Art, Love & Politics in the 1980s

Richard Prince, 1980

The art produced during the 1980s veered between radical and conservative, capricious and political, socially engaged and art historically aware. This Will Have Been: Art, Love & Politics in the 1980s, an exhibition on view this month at the Museum of Contemporary Art Chigacago, provides viewers with an overview of the artistic production of these heady days, as well as impart the decade’s sense of political and aesthetic urgency by placing many of the decade’s competing factions in close proximity to one another. On view February 11, 2012 to June 3, 2012 at the Museum of Contemporary Art Chicago, 220 E Chicago Ave, Chicago IL

Russell Young Retrospective

Perhaps Russel Young's most famous series, entitled Dirty Pretty Things, which includes the diamond dusted, silk-screened images of Kurt Cobain, Marilyn Monroe crying, James Dean, Elvis, amongst others – along with his Helter Skelter series, painted after a near death experience after contracting the H1N1 virus – will be on view this March at the Goss-Michael Foundation Gallery in Dallas, Texas.  Russel Young Retrospective will be on view at a retrospective at the Goss-Michael Foundation Gallery from March 7 to March 31, 2012. Goss-Michael Foundation, 405 Turtle Creek Boulevard Dallas ,TX.

Universe of Desire Opens @ the Museum of Sex In New York

“Universe of Desire,” an exhibition about human desire as seen through the lens of digital behaviors, opens at the Museum of Sex on February 8th. Type. Swipe. Search. Upload. Download. Post. Stream. These are the new verbs of desire. Our most intimate thoughts, fantasies, and urges are now transmitted via electronic devices to rapt audiences all over the world. These transmissions—from sexts to private webcam feeds—are anonymous yet personal, individual yet collective, everywhere and nowhere, and they are contributing to the largest sexual record to date. In short, desire has gone viral. The exhibition “Universe of Desire,” opening at the Museum of Sex on February 8th, examines human desire as seen through the lens of digital behaviors. Museum of Sex, 233 Fifth Avenue, New York, NY

Lips of Blood: The Cinema of Jean Rollin

Revered by enthusiasts of fantasy and horror films, but largely overlooked by the critical mainstream, French filmmaker Jean Rollin (1938-2010) is finally being given the recognition he deserves. His surreal, dreamlike films are grounded in traditional gothic imagery but are flavored with 1970s-era eroticism, resulting in a body of work that is as eerie as it is outrageous. Though constrained by low budgets, Rollin managed to drench his films in atmosphere and used them as unvarnished expressions of his own personal fears and desires. As Tim Lucas of Video Watchdog has written, Rollin’s films represent “the very heart and soul of ‘le fantastique’—its flamboyance, its melodrama, its sense of the impossible made possible. They do not scare us; they were designed to delight us, to arouse our imagination, to move us.” For the first time, the films have been carefully mastered in HD from the original 35mm negatives and will be released with an array of special features, including interviews with Rollin and his collaborators, documentaries, and trailers. Available here.

Juergen Teller in New York

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Presented in three parts, an upcoming exhibition at Lehman Maupin Gallery in New York, highlights three recent series, demonstrating Teller’s dynamic and diverse oeuvre. Featuring the controversial photographs of Kristen McMenamy and seductive portraits of Vivienne Westwood, juxtaposed with intimate portraits of his family and close friends, this exhibition displays an amalgam of subjects and personalities. The exhibition starts with Teller’s controversial series of photographs featuring Kristen McMenamy, shot in the home of Carlos Mollino. Drawing inspiration from the eccentric architect, Teller recalls Mollino’s fascination with the erotic, capturing McMenamy in provocative poses. Although the series garnered controversy for its alleged “pornographic” nature, it demonstrates Teller’s skilled storytelling and fearless approach to his medium. On view from February 10 to March 17, 2012 at the Lehman Maupin Gallery, 201 Chrystie Street, New York.

Homesick For The Earth

Jules Supervielle (1884-1960) was born to French parents in Montevideo, orphaned within a year of his birth, and grew up in Uruguay and France. He spent the Second World War exiled in Uruguay, afflicted by ill health and financial ruin. His poems are dreamlike, often gently fantastical, imbued with an appealing surface clarity. His work stands apart from much 20th-century French poetry, and he has been characterized as a writer of Basque descent who wrote in French but in the Spanish tradition, with a strong affinity for the open spaces of his South American childhood and nostalgia for a cosmic brotherhood of men. In many respects he seems our contemporary, a writer of highly personal poems as well as poems concerned with war and the environment. A new collection of Supervielle's poems have been collected in a new book published by Bloodaxe Books entitled Homesick for the Earth. Purchase here.

