In Quantum Light, artist David Benjamin Sherry’s second publication, he continues his exploration of vivid color, ramping up the saturation and expanding his subject matter, in works incorporating landscapes, collage, still life, abstraction, portraiture and sculpture. A conversation between Sherry and Collier Schorr serves as preface to this beautifully produced clothbound volume, which is published to coincide with the artist’s first New York solo show at Salon 94. Sherry will be signing his new book this Thursday, June 21, at Ooga Booga bookstore in Los Angeles.
ED RUSCHA: ON THE ROAD in Miami
Alex Katz: Give Me Tomorrow
Alex Katz: Give Me Tomorrow, a retrospective that spans six decades of one of the most important American artists, is now on view at the Tate in St. Ives until September.
Joe Deutch Retrospective
Among other feats of self-imperilment, his performances have included disabling a police car in broad daylight, being intentionally bitten by a poisonous rattlesnake and, most infamously, playing Russian roulette in front of an art class at UCLA, a performance that has been linked to Burden’s departure from his position at the university. Coming out of a long Los Angeles tradition of performance that includes such canonical artists as Chris Burden and Ron Athey, Joe Deutch’s practice seeks to continue a commitment to physicality through an exploration of his body and the constructed landscape beyond the studio as compelling sites for artworks. Opening June 21 at the Marlborough Chelsea gallery in New York as retrospective of Joe Deutch which will be on view until July 27, 545 West 25th Street, New York,
Cut-ups, Cut-ins, Cut-outs: The Art of William S. Burroughs
The visionary author and artist William S. Burroughs has been admired by generations as a revolutionary intellectual with a radical popular image. He established a new form of writing: the cut-up method - whereby text and image fragments are intuitively pieced together to form open associative narrative structures in order to expand the boundaries of language and describe human consciousness. He extended this method into the visual arts and the cut-ups in their various forms are the focus of a new exhibition at the Kunsthalle Wien. Cut-ups, Cut-ins, Cut-outs: The Art of William S. Burroughs will be on view until October 21, at the Kunsthalle Wien, Museumsplatz 1,1070 Wien, Austria
Musique Plastique at Agnès B
Now open at Agnès B's Howard Street gallery an exhibition entitled Musique Plastique, a group exhibit "exploring the ongoing interaction between the visual arts and music." Curated by Jean François Sanz, the show will feature music-themed pieces by the likes of Jean Tobias Bernstrup, Hisham Bharoocha, Etienne Charry, Brian DeGraw, Daniel Johnston, Jonas Mekas, Thurston Moore, David Shrigley, Alan Vega, Ben Vida and Liz Wendelbo. Musique Platique is on view until August 25 at 50 Howard Street, New York, and be sure to head to the Agnès B gallery website to download a compilation by the artists involved.
Allen Jones Retrospective
The leading British Pop artist Allen Jones caused an international furor in 1969 with his provocative furniture sculptures. In 1979, the first large-scale retrospective was devoted to the artist, forty-one at the time, in Liverpool, London, Baden-Baden, and Bielefeld. His 70th birthday was celebrated in 2007 at the Tate Britain in London with an exhibition of current works as well as several early pieces. In time for his 75th birthday, the Kunsthalle Tübingen is extending an invitation to rediscover the oeuvre of the internationally influential artist in the most comprehensive retrospective to date. Allen Jones: The Retrospective on the Occasion of His 75th Birthday will be on view until September 16, 2012 at the Kunsthalle Tübingen, Philosophenweg 76 72076 Tübingen Germany
Yasmine Eslami In Collaboration with Artist Sylvie Auvray
Parisian artist Sylvie Auvray is currently showing at the Mamco in Genéva. For this occasion she has collaborated with lingerie designer Yasmine Eslami on a series of drawings that will be embroidered on Eslami's classic cotton boxer shorts. Sylvie Auvray's Geneva series will be on view until September 16 at Mamco.
Lisa Solberg STALKER at THIS Los Angeles
THIS Los Angeles presents Stalker, a solo installation of mixed media by Lisa Solberg opening tonight. Lisa uses reflective insulation panels and cutting techniques to create a world of poetic, bold and thoughtful imagery focused on the sublime. The combining of ink and paint to the finished surfaces compliments the inherent dynamics of the material. The work is intimate and echoes the bold and provocative sentiments of public spaces. Lisa Solberg has presented an aesthetic both primitive, subjective and haunting, her uninhibited display of passion and talent with both the imagery and materials have displayed a unique world and quality of otherness. The panels on view mimic pieces of a large puzzle to complete the Stalker environment and thought, exposing Solberg’s personal expressions, desires and intimacies. Lisa Solberg, born 1983 in Chicago, is an expressionist artist currently living in Los Angeles. Stalker will be on view from June 15 to July 14 at THIS Los Angeles, 5906 North Figueroa Street Los Angeles, California
Wim Delvoye at the Louvre
The Louvre invites Wim Delvoye, most famous for his tattooed pigs and x-ray sex series, to intervene at various locations within the museum and nearby: in the galleries of the Department of Decorative Arts, under the Pyramid, and in the Tuileries gardens. On view until September 17, 2012. Follow Autre on Instagram for more updates: @autremagazine
Abstract Painter Georges Mathieu Dies at 91
French artist Georges Mathieu died in Paris on June 10 at the age of 91. Georges Mathieu was a complete artist: writer, architect, author of Désormais seul en face de Dieu (1998), graphic designer, painter and inventor of a genuine and independent pictorial language orientated in opposition to geometrical abstraction. He wanted his work to be one of speed, in order not to be overshadowed by doubts. He fought for an art liberated from the classic boundaries that he called “lyrical abstraction." There have been over a hundred exhibitions dedicated to the artist. Georges Mathieu never had any art education. In 1947 he was working for American Express in Paris, France and rented a chambre de bonne near the Palais Luxembourg. There he executed a number of large canvases with a black background on which he painted colored scrolls, whorls and other shapes. He subsequently refined his technique, using a white background on which he painted simple geometrical forms, most often a single line in color.
