TRUFFLE by Parker Woods and Erin Green Book Launch @ Sheriff Gallery

TRUFFLE is an ode to detail; with the combining forces of Parker Woods’ intimate style of photography that takes a fresh approach to abstraction by placing it within the context of humanity, as well as Erin Greens’ honest and raw makeup artistry, depicting more than just makeup—but the person behind it. The book proposes a perspective one could only define as close, in all ways. Work that prides itself on defying the very word “pristine.” TRUFFLE’s black and white imagery along with their mix of up-close shots displaying both identifiable human features drawn in makeup amongst abstracted textured imagery creates a unique voice that speaks to you like a whisper directly into your ear. Portraying not only up close intimacy, but an undeniable vulnerability that compels you to look, even if it feels invading, the art book stands out by its artistic approach that can only be described as honest. 

With graphic design by Patrick Slack and Austin Redman, the final object is a 208-page, landscape-oriented book with slipcase and a 40.64cm x 50.8cm double-sided poster. Edition of 200.

You can preorder TRUFFLE now on their website

 
 

Read An Interview Of Kate Mosher Hall On The Occasion Of Her Solo Exhibition @ Hannah Hoffman In Los Angeles →

Kate Mosher Hall, 31,556,952 seconds, 2024 
Acrylic and charcoal on canvas 
80 x 72 inches (203.2 x 182.9 cm)

I recently visited Los Angeles born-and-raised painter Kate Mosher Hall at her light-filled studio in a bricky industrial area of Glendale. With the 5 freeway buzzing nearby, she walked me through her complex and unique process, which involves silkscreening light-sensitive emulsion over gessoed canvas using anywhere from eight to thirty screens depending on the particular painting, Photoshopping, layers of collage, and paint. It’s a “choose-your-own adventure” as she says, to get the desired effect. To help organize things, she’s created a lexicon: box paintings, hole or mesh paintings, recursion paintings. Some paintings incorporate elements of all styles. Hall, a punk drummer, worked in silkscreen studios for several years before she began UCLA’s Fine Art MFA program. We talked about Never Odd or Even, Hall’s second solo exhibition at Hannah Hoffman, which is currently on view in Los Angeles and the way that the work employs both good and bad math, challenges modes of looking, and the infinite repetition within binary relationships. Read more.

Vincent Ferrané Inverts the Intimate Solitude of the Bed in Embedded @ La Cité Gallery in Paris

 
 

In the series Embedded, presented by photographer Vincent Ferrané realized in collaboration with performer Pauline Lavogez, the confined space of a bed transforms into the profoundly minimalist stage of a performative expression, an "embodied experience." The project is a mosaic of images that relies on a unique space-time of experimentation, intertwining photographic and choreographic ideas much like on an editing table.

Derived from ordinary situations inherent to this intimate and universalizing playground haunted by our fantasies, fears, or passions, the created images offer enigmatic representations in seclusion: ethereal presences, bodies, and suspended faces seize hold of this original setting and transform it into a microcosm, a topography. A mattress-crater hollowed by a fist, clothes resembling geological folds, an improvised refuge beneath the sheets, and ghostly silhouettes come together to give shape to a bed-landscape.

Drawing its name from the words "bed" and "embedded," which in our media-driven age convey the idea of incorporation and embodiment, the series Embedded explores, within the perfect rectangle of the bed, the place of the body, both social and metaphorical. Between pose and pause, the series Embedded draws from the attributes of live performance to script a mosaic of black and white still images, framing the gaze on fragments of bodies, faded, trapped in the penumbra.

Vincent Ferrané
Embedded (2023)
Photograph
Courtesy of the artist

Embedded is on view November 9th through November 16th at La Cité Gallery, 71 rue Réaumur 75002, Paris.

Martine Franck @ Fondation Henri Cartier-Bresson In Paris

Fondation Henri Cartier-Bresson’s first exhibition at 79 rue des Archives opens Martine Franck – A retrospective. A journey through the life of a free spirit (Belgian 1938-2012), from activist gatherings to meditative landscapes, political engagement to friendly portraits, this deeply human vision open to the history of art was associated with the Viva agency, which she helped create, then with the cooperative Magnum Photos.

A socially engaged photographer, Martine Franck became an activist for many of these causes she actively photographed, which required a great deal of courage and daring for the young woman who had been taught not to cross the boundaries. She famously laments:

“A photograph isn’t necessarily a lie”, she said. “But nor is it the truth. […] You have to be ready to welcome the unexpected” - Martine Franck

Read more at: https://bit.ly/1MI0Hbs

Martine Franck is on view through February 10, 2019 at Fondation Henri Cartier-Bresson 79 rue des Archives — 75003 Paris. photos courtesy of Fondation Henri Cartier-Bresson

DESIGNER J.W. ANDERSON RELEASES EXCLUSIVE PRINTS BY PHOTOGRAPHER IAN DAVID BAKER

J.W. Anderson is currently hosting an exclusive, online exhibition and print sale of photographs by English photographer Ian David Baker. Baker's intimate, black-and-white portraits and collages offer a rare glimpse into gay youth subculture of 1980s England. The 50 images displayed in the exhibit have been personally curated by designer Jonathan Anderson and selected from Baker's archive. Many of the negatives no longer exist, making these original prints the last remaining copies of Baker's early work. Visit J.W. Anderson's website to view the exhibition and purchase prints.

Richard Avedon's Murals & Portraits @ Gagosian New York

Opening today at Gagosian New York, Richard Avedon's Murals & Portraits. Against the backdrop of America's social and political transformation, Avedon began to create four photographic murals between 1969 and 1971 which would be unprecedented in scale and pointed in subject. Between 20 to 35 feet wide and comprising up to five panels, the murals revealed a striking new format in which subjects were positioned frontally and aligned against a stark white background. This intensity of characterization and confrontational aspect typifies Avedon's portraits; his subjects exist larger than life, stripped of all artifice by an unflinching eye. His mural groupings featured emblematic figures: Andy Warhol with the players and stars of The Factory; The Chicago Seven, political radicals charged with and acquitted of conspiracy to incite a riot at the 1968 Democratic National Convention; the Beat poet Allen Ginsberg and his extended family; and the Mission Council, a group of military and government officials who governed the United States' participation in the Vietnam War. Murals and Portraits will be on view from May 4 to July 6 at Gagosian, 522 West 21, New York.