6 Booths You Have to Visit On The Last Day of the 2015 NADA Art Fair

1. See Elizabeth Jaeger's awkwardly beautiful sculpture - entitled "Maybe We Die so the Love Doesn't Have To," 2015 at Jack Hanley Gallery (Booth 2.30) 2. See artist Janson Stegner's erotic and sinuously lengthened portraits of cheerleaders and female cops at the Sorry We're Closed booth 3. Like Fragonard on too many tabs of acid, see Irish painter Genieve Figgis's works on view at the Half Gallery booth (404) 4. See artist Betty Tompkins' pussies, pearls and penises on view at the Louis B. James gallery booth (booth 2.26) 5. Perhaps the most exciting and thrilling booth belongs to the Oslo, Norway based gallery Rod Bianco with a solo presentation of work by artist Vaginal Davis, entitled “Flirtation Walk (The Ho Stroll)," which explores homosexuality and male prostitution through a long prose poem that is juxtaposed against hunks of Hollywood's golden era 6. Wall sculptures by artist Sara Rahbar combines religion's sanctifying iconography and man's tools of trade - shovels, rifle butts and crucifixes – in primitive, neo-Dadaist assemblages on view at the Carbon 12 booth. The 2015 NADA Art Fair will be on view until May 17, 2015 at at Basketball City, located at 299 South Street on the East River.

James Clar's Iris Was a Pupil on View At Carbon 12

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Carbon 12 gallery in Dubai presents the solo exhibition of the American multi-media artist James Clar, Iris was a Pupil, which opens today. As the title clearly suggests it, the new works are about the sensation of visual stimuli, the constant challenge of finding new viewpoints, and the demand to keep seeing things from fresh perspectives. “Iris was a Pupil” (also the title of a song by techno legends Autechre) also calls the connotation of synaesthesia to mind. The theme of crossing borders is always present in the work of Clar, who lives and works between New York and Dubai: not only in the sense of redefining the physical limitations and boundaries of media (mediums), but also in the metaphysical sense of investigating subjects such as nationalism and globalism in the age of social technologies. Here, he takes a step further, blurring the lines between dreams and reality, synthetic and real. Iris Was a Pupil opens today November 5 and will be on view until December 8, 2012 at Carbon 12, Warehouse D37, Alserkal Avenue, Street 8, Al Quoz 1, Dubai