Andrea Zittel at Andrea Rosen Gallery

Artist Andrea Zittel discusses with members of press her exhibition Fluid Panel State, which addresses the thin line between visual and functional objects and will include unique woven blankets, panels and sheets installed in various conceptual configurations that continue the artist's exploration of an earlier project titled "Cover." photograph by Annabel Graham for Pas Un Autre. Fluid Panel State opens today and runs until October 27, 2012 at Andrea Rosen Gallery, 525 West 24th Street, New York. 

Metamorphosis: Give Me Your Wings

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Lehmann Maupin Gallery presents Metamorphosis: Give Me Your Wings, an exhibition of new work by Japanese artist Mr. The centerpiece of Mr.’s exhibition is a massive installation to be constructed in the middle of the main gallery and interspersed with a series of new paintings. This sprawling installation, the first of it’s kind by the artist outside of Japan, embodies the post-disaster angst and frustration of the Japanese people since the catastrophic events of March 11, 2011. According to the artist, the Japanese people rose in a unified effort to recover from the devastation of the loss of World War II. But along with the recent economic stagnation, the earthquakes in Eastern Japan, and the after effects of the nuclear disaster, a collective depression from an inability to vent their frustrations continues to accumulate within their society. Metamorphosis: Give Me Your Wings will be on view until October 20 2012 at Lehmann Maupin,  540 West 26th Street, New York

Judith Supine: Too Much For One Man

Jonathan LeVine Gallery presents Too Much For One Man, a series of new works by acclaimed Brooklyn-based artist Judith Supine, in what will be his first solo exhibition at the gallery. Using his mother’s maiden name as an alias to keep his identity anonymous, Judith Supine has become renowned in the street art scene for his distinct style, unique wheatpastes on building façades and impressive placement of public interventions in daring locations throughout New York City. In 2007, he hung a 50-foot figure off the side of the Manhattan Bridge, in 2008 he left a piece floating in the East River and then in 2009 he left one in a Central Park pond, one in a Queens sewer and another on the highest point of the Williamsburg Bridge. In recent years, Supine has focused more on studio work and elaborate gallery installations. His process involves a pastiche of printed ephemera. Supine describes the collage technique as “combining seemingly disparate images to reveal something that wasn’t previously apparent.” Too Much For One Man is on view October 6, at Jonathan LeVine Gallery, 529 West 20th Street, 9th Floor, New York, NY

Antonio's World: Sex, Art & Disco

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Antonio’s World, a survey of the work of Antonio Lopez (1943-1987) is open now at The Suzanne Geiss Company. The exhibition will showcase three decades of the artist’s polymathic creative output, including never before seen drawings, photographs, and ephemera. Lopez’s seminal works, which adorned the pages of Vogue, The New York Times, Women’s Wear Daily, and Interview throughout the 1970’s and 1980’s, remain a powerful source of inspiration; galvanizing contemporary visual culture.Beginning in the 1960’s, Lopez redefined fashion imagery with his portrayal of the “Antonio Girls,” comprised most notably of Pat Cleveland, Jane Forth, Jerry Hall, Grace Jones, and Jessica Lange. His infectiously charismatic persona and Pygmalion’s eye for raw beauty led Antonio, and the equally magnetic art director, Juan Ramos, to discover and transform these aspiring models into paragons of glamour. The first complete Antonio Lopez monograph, Antonio Lopez: Fashion, Art, Sex, and Disco, will be released by Rizzoli New York in conjunction with the exhibition. Antonio's World will be on view until October 20th, 2012 at The Suzanne Geiss Company, 76 Grand Street, New York. 

Karen Kilimnik & Kim Gordon at 303 Gallery

303 Gallery presents it's eleventh exhibition of work by Karen Kilimnik, and first two-person show with Kim Gordon of Sonic Youth. For this show, both Kilimnik and Gordon will present video installations addressing the nature of performance, its definition and its influence. On view until September 29 at 303 Gallery, 547 W 21st Street, New York, NY

JOHN MILLER: The Petrified Forest

Praz-Delavallade presents The Petrified Forest, a new exhibition by John Miller. John Miller has produced a varied œuvre that includes painting, sculpture, photography and video. With empathy, humor, and insightful observation, Miller plunges into the maelstrom of everyday life to distill the commonplace and the normal. While a lot of Miller’s previous works had to do with the interrogation of value in a capitalist society and the disparities between the price and the meaning of something, his more recent projects offer at once critical and poetic representations of emotional affect, its relationship to bio-power and its impact on individuals. The Petrified Forest is on view until October 11, 2012 at Praz-Delavallade Gallery, 5, Rue Des Haudriettes, 75003, Paris.