Cristóbal Jodorowsky Exhibition in Chile
Currently on view at a gallery in Santiago, Chile a series of recent works by Cristóbal Jodorowsky (Mexico City, 1965), son of cult director Alejandro Jodorowsky, in his distinct style of mixing pop iconography with religious symbolism. The exhibition, entitled Reflejo de Soñados (Reflection of Dreaming Bodies), will also be accompanied by the release of a new book of poetry. On view at the Local Arte Contemporaneo Gallery, Av. Italia 1129, Providencia, Santiago, Chile.
Rudolf Stingel at Art Unlimited
Red Rebel
James Franco and merry band of pranksters, including Adarsha Benjamin, covered in red paint and feathers during a performance at the Rebel exhibition now on view through June 23 at the MOCA, 941 North Highland Avenue, Los Angeles, CA, 90038.
AARON CURRY: WHITE OUT
American artist Aaron Curry's show White Out which consists of sculpture and collage is currently on view at Almine Rech Gallery in Brussels running through July 22, 2012.
Geoffrey Farmer’s Leaves of Grass at Documenta 13
Geoffrey Farmer’s hallway long piece Leaves of Grass cut from five decades of Life Magazine on view now as part of Documenta 13
Venus Over Manhattan
Venus Over Manhattan, a new exhibition space created by art collector and writer Adam Lindemann, opened to the public in New York City on May 9, 2012 with the inaugural exhibition À rebourswhich is on view now. Including several dozen works of art spanning the 19th century to the present. The exhibition takes its title from Joris-Karl Huysmans’ 1884 anti-novel “À rebours” known in English either as “against the grain” or “against nature.” This tale of fin-de-siècle decadence tells the story of the Duc Jean des Esseintes, an eccentric aristocrat who recoils from the manners and values of conservative Parisian society and flees to the countryside to immerse himself in art collecting and exotic fetishism. À rebours at Venus over Manhattan explores the notion of “against the grain” through a selection of more than 50 works including African fetishes. The artists represented range from Odilon Redon – the favorite of the book’s protagonist – to Henri Fuseli, Gustave Moreau, Felicien Rops, and the like of Jeff Koons, Damien Hirst, and the late Dash Snow. À rebours will be on view at Venus Over Manhattan until June 30th, 980 Madison Avenue, 3rd Floor.
Blue Daze With Yves Klein
Yves Klein, who once claimed the entire sky as his greatest artwork, patented his own pigment of blue, and used live naked women to paint some his most ingenious masterpieces, was arguably the most brilliantly creative artist of the 20th century. On the 50th anniversary of Yves Klein’s death, two masterpieces by the artist will be offered in Christie's Post-War & Contemporary Art Evening Auction, London on 27 June. This follows the outstanding result achieved at Christie's New York last May when the legendary FC 1 (Fire-Color 1), painted only a few weeks before his death at the age of 34, using fire and his unique color of blue, sold for $36,482,500 (£22,619,150), setting a new world record for the artist at auction. Up for auction: Le Rose du bleu (RE 22), painted with illuminating rose cadmium and by far the largest pink sponge relief ever created and included in all the artist’s major exhibitions over the past 50 years, Relief éponge bleu (RE 51), the ultramarine blue sponge relief previously owned by Lucio Fontana, and Anthropométrie (ANT49).
Richard Phillips: First Point
Premiering today as part of Art Unlimited at Art Basel 2012, pop artist Richard Phillips’ short film entitled First Point featuring Lindsay Lohan. Richard Phillips has been exploring the production of film and photographic media as a means of expanding beyond the appropriation strategies that have defined his work in the past by painting unique portraits from his own films which he stages and shoots himself. He completed his first two films, Lindsay Lohanand Sasha Grey, in the spring of 2011 for the Commercial Break film project presented concurrently to the Venice Biennale. First Point–Phillips' third film—is a collaboration between the artist, Lindsay Lohan, and the legendary surf filmmaker Taylor Steele. The film visits two locations: a private beach surf compound and Malibu's iconic Surfrider Beach, accessible to the public, which boasts some of California's most perfect waves. First Point presents a postmodern take on the surf film genre through an abstract framework of imagery in which the actress engages in cinema performance tropes inspired by contemporary film noir. Presented by Gagosian Gallery, First Point will premier as part of Art Basel's Art Unlimited which will see its invitation only, VIP release today and a public opening on June 14 until June 17.
Julien Langendorff: Sniffing Glitter in the Afterworld
Artist Julien Langendorff, a Paris-based artist and musician will be having a solo show at Agnès b.’s Galerie du Jour in Paris. Julien Langendorff’s installations, paper cut-outs collages, drawings, collages and films have been exhibited in numerous galleries in New York, Tokyo and Europe since 2005. Sniffing Glitter in the Afterworld will be on view from June 9 to July 21 at Agnes B' Galerie Du Jour, 44 Rue Quincampoix














