[AMERICAN ART] The Early Paintings of Eric Fischl

Eric Fischl's early paintings are haunting and erie impressions of a uniquely American landscape charred by the hopeless fire of the American dream–stoked by the delusion that life, liberty and the pursuit of happiness is free and ours for the taking. A boy masturbating in a plastic waiting pool and another boy standing in front of a woman sprawled out naked in a darkened room with one hand behind his back in a purse are visual metaphors are our own depraved, amoral, and homicidal predilections–we're capable of anything.

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Eric Fischl's early paintings, mostly painted in the early 80s, are on display till the end of the this week at the Skarstedt Gallery in New York.  www.skarstedt.com

 

 

Rude and Reckless: Punk/Post-Punk Graphics

GENERATIONX4S CALLING_rude_and_reckless_post_punk_graphics_steven_kasher_gallery

Rude and Reckless: Punk/Post-Punk Graphics, 1976-82 is the first New York exhibition surveying the extraordinary diversity of Punk and Post-Punk graphic design. The exhibition showcases a wide range of American and British artistry, with influences that include the Bauhaus, Futurism, Dadaism, Pop Art, Constructivism and Expressionism. The exhibition presents features over 150 rare posters, along with fanzines, flyers, clothing, badges and stickers. Rude and Reckless: Punk/Post-Punk Graphics, 1976-82 will be on view from July 14th through August 19th, 2011 at the Steven Kasher Gallery.

Fellini, La Grande Parade

A new exhibition at the Musée de l’Elysée reveals the sources of Fellini’s inspiration. Focussing on Fellini’s work through his obsessions by presenting the images that inspired him, those of which he dreamed and those he brought to life, Fellini, la Grande parade provides a new point of view on the maestro’s work. www.elysee.ch

The Color of My Dreams: The Surrealist Revolution in Art

portrait of GIORGIO DE CHIRICO

On view now at the Vancouver Art Gallery, The Colour of My Dreams: The Surrealist Revolution in Art features 350 works by leading Surrealist artists, including André Breton, Salvador Dalí, Max Ernst, René Magritte, Joan Miró, Alberto Giacometti, Leonora Carrington, Brassaï, André Masson, Man Ray, Edith Rimmington, Wifredo Lam and many others. On view until September 25, 2011 www.vanartgallery.ca.bc

AMIE DICKE: Infinitely Suffering Thing

Dissolving floors of memory, 2007

Artist Amie Dicke, from Rotterdam, transforms magazine pictures into intriguing works of art and so much more. On view now at the Venice Bienalle see close to 27 gallons of foundation get dumped and sprayed over an environ specially constructed by the artist. 

Detail Destruction of Memory, Infinitely Suffering Thing, 2008

Violent Contradiction, 2008

Effacement, 2008

Infallible, Close-Up

"One hundred liters of foundation (make-up) is going to be sprayed automatically by spray-guns that hang above an interior I have set up in the middle of the industrial environment of the former AkzoNobel factory. This room mirrors my private memories. Most of the objects which I have (re-)used would normally be thrown away, but some stuff just tends to stay, because you keep carrying them with you either mentally or physically. In a way they have become physical reminders of our inability to let go of life. The many layers of foundation will cover up the original colors or patterns of the objects and eventually the whole room will be in one tone, concealed under a thick layer of foundation, like a strange make-up. The interior will be changed into a skin colored "flesh", like a radical makeover that will turn the dead objects into a self-portrait."

www.amiedicke.com

Overpainting in Twentieth Century Press Photography

Before the invention of photoshop in 1991, it was commonplace for press agencies and the photographic departments of newspapers and magazines to enhance, crop and embellish their press photographs prior to publication. An upcoming exhibition, entitled Overworked: Overpainting in Twentieth Century Press Photography,  at Flash Projects UK explores the ways in which photographs were worked-over in paint, gouache, watercolour and pencil prior to their publication, challenging the veracity of the image.

www.flash-projects.co.uk

[PHILOSOPHY] Contextualizations of a Genius

To honor the 60th anniversary of the death of Austrian philosopher Ludwig Wittgenstein the Shwules Museum (Gay Museum) in Berlin is holding a special exhibition. Wittgenstein was a giant in 20th century philosophy–the exhibition explores his jewish identity, his coming to grips with his family and the suicides of his three brothers, and his unique dialectics. Ludwig Wittgenstein: Contextualizations of a Genius is on view until June 13. www.ludwig-wittgenstein.com

Man Ray and Lee Miller, Partners in Surrealism

From 1929 to 1932, Man Ray and Lee Miller -- two giants of the European Surrealism movement -- lived together in Paris, first as teacher and student, and later as lovers. Their mercurial relationship resulted in some of the most powerful work of each artist's career, and helped shape the course of modern art. Combining rare vintage photographs, paintings, sculpture and drawings, a new exhibition at the Peabody Essex Museum in Salem, Massachusetts, tells the story of the artists' brief but intense association and reveals the nature of their creative partnership. On view from June 11 to December 4, 2011. www.pem.org