Painkiller

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Painkiller is an original exhibition of 48 Polaroid images by groundbreaking photographer Robert Frank taken from the 1970s through the present. Blue Sky  gallery in Portland closely collaborated with Frank in selecting photographs to be reproduced in a special series of enlarged prints for this show. Considered one of the most influential figures in the history of photography, Frank has redefined the aesthetic of both the still and the moving image via his pictures and films. Blue Sky presents Frank’s work again in Portland, having first shown his photographs in 1981. Painkiller closes this week at the Blue Sky Gallery in Portland, Oregon.

Barrel of a Gun

Diane Pernet's A Shaded View on Fashion Film (ASVOFF) Barcelona comes to a close today and the winners have been announced. Barrel of a Gun, by Jason Last, has won the Mobile Fashion Film prize. The film features models Mikhael Ayoub, Christoph Ribbe, & Mikey Wydra in Comme des Garçons. 

Aurel Schmidt: Reveries Of A Lost Life Mask

There's an old Turkish proverb: "like a butterfly on a donkey's dick" used to express the disdain of two objects which just don't go together or match.... If the proverb is taken literally and further illustrated by Aurel Schmidt, one might just think the two are a match made in heaven! Aurel's intricately drawn works merge flora, insects, beers, genitalia, condoms, cigarettes etc into delicately composed works. The individual components of the compositions are themselves traces and elements from a downtown life which seems to consist of endless nights! Artist Aurel Schmidt and poet Franz Wrights collaborative book Reveries Of A Life Mask is now available. The 68-page publication has been produced in a limited run of 1,000 by Morel Books.

The Shamanistic Photography of ALMAGUL MENLIBAYEVA

In the Steppes of her native Kazakhstan, Almagul Menlibayeva stages complex mythological narratives, rooted in the Zoroastrian ideology of former Persia, an ideology that is to this today spreading widely across Eurasia and influencing Western politicians and philosophers and the Tengriism (sky religion) of the Turkic tribes, and with reference to her own nomadic heritage and the Shamanistic traditions of the cultures of Central Asia. "I use specific ways of expression in modern and contemporary art as a vehicle to investigate my personal archaic atavism as a certain mystical anthropomorphism. In other words, I explore the nature of a specific Egregore, a shared cultural psychic experience, which manifests itself as a specific thought-form among the people(s) of the ancient, arid and dusty Steppes between the Caspian Sea, Baikonur and Altai in today’s Kazakhstan," says Menlibayeva. Menlibayeva will be exhibiting in a number of group shows during 2012, from The Mediterranean Biennale of Contemporary Art in Israel this Fall to the 18th Biennale of Sydney.  Her works are currently on view until February at the  LASALLE College of Arts in Singapore for a show entitled East is West: Three Women Artists.

Tom Poulton. The Secret Art of an English Gentleman

Thomas Leycester Poulton was an English magazine and medical book illustrator, born in 1897. Upon his death in 1963 it was discovered he was also a prolific and imaginative erotic artist who produced hundreds of sketches and finished drawings of women proudly and exuberantly displaying themselves in ways shocking to conservative post-war Britain. The archive remained hidden until the 1990s, when a collector of erotic artifacts passed it on to a fellow collector willing to share it with the world. Though Tom Poulton's work tells us much about English society between 1948 and 1963, there is a universal quality to these images of joyous, uninhibited sexuality that transcends time and place. A new edition of Tom Poulton: The Secret Art of an English Gentleman published by Taschen, the first of which was released by Taschen, will be available this March.

Exemplar: Photographs of Joy Division

The world was intolerable and mean to Ian Curtis, lead singer of Joy Division, and he spit back with cruel, introspectively haunting lyrics in the hopes to close and heal the wounds that he so desperately tried and failed to lick clean.   In the end, love indeed tore him apart. On view now at the Manchester Photographic Gallery are 45 iconic images of life behind the legendary band Joy Division by photographer Kevin Cummings from their first gig in 1977 to Ian Curtis' suicide in 1980. Exemplar: Joy Division by Kevin Cummins, Manchester Photographic  6 January - 26 February, Manchester Photographic Gallery is at Tariff Street, Northern Quarter, City, 0161 236 2446.