Lovesody

Photographer, Motoyuki Daifu, has established himself as one of Japan’s brightest young talents. His chaotic diaristic style continues to evolve in his first monograph Lovesody a short print run of only 300 copies from new publisher Little Big Man. We see him in his twenties now having left home and seemingly over-his-head in a relationship with a young single mother of two.  To mark the release of the book, today Dashwood Books (33 Bond St  New York, NY) will be hosting a book signing and tomorrow will  be the opening of Motoyuki Daifu’s solo show of the same series at Lombard Freid Projects (518 West 19th Street, New York, NY) on view until March 3, 2012.

The Total Look

moca_the-rudi-gernreich-book-by-peggy-moffitt-and-william-claxton

The Museum of Contemporary Art Los Angeles presents The Total Look: The Creative Collaboration Between Rudi Gernreich, Peggy Moffitt, and William Claxton, on view from February 26 through May 20, 2012, at MOCA Pacific Design Center. The exhibition will celebrate the remarkable collaboration between the great fashion designer Rudi Gernreich, his model and muse Peggy Moffitt, and Moffitt’s late husband, the photographer William Claxton, who created the distinctive images of Moffitt activating Gernreich’s designs. The exhibition will feature selected looks from Moffitt’s definitive collection, with films and photographs by Claxton of Moffitt modeling the clothes.

LES AMIES DE PLACE BLANCHE

Originally published in 1983, Les Amies de Place Blanche, rereleased by Dewi Lewis Publishing, focuses on the transsexual community living around the Place Blanche district of Paris in the late 1950s and early 1960s. The book established Christer Strömholm’s reputation as one of the leading photographers of the twentieth century. ‘This is a book about insecurity. A portrayal of those living a different life in that big city of Paris, of people who endured the roughness of the streets. This is a book about humiliation, about the smell of whores and night life in cafés. This is a book about the quest for self-identity, about the right to live, about the right to own and control one’s own body. This is also a book about friendship, an account of the life we lived in the place Blanche and place Pigalle neighbourhood. Its market, its boulevard and the small hotels we resided in. These are pictures from another time. A time when de Gaulle was president and France was at war against Algeria. These are pictures of people whose lives I shared and whom I think I understood. These are pictures of women – biologically born as men – that we call ‘transsexuals’. As for me, I call them ‘my friends of place Blanche’. This friendship started here, in the early 60s and it has been going on for 22 years.’ – Christer Strömholm, 1983. The book includes the original essays by Strömholm and publisher Johan Ehrenberg as well as newly commissioned texts by Jackie and Nana, two of the women who feature in many photographs in the book. The introduction is by Hélène Hazera, a leading French journalist, actress, director, and television producer who is also a transsexual. Available now in the UK and in the US next month.

The Collected Poems of Eugenio Montale

Eugenio Montale is universally recognized as having brought the great Italian lyric tradition that began with Dante into the twentieth century with unrivaled power and brilliance. Montale is a love poet whose deeply beautiful, individual work confronts the dilemmas of modern history, philosophy, and faith with courage and subtlety; he has been widely translated into English and his work has influenced two generations of American and British poets. Jonathan Galassi's versions of Montale's major works—Ossi di seppia, Le occasioni, and La bufera e altro—are the clearest and most convincing yet, and his extensive notes discuss in depth the sources and difficulties of this dense, allusive poetry. A new collection of poems by Montale, compiled for a new book, offers English-language readers uniquely informed and readable access to the work of one of the greatest of all modern poets. [purchase]

Intimate Stranger

Karlheinz_Weinberger_intimate_stranger

Intimate Stranger, an exhibition on view now Kunstmuseum Basel, presenting the body of work of photographer Karlheinz Weinberger, is rarely on public display. Shown together with magazines and a selection of vintage fashion, these pictures document a bygone youth culture in Zurich. The movement emerged after World War II, driven by the desire to undermine prevailing notions of "Swiss propriety." For most of his life, Weinberger worked in a warehouse at Siemens-Albis, Zurich. A self-taught photographer, he dedicated his free time to this art, portraying his lovers and other people he met in the street. Starting in the late 1940s, he frequently published his pictures in Der Kreis, a homosexual magazine that garnered international attention, signing his work with the pseudonym "Jim." In 1958, he launched a major project, for which he would follow a gang of "Halbstarke" (half strong) for an extended period of time. Intimate Stranger is on view until April 15, 2012 at the Kunstmuseum, Basel – Sankt Alban-Graben 16 4051 Basle, Switzerland.

War, Sex, Love

Illustration by Alberto Vargas

This timely exhibition, Love and War, drawn entirely from the Kinsey Institute’s art and library collections, features visual material from the American Civil War to the 21st century. Many of the items represent popular culture in America during World War II, as Alfred Kinsey and his colleagues spent those years traveling around the country collecting a variety of research material as well as data for their study of human sexual behavior. Cartoons, propaganda leaflets, postcards, photographs, magazines, pin-up calendars, drawings, prints, and a variety of novelty objects are featured, as well as a selection of contemporary images by Garrie Maguire, Len Prince, Herbert Ascherman, and other photographers whose work addresses war in the modern age. Love and War is on view at the Kinsey Institute for Research in Sex, Gender, and Reproduction, through April 6, 2012, Bloomington, Indiana.