NEW NO DARK WAVE at Costume National

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For one month beginning September 10, Costume National store in New York will be transformed into a mini-gallery for an exhibition called New No Dark Wave, named after their Fall collection, featuring artists Aaron Young, the late Tobias Wong, and James Franco who will be showing short films in the changing rooms and a photo series called New Film Stills based on Cindy Sherman's Untitled Film Stills. New No Dark Wave will be on view September 10 to Octobert 10, Costume National, 150 Greene St, NYC

Bernadette Corporation: 2000 Wasted Years

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Hiding behind a logo and name with the word corporation in it, Bernadette Van-Huy, John Kelsey and Antek Walczak, who make up the quasi-subversive art collection Bernadette Corporation have since the mid-90s been running an underground fashion label, creating films, and publishing a magazine. In the summer of 2001, the collective temporarily merged with Le Parti Imaginaire, a faction of post-Situationist militants and intellectuals with links to the burgeoning antiglobalization movement to participate in the riots of the g8 summit. “We call ourselves a corporation because corporations are everywhere, and it impresses people … pretending we are businesspeople while we sleep all day like cats," says the collective. On view this month at the Artist Space in New York, Bernadette Corporation is having its first major retrospective. Bernadette Corporation: 2000 Wasted Years will on view from September 9 to December 16, 2012, at Artist Space, 38 Greene Street, New York

DOUGLAS GORDON: The End of Civilisation

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Gagosian Gallery presents The End of Civilisation, a major film installation by Douglas Gordon.In The End of Civilisation, a grand piano burns at a remote site deep in the Cumbrian landscape. This lushly green and desolate locale overlooking the boundary between England and Scotland was once the border of the Roman Empire. The grand piano, emblematic of high culture as both a finely crafted instrument and a beautiful sculptural object, is destroyed at the primeval edge of civilization. With this symbolic conflagration, Gordon re-enacts an ancient local tradition of igniting beacons as an admonition or communication. Inspired in part by the journey of the 2012 Olympic torch across the British Isles, The End of Civilisation is both a celebration and a warning—of fire as a symbol of optimism and hope, but also of risk, danger, and destruction. The End of Civilisation is on view from September 8 to October 13, 2012, Gagosian Gallery, 522 West 21st Street, New York, NY

Wounds by Jaber Al Azmeh

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For the opening of the fall season, Green Art Gallery in Dubai will be presenting Wounds, a series of works by Syrian photographer Jaber Al Azmeh. This series began and evolved along with the revolutionary movements happening in Syria during the crucial first ten months that the country was in turmoil. Photographing individuals from his social circle, including those who were actively part of the revolutionary movement, Al Azmeh asked his subjects to re-enact and perform the stories that they had witnessed or heard about from what was happening in the streets. As the protests and violence increased, Al Azmeh along with many other activists and critics of the current regime had to leave their country for their own safety. Isolated and left with only stories that he heard about the events unfolding within Syria, Al Azmeh eventually became the protagonist of his own work, re-enacting and photographing himself as he transformed from social observer to social activist. Wounds will be on view from September 10 to October 29, at Green Art Gallery, Al Quoz 1, Street 8, AlSerkal Avenue, Unit 28

Anna Fidler: Vampires & Wolfmen

Portland, OR—Charles A. Hartman Fine Art presents Vampires and Wolf Men, the stunning latest body of work by Portland-based artist Anna Fidler. Seeking to construct a myth surrounding characters from the past, and using as source material photographs culled from the Oregon Historical Society, Anna Fidler creates monumental portraits of individuals from the nineteenth and early twentieth centuries that transfer the energies of the past into contemporary topographies of the fantastic and the mundane. In paintings that feel at once ephemeral and precise, Fidler’s exquisitely balanced renderings of persons both prominent and unknown create a subtle but powerful tension as these figures are recreated as vampires and werewolves. Fidler’s work offers commentary and dialogue with our twenty-first century fascination with a subject that is both timeless and of-the-moment. Vampires and Wolf Men will be on view from September 5 to September 29, 2012, at Charles A. Hartman, 134 NW 8th Avenue, Portland, Oregon

Robert Crumb: The Sketchbooks

Taschen has released 1,344 pages of artist Robert Crumb's hand-picked selections from his notebooks.This six-book boxed set is the first collection of Robert Crumb sketches to be printed from the original art since the hard-bound, slipcased, seven volume series issued by the German publisher Zweitausendeins between 1981 and 1997. The edition by Taschen has been personally edited by Crumb himself to include only what he considers his finest work, including hundreds of late period drawings not published in previous sketchbook collections. Robert Crumb: The Sketchbooks. 1982-2011 is now available by Taschen.

