How does one go about staging a stage? Emma Webster’s upcoming exhibition, Intermission at Jeffrey Deitch, answers this question by erasing the line between prop and (back)stage. This boundary erasure is nothing new for Webster, whose work combines the supernatural, unnatural, and natural realms, merging this paradoxical triad into a cohesive, uncanny space that reflects the inescapable presence of human viewership on nature and art. Her landscapes exist in a variety of intermediary spaces: between heaven and horror, nature and technology, fiction and reality, and theater and visual art. In Intermission, she gives physicality to these liminalities while highlighting previously behind-the-scenes sculptural stages of her process, creating an environment of borderless voyeurism that invites us, the viewers, into her creative world, while reminding us of our separation from it, reinforcing our roles as witnesses. Read more.
Underground Museum Hosts Rick Lowe Artist Talk As Part Of USC Roski's Public Lecture Series Social Practice Course
Rick Lowe is one of nearly a dozen artists invited to give lectures as part of USC Roski's *Culture in Action: Conversations in Social Practice Art. In this series students, international visitors and guest speakers consider an evolving practice in a seminar based on questions each participant brings to the classroom. What conditions apply to critical art practice in the public realm and how do these relate to the urban, social and political? What is the relationship between art and democracy? What is the long-term sustainability of community-based socially engaged art? How do informal pedagogic, public address and dialogic strategies apply to students’ own practices in art, design, theater, intermedia, cinema, communications and urban planning, among others? MA and Ph.D. candidates from schools outside of Roski are especially encouraged to apply to support their specific professional development goals. The course includes intimate conversations, public lectures, field trips, group dinners and an opportunity to study alongside Norwegian artists and curators. This intensive experience is a collaboration between Roski School of Art and Design and KORO, Public Art Norway in Oslo. For more information and full schedule of events visit Roski. photographs by Lani Trock
Highlights from Olafur Eliasson's Reality Projector Experience @ The Marciano Art Foundation
Reality Projector is a site-specific installation created for the foundation’s expansive first floor Theater Gallery. Eliasson has conceived of a seemingly simple, yet complex installation that uses projected light and the existing architecture of the space to create a dynamic shadow play. The artwork references the space’s former function as a theater as well as the history of filmmaking in the city by turning the entire space into an abstract, three-dimensional film. Eliasson’s exhibition offers visitors the opportunity to fully experience the magnificence of the space free of objects. Reality Projector will be on view beginning March 1, 2018 and will remain on view until August. photographs by Oliver Kupper