ASVOFF Barcelona

Barcelona hosts the first-ever Spanish edition of A Shaded View on Fashion Film (ASVOFF) created by Diane Pernet. A Shaded View on Fashion Film (ASVOFF) is an event that gathers together celebrated personalities from the worlds of fashion, art and cinema. The Barcelona edition will be innovative in launching the world’s first MOBILE FASHION FILM COMPETITION where two prizes will be awarded to the best short films produced on a mobile phone. ASVOFF Barcelona will be held at CaixaForum Barcelona from 24-27, January 2012.

LSD Song

Thierry Mouillé – "LSD Song", "Brass Space, Pavillon 1", "Archisong", "Opus froissé" and "Le livre des peintures, Partitions" From a geometrical analogy between the LSD molecule and an electronic battery to digital prints of crumpled musical scores, or even a musical sculpture of architectural proportions, The works of Thierry Mouillé belong to the art of scheming and aim to trap ideas and perceptions.  On view at Espace culturel Louis Vuitton's current exhibition entitled Anicroches — Variations, choral and fugue on view until February 19, 60, rue de Bassano 101, avenue des Champs-Élysées, Paris.

Paris, Portrait of a City

Photography by Helmut Newton

Paris, Portrait of a City is Taschen publishers new, vivid history of the capital of love and photography. A city built on two millennia of history, Paris is entering the third century of its love story with photography. It was on the banks of the Seine that Niépce and Daguerre officially gave birth to this new art that has flourished ever since, developing a distinctive language and becoming a vital tool of knowledge. Paris: Portrait of a Cityleads us through what Goethe described as a “universal city where every step upon a bridge or a square recalls a great past, where a fragment of history is unrolled at the corner of every street”. The history of Paris is recounted in photographs ranging from Daguerre’s early incunabula to the most recent images – an almost complete record of over a century and a half of transformations and a vast panorama spanning more than 600 pages and 500 photographs. This book brings together the past and the present, the monumental and the everyday, objects and people. Images captured by the most illustrious photographers – Daguerre, Marville, Atget, Lartigue, Brassaï, Kertész, Ronis, Doisneau, Cartier-Bresson and many more – but also by many unknown photographers, attempt to bottle just a little of that “Parisian air”, something of that particular poetry given out by the stones and inhabitants of a constantly changing city that has inspired untold numbers of writers and artists over the ages. Available March 1st here. 

Guillaume Apollinaire's Little Auto

Guillaume Apollinaire – whose writings ranged from plays to experimental poetry, from art criticism to erotica – was at the heart of literary and artistic life in early 20th-century Paris. Both his work and his flamboyant personality had a defining influence on the development of Surrealism, Dadaism and other artistic movements. In late 1914 Apollinaire swapped the high life of avant-garde Paris for the mud and desolation of war in the trenches. But his poems of this period are wholly different from those that for English readers have come to define the genre of war poetry: exploding shells are compared to champagne bottles, and juxtaposed with the orgy of destruction are nostalgia for antiquity, impatience for the future, melancholy and exuberance. Apollinaire died in 1918. The new translations in this bilingual edition, entitled The Little Auto comprise mostly poems written after 1914, but include ‘Zone’ (in the first English version since Samuel Beckett’s to match the original’s use of rhyme) and some other pre-war poems. A century later, they remain as daring and alive as when they were written. [purchase]

Never Mind The Pollocks

never_mind_the_pollacks_james_r_ford_suite_gallery

James R. Ford

Suite Gallery in Wellington, New Zealand presents an evolving touring exhibition of male contemporary artists based in New Zealand, curated by James R Ford, Never Mind the Pollocks features artists who employ intellect, keen observation and a lightness of touch in their work. Their output suggests a number of current shifts: in scale and discipline, in the attitudes of and toward male artists, in the way artists now make and contextualize their work. The show is a response to these issues and, from curator James R Ford’s point of view, how he, as an artist now living in New Zealand, situates his own practice within these considerations. Never Mind The Pollocks will tour to venues in Gisborne and Auckland later in 2012/early 2013, with artists and works being added along the way. Never Mind The Pollocks will be on view at the Suite Gallery until February 6, 2012, 108 Oriental Parade, Wellington.

Lescop Dans la Forêt

Mathieu Lescop, known simply as Lescop, is making waves on the French pop scene.  John & Jehn, French lo-fi cult music duo based in London, released Lescop's first EP on vinyl back in November off their label Pop Noire and last Friday Kitsuné released his insanely catchy track La Foret on their Parisien II compilation. Lescop has stated that he writes his lyrics strictly in French in an attempt to reinvent French Pop music. La Foret, a song with lyrics that hover in the same air as the dark romanticism of Rimbaudian symbolism, is a perfect example: "I feel your breath brushes my neck / a loaded pistol strokes my cheek." Lescop will be playing at the Shacklewell Arms in London for the Pop Noire Party on January 24.