Watch The Music Video For The Blaze's Track "Virile"

French electro production duo, The Blaze, have released their spellbinding new video for "Virile" – taken from Bromance Records' forthcoming compilation "Homieland Vol. II". The Blaze defy time and spread confusion amongst minds with their mesmerising video for "Virile". Puffs of thick smoke float over their heads, punches thrown, a kiss on the cheek — in tune with heartbeats. Wild and frenetic, we venture forth on the dance floor before losing control, slowly drifting away by a distant and elusive sound. However, our eyes are captivated by the video where two pals tenderly confront each other, tossing between a cockfight and a courtship ritual. Producers and directors duo The Blaze have crafted a sound between King Tubby and Art Department, while staying resolutely attached to the critically acclaimed 2014 coming of age film, Girlhood lust for life and the raving mad friendship of 1976 French film, Calmos.

Touch The Leather: Read Our Interview With Lias Saoudi, The Electric Lead Singer of The Fat White Family On His New Album, Which Comes Out Today →

Full disclosure: there is nothing objective about this article. I love Fat White Family. The band, to me, represents everything I’ve ever held dear about rock n’ roll: chaos, rebellion, sleaze, art, drugs, poetry, and politics. The first time I saw the band play live, about a year and a half ago, I was more excited than that time I saw Martin Scorsese walking down the Bowery (re: very excited). After housing beers and watching various members of the band run around the venue with their most famous fan and cheerleader, Sean Lennon, I elbowed my way to the front of the hall and got ready to let loose. 15 minutes went by when the band’s six members, gangly, unkempt, and skinny, took to the stage, launching into a particularly cacophonic rendition of the opening chords of the band’s lead single off debut album Champagne Holocaust, Auto Neutron. Lead singer Lias Saoudi, already half naked and sweating like Usain Bolt at the finish line, jittered to the front of the stage like a character in a Chris Cunningham music video and the band belted in unison, “AH AH AHHHH AHHH AHHHHHHH!” Instantly, bodies began colliding in joyous punishment. In various levels of intoxication, the crowd bowed to the revolution of the Fat White Family. It hurt so good. By the end of the song, Lias had his cock out. The scene erupted like a Wolfgang Tillmans exhibition come to life. Click here to read more. 

Watch The Incredible Music Video For Odesza's Track "It's Only" Featuring Zyra

Odesza has unveiled a new video for In Return song “It’s Only (feat. Zyra)". Directed by Dan Brown, the video comes ahead of another headline run of major festivals this spring and summer including stops at Mysteryland, CRSSD, Boston Calling, Moogfest, Shaky Beats and more to come. “It’s Only” will also be accompanied by a forthcoming remix package including remixes by RÜFÜS DU SOL, 20syl, Kania, and Fei-Fei, out February 19.

Hanging Out With Bowie: Terry McGovern Remembers A Night Out With the Thin White Duke

John Carter was a record promoter in San Francisco. I was a DJ on KSFO. I was doing something typically silly on my show. Boom-chuck-chuck. It takes two people, taking turns w/the syllables in waltz time. You say boom, I say chuck, you say chuck…and so on until someone messes up. The door to my studio opened while I was playing this nonsense game on the air with a caller. I saw John and we exchanged a smile. And then I saw who he was with. "David wants to play this game w/you." I almost fell off my chair. It was David Bowie, in town to promote his latest album. Bowie sat down and we began to play. I think he wiped me out in no time. After the show, David, John and I went to the Boarding House, the very hip venue on Bush Street. John had to take off, so I sat there for over an hour watching the show with David Bowie. It was surreal. Just two guys, taking in a show, knocking back a couple of drinks, checking out the scene. I was struck by how polite he was, warm and sincerely interested in everything going on around us. At one point, the light hit his face and, yep, there they were. That one blue eye, and one green eye. He caught me looking at him and smiled. "Odd, aren't they?" he said. We laughed. Bowie was on his way to Japan…by ship. He said he was terrified of flying, so he planned on taking a cruise ship from San Francisco to Tokyo. I remember thinking how cool that was to turn a morbid fear into a leisurely, sophisticated sea voyage. I can't recall much else. The show ended. (Sadly I have no idea who was on stage.) We said our farewells and he thanked me for playing his music on the radio. We parted. This morning, I woke up to the news that he was gone. The Thin White Duke with those extraordinary eyes. I had his company for an hour or so one night a long time ago. I'll never forget him. I'll never stop listening to him. And I'll play boom-chuck-chuck with anyone who'd like to.

Text by Terry McGovern. A San Francisco media fixture for decades, McGovern is well known on radio, TV, commercials, animation, feature films, theatre, and video games. You may remember him uttering those immortal words “These are not the droids we’re looking for” in Star Wars, A New Hope. He has also appeared in films such as American Graffiti and Mrs. Doubtfire. 

