Venus Over Los Angeles presents From Here to Eternity, an exhibition of new work by Adel Abdessemed. The exhibition is his first major show in Los Angeles and features a series of nearly 100 black stone drawings on paper and military tarpaulin. Adel Abdessemed’s new series is named for the famous 1953 film best known for the scene in which Burt Lancaster and Deborah Kerr kiss passionately on the beach as waves crash over them. As a child in Algeria, Abdessemed viewed such western films under the edit and strict censorship of the Algerian government, who cut out any scene that portrayed physical contact between the sexes. Abdessemed is known for embracing themes of history, religion, and politics in his artworks. Though perhaps best known for his video, sculptural, and conceptual art, Abdessemed has chosen to distinguish his Los Angeles debut show by exclusively exhibiting drawings on paper and military tarpaulin. From Here to Eternity will be on view until December 20th, 2015 at Venus Over Los Angeles, 601 South Anderson Street, Los Angeles, CA
Daniel Rozin's Interactive Pom Pom Mirror On View at bitforms Gallery Is A True Reflection of Our Times
Israeli-American artist Daniel Rozin's PomPom Mirror features a synchronized array of 928 spherical faux fur puffs. Organized into a three-dimensional grid of beige and black, the sculpture is controlled by hundreds of motors that build silhouettes of viewers using computer-vision. Along its surface, figures appear as fluffy animal-like representations within the picture plane, which is made permeable by a ‘push-pull’ forward and backward motion of meshed ‘pixels’. Ghostly traces fade and emerge, as the motorized composition hums in unified movement, seemingly alive and breathing as a body of its own. Rozin's PomPom mirror is on view now – part of a solo exhibition entitled “Descent With Modification,” which marks the artist's first display of interactive sculpture. Merging the geometric with the participatory, Rozin’s installations have long been celebrated for their kinetic and interactive properties. Grounded in gestures of the body, the mirror is a central theme of Rozin’s practice. In his art, surface transformation becomes a means to explore animated behavior, representation, and illusion. Descent With Modification will be on view until July 1, 2015 at bitforms Gallery in New York.