Paul McCarthy: Propo

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"Between 1972 – 1983, I did a series of performances which involved masks, bottles, pans, uniforms, dolls, stuffed animals, etc. After the performances these objects were either left behind or they were collected and stored in suitcases and trunks to be used in future performances. In 1983, the closed suitcases and trunks containing these performance objects were stacked on a table and exhibited as sculpture. In 1991, I opened the suitcases and trunks photographing each item. The group of photographs in their entirety was titled PROPO," says Paul McCarthy. Hauser & Wirth presents n exhibition of over 60 photographs by Paul McCarthy. This selection, many of which have only been seen before in publications, is taken from the artist’s large group of more than 120 photographs, collectively known as ‘PROPO’. Propo is on view until October 20, 2012 at Hauser and Wirth, Limmatstrasse 270 8005 Zurich 

The Graphic Design of Tony Arefin

A new exhibition at Ikon Gallery in Birmingham, England is a comprehensive survey of work by Tony Arefin (1962–2000), a graphic designer who emerged during the late 1980s as one of the most important figures in the British art world. With his numerous catalogues for institutions such as the Serpentine Gallery, ICA, Chisenhale Gallery and Ikon itself, Arefin had achieved such art world dominance by the early 1990s that design critic Rick Poynor described him as ‘single-handedly processing the print needs of the entire British art scene’. Comprising early publications from the YBA movement to seminal advertising campaigns for corporate clients such as IBM, Ikon’s exhibition reveals the intuitive genius of Arefin’s work. Arefin & Arefin: The graphic design of Tony Arefin will be on view between September 12 and November 4, 2012 at Ikon Gallery, 1 Oozells Square  Brindleyplace, West Midlands, United Kingdom

Dan Colen Monograph with Text by Harmony Korine

This artist’s book documents Dan Colen’s 2011 exhibition at Gagosian Gallery in New York, as well as his June 2012 Gagosian exhibition in Paris. Drawing from mass media, local environment, and subculture, Dan Colen’s art imbues the ordinary, the disenfranchised, and the tribal with provocative new status. This publication includes over fifty new works, including Colen’s series of Grass, Gum, Confetti, and Stud, with extensive details of the works. There is also text by Harmony Korine. Now available by Rizzoli.

New Works by April Wood

April Wood is a metalsmith artist working with the complex relationship between food and the body. Wood is interested in the ritual process of eating and the tools societies use to feed one another. For the artist, eating is a form of consumption, which can span a range of emotions, from pleasurable to horrific, from overindulgent to controlling. In this way Wood’s larger discussion on food’s often contradictory role in the contemporary society relates to the Collections Selections theme of excess. Her Feeding the Hunger sculptures become activated performances when placed in a person’s mouth. April Wood: New Works is on view until December 2, 2012, at AMOA-Arthouse, 3809 West 35th Street

The Sculptures of Kevin Francis Gray

Haunch of Venison presents London-based artist Kevin Francis Gray’s first solo exhibition with the gallery. The exhibition will showcase several of Gray’s porcelain, bronze and marble sculptures that merge elements of both classicism and the sculpted human form with an aesthetic that contextualises the work firmly within the visual landscape of contemporary society. On view from September 4 to September 29, at Haunch of Venison, 550 West 21st Street

José Lerma and Eddie Martinez

Halsey McKay Gallery in East Hampton presents a two-person exhibition of new works by José Lerma and Eddie Martinez. Both artists use creative material approaches to painting and its history as the starting point for their practice. Inhabited by voracious marks and a motley cast of characters, their works display the political histories of nations imagined and conflicts all too real, through the interplay of their denizens. On view until August 29, 2012 at Halsey McKay Gallery, 79 Newtown Lane East Hampton, NY