When A Hero Dies: Read Musician Lorde's Touching Tribute To The Late David Bowie →

When a hero dies, everyone wants a quote. I woke up this morning with a tender head from tears and that big red cup of Japanese whiskey, gulped last night just after the news came. People were already asking me what I thought. It feels kind of garish to talk about oneself at a time like this, when the thing that has happened is so distinctly world-sized. But everything I’ve read or seen since the news has been deeply intrinsic in tone, almost selfish, like therapy. That’s who he was to all of us. He was a piece of bright pleated silk we could stretch out or fold up small inside ourselves when we needed to. Click here to read more. 

The Days of Bubblegum Pop Are Over: The Best Pop Records of 2015 →

10 years ago, when the phrase “pop music” conjured associations of Backstreet Boys and Britney, I would have never even thought to make a pop music list. But we are well into the Internet age at this point (it feels like just yesterday when I was on the Shoutweb message boards, discussing the excellence of KoRn and Slipknot with other pimply faced malcontents, but in reality it was 15 years ago), and the artists that grew up watching TRL and then reading Pitchfork on their desktops have come of age. Pop music has mutated into a variety of forms, only connected through an accessible, danceable, and sing-along quality. You can have the retro-psych R&B of Miguel, the post-modern alterna-pop of Bjork, or the British dancefloor celebration of Jamie XX, and it is all pop. Sub-culture has thoroughly been erased, and that isn’t a bad thing. It just means that individual taste has come to the forefront. You will have a much harder time finding someone who is only into black metal these days, but you might find a girl who has Grimes playing on her headphones sitting at the coffee shop wearing a Darkthrone t-shirt.

The point is, the artists making pop these days are very much artists, and not corporate drones. They by and large love music and are acquainted with at least some form of music history. In the words of Future and Drake, “What a time, TO BE ALIVE!”

Click here to listen to the full playlist...

Watch The Music Video for Dent May's "I'll Be Stoned For Christmas"

Just in time to soundtrack your own disillusionment with Christmas week, Dent May shares the music video for his Holiday classic-in-the-making, "I'll Be Stoned For Christmas." The video follows a former Hollywood It Girl named Cherry who visits her small hometown for the holidays and gets stoned to deal with the whole ordeal. It was expertly directed by Robbie Hillyer Barnett, who has two exciting forthcoming projects in the form of a stereoscopic 3D short film starring Kate Lyn Sheil entitled Talk About Your Dreams and the feature film Tears of God with Kate Lyn Sheil and Samuel T. Herring. Dent May is currently working on a new LP, and spending his Christmas in Jackson, MS.

For This Week's Friday Playlist, We Look At Some Of The Best Experimental Electronic Noise Records of 2015 →

"There are no excuses. If you don’t like what you’re reading about in Spin and Pitchfork, then you need to search engine that shit, harder." Click here to listen to the playlist and read our review of the best electronic-experimental noise records of 2015. 

Watch The Music Video For Beach Baby's Track Limousine

Beach Baby, a musical foursome from London with the surprisingly un-London name of Beach Baby, have released their music video for the recent single Limousine.  Directed by Lily Rose Thomas, she mentions that "...the aim was to mirror the warped and surreal lyrical subject matter so with the band, we arrived at the idea of two young boys preparing for a Mexican stand off, with a love interest standing by." 

Soul Over Ego: Meet The Millennial Beatmaker and Street Artist Who Is Leading The New Feminist Electronic Music Revolution in Los Angeles →

Callie Ryan, also known as Phat_Thighz, is an LA-based producer/beatmaker, intern for Dublab, and cofounder of a music and art collective known as Phull Gut Productions. This past year, she graduated from UC Santa Cruz, where discovered her deep love for sound synthesis––both analog and digital––while studying visual art and electronic music. Growing up in LA, Callie developed an abiding connection with the music emerging from the Los Angeles beat scene. According to the 22-year-old music producer, her desire to buy her first SP404 and immerse herself in the world of beat making was catalyzed by artists such as Teebs, Dibiase, Flying Lotus, SAMIYAM, Odd Nosdom, and Ras G. Click here to read more....

A Vinyl Bromance: Read Our Conversation with Elijah Wood and Zach Cowie of The DJ Duo Wooden Wisdom

photograph by Kenneth Bachor

At first nobody noticed when Elijah Wood and Zach Cowie began playing music. In those moments the duo had everything they wanted; anonymity, influence and unmediated feeling. Wooden Wisdom, the Wood Cowie DJ duo, was playing the Art Basel party Illuminate the Night at the unfinished Brickell City Center in Miami. Then people did notice; women in ball gowns, 20-somethings in dresses a mother wouldn’t approve of, Miami types, men in whatever men wear to these things. The DJ booth was surrounded. The crowd gathered it does on a major subway line during rush hour: relentlessly, unpleasantly and pathetically. Click here to read more. 

Source: http://www.pasunautre.com/interviewsmain/2...