STOP THE SENSELESS HUNTING OF WOLVES

On August 5, 2010, a U.S. District Court in Montana restored federal protections for wolves in the Northern Rockies. Wolf hunts in Idaho and Montana have been temporarily halted, but now more wolves may be killed by Wildlife Services—federal agents who are seeking authority to gas wolf pups in their dens and sterilize breeding pairs to control the wolf population. And in Alaska More than 1,000 wolves in Alaska have been killed by aerial gunning since 2003, and state officials are pushing to kill even more wolves this year using aerial gunning, poison gas and snares. Take action now to save wolves in Alaska...CLICK HERE

Louis Vuitton Voyages

Vuitton Family, 1888

When Louis Vuitton founded his maroquinerie label in 1854 on Rue Neuve des Capucines in Paris he knew how to make a good travelling case.  This is proven in durability and by the fact that most of the cases, even the earliest examples, still stand the test of time. And, just as well, the ethos of handmade luxury, that has slowly faded into a seemingly prehistoric notion, has lasted too–leaving the Vuitton unprecedented in the integrity of its craft–even through corporate mastication, mergers, and a platform in the publicly traded market. The Louis Vuitton label has had its own history in China too–in an age when the orient was a universe away from its Parisian base. In 1931 the Croisiere Jaune expedition led 40 men to drive 12,000 km from the Mediterranean coast to the China coast, following the footsteps of Marco Polo, was outfitted with Louis Vuitton trunks. And even further back to the 1907 Paris to Peking expedition when members struggled against temperatures as low as -30 degrees in cars outfitted with Louis Vuitton trunks. On view now until August 31 at the National Museum of China in Beijing, "Louis Vuitton Voyages" explores its own history and tradition since its inception as well as celebrates the label's place in Chinese culture.

[LAST DAYS] Marilyn Minter Retrospective in Hamburg

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Marilyn Minter, Chewing Green, 2008 C-Print

In Marilyn Minter’s work, pride of place goes to the complex relationship between body, photography and painting. Here, Minter exposes all our cultural inhibitions in dealing with sexuality and desire, the hyperrealist shots of high-gloss surfaces and sections of the body are both seductive and irritating at once. In the fragmented representation of lips, eyes, mouths and necks, decadence confronts beauty and the pitfalls of glamour collide with the fascination it exerts. Minter’s voyeuristic hallucinations seem both tempting and dangerous. Beauty here proves to be a brittle construct in which sensuality and self-destruction are two sides of the same coin; flesh, yearning, sexuality and gender models are revealed to be commercial products. For the first time, the oeuvre of US artist Marilyn Minter (born 1948) is the subject of an extensive exhibition in Germany. On view until June 12. www.sammlung-falckenberg.de

[FIRST LOOK] LINDSAY LOHAN - A RICHARD PHILLIPS FILM

Gagosian Gallery announces Lindsay Lohan, Richard Phillips' first short film. In his 90-second motion portrait of Lindsay Lohan, Phillips draws on the conventions of his painting that explore the legacies of classical portraiture in relation to the mediated representations of contemporary popular culture. Richard Phillips' Lindsay Lohan will be included in "Commercial Break," presented by the Garage Center for Contemporary Culture, Venice, Italy, June 1 - 5, 2011, concurrent with the 54th international exhibition of the Venice Biennale.

Kurt Cobain Well FUCKING Hung

Kurt_Cobain_with_gun_experience_music

"Kurt was a leader, he was strong, in fact he was well fucking hung, if you really want to know."—Courtney Love, singer, Hole; widow of Kurt Cobain remarked in an, ahem, oral history of the band Nirvana. The Experience Music Project in Seattle is holding a massive exhibition celebrating the music and history of Nirvana, whose lead signer Kurt Cobain killed himself in 1994. Nirvana: Taking Punk to the Masses runs until April 22, 2013. www.empmuseum.org

Riding the Hoods With Maripol

Riding_the_Hoods_With_Maripol

Maripol moved to New York from France in 1976, where she became a part of the New York club and music scene, styling Madonna and working on films such as Downtown 81 (starring Jean-Michel Basquiat and Deborah Harry). In the mid-1980s, she opened her own boutique, Maripolitan, in the NoHo area of New York. Maripol has also been art director on music videos for Cher, D'Angelo and Elton John, among others. Riding the Hoods With Maripol, a collection of her photographs, are on view at the Clic gallery in New York until June 19. www.clicgallery.com

Vivienne Westwood Shoes at the Sursock Palace in Beirut

Vivienne Westwood's collections of shoes since the seventies have been on whats shaping out the be a world wide tour after the success of a show in London last year. You could also contribute the success to the rash of designer retrospectives. Right now the exhibition is on view at the Sursock Palace in Beirut. Vivienne Westwood Shoes, An Exhibition 1973 – 2011, which has opened in Beirut, will be followed by a stop in the north of England then on to Hong Kong, China and Japan. www.viviennewestwood.co.uk

The Return of the Fiat Cinquecento

Fiat 500, Cinquecento, 1957

The Fiat Cinquecento, originally designed by automotive designer Giorgetto Giugiaro–famous for the De Lorean and Alfa Romeo–was recently introduced to the American driving public. The Fiat 500 originally hit Italian streets in 1957 and was the quintessential Italian driving machine. www.fiatusa.com