans of handcrafted sculptures, she constructs digital dioramas that serve as the foundation for her paintings. This approach not only pays homage to historical artistic tools like the camera obscura but also propels the genre of still life into the contemporary digital age. The resulting landscapes are immersive and uncanny, blurring the lines between the tangible and the virtual, and prompting reflection on our relationship with nature in the Anthropocene era.

The timing of these works is particularly poignant. Created amidst the Los Angeles fires, Webster's paintings resonate with the urgency of ecological crises. She reflects, "It was surreal to make this work while just outside the studio; the orange, smoky sky was raining ash from the fires." Yet, through her art, she celebrates the resilience and complexity of natural systems, inviting viewers to engage with environments that are both familiar and fantastical. "That Thought Might Think" is not just an exhibition; it's an invitation to explore the delicate interplay between reality and artifice, nature and technology. Emma Webster's visionary landscapes beckon us to reconsider our place within the natural world and the digital constructs we inhabit.

Emma Webster, Era of Eternity , 2025 Oil on canvas 108 x 180 x 2 in 274.3 x 457.2 x 5.1 cm. Photo: Marten Elder. Courtesy of the artist and Petzel, New York

Read Our Interview of Artist Emma Webster Ahead of Her Upcoming Exhibition @ Jeffrey Deitch

Emma Webster
The Rehearsal (Harvest Moon) (2023)
60 x 84 in
Oil on linen

How does one go about staging a stage? Emma Webster’s upcoming exhibition, Intermission at Jeffrey Deitch, answers this question by erasing the line between prop and (back)stage. This boundary erasure is nothing new for Webster, whose work combines the supernatural, unnatural, and natural realms, merging this paradoxical triad into a cohesive, uncanny space that reflects the inescapable presence of human viewership on nature and art. Her landscapes exist in a variety of intermediary spaces: between heaven and horror, nature and technology, fiction and reality, and theater and visual art. In Intermission, she gives physicality to these liminalities while highlighting previously behind-the-scenes sculptural stages of her process, creating an environment of borderless voyeurism that invites us, the viewers, into her creative world, while reminding us of our separation from it, reinforcing our roles as witnesses. Read more.

The Yellow Light at 6pm @ Galerie Max Hetzler

Left to right: Günther Förg, Vivian Suter
Installation view: Galerie Max Hetzler, Berlin, 23 June – 19 August 2023
Courtesy the artists and Galerie Max Hetzler, Berlin | Paris | London, Photo: def image 

Galerie Max Hetzler explodes into colorful, ethereal questioning with a group show featuring work by Darren Almond, Georg Baselitz, Glenn Brown, André Butzer, Sarah Crowner, Carroll Dunham, Hedwig Eberle, Ida Ekblad, Günther Förg, Katharina Grosse, Alex Israel, Melike Kara, Alex Katz, Friedrich Kunath, Beth Letain, Jake Longstreth, Tal R, David Salle, Julian Schnabel, David Schutter, Sean Scully, Ben Sledsens, Mònica Subidé, Vivian Suter, Liliane Tomasko, Tursic & Mille, Rinus Van de Velde, Grace Weaver, Emma Webster, and Toby Ziegler.

Despite Cézanne’s insistence that the world, with all its strangeness, only becomes present, comprehensible and recognizable in images, the onset of modernity initiated a disappearance of nature and landscape in the course of a rational logic of progress. Matisse, Munch or Klee were already only able to preserve them in pictorial form. With 30 individual views on landscape and nature, the group exhibition das gelbe Licht 6 Uhr nachmittags (the yellow light at 6pm) maps out the hazy mosaic of a frail present: whether as a melancholic reminiscence of man-made devastation, a stoic contemplation of the fragile fabric of everyday life or a daring invention of an uncertain future yet to come.

The work is largely without people. Yet, as the exhibition title, a line of poetry by the late Rolf Dieter Brinkmann suggests, we, looking and empathizing, are ourselves the missing human reference. For the question of how we want to fit into the world arises again and again.

the yellow light at 6pm (das gelbe Licht 6 Uhr nachmittags) is on view until August 19th at Galerie Max Hetzler, Bleibtreustraße 45, 10623 Berlin