Comprised of 16 fabric-relief paintings, April Street’s The Lady of Shalott melds landscapes with corporeal elements to create portrait-like vignettes where waterfalls cascade into braids and hair extensions, surreal forms and voluminous lines define space and hyper-sexualized otherworldly elements rise inside and throughout her multi-dimensional surfaces. The Lady of Shalot is on view through January 11 at Vielmetter 1700 S Santa Fe Ave, Los Angeles. photographs courtesy of the artist and Vielmetter
Liz Glynn: Emotional Capital @ Vielmetter In Los Angeles
Liz Glynn’s 2017 MASS MoCA solo exhibition, Archaeology of Another Possible Future, considered the contradictions of the contemporary American economy, where value is increasingly abstract and established through declarative acts divorced from material reality. In Emotional Capital, Glynn explores the intersections of material and affective realities as they play out in and on bodies within the context of increasingly polarized and irrational political and economic systems. Emotional Capital is on view through January 11 at Vielmetter 1700 S Santa Fe Ave, Los Angeles. photographs courtesy of the artist and Vielmetter