Read Our Interview of Louise Frances Smith on Cultivating a Circular Art Practice

Louise Frances SmithCollect install Assemblage no1 oyster shells, 2023 (detail)mixed media including clay and crushed oyster shellsphotograph by Yeshen Venema

Louise Frances Smith
Collect install Assemblage no1 oyster shells, 2023 (detail)
mixed media including clay and crushed oyster shells
photograph by Yeshen Venema

In the context of art history, sustainable ways of creating have been around since the birth of conceptual art in the 1960s. Take German artist, Nils-Udo, whose plant creations placed in nature were left to develop and subsequently disappear as a way of commenting on the links between nature and humanity. Today, as we are faced with the sobering realities of humankind’s impact on the planet, environmentally-conscious art forms are becoming increasingly widespread. By working with found objects, natural and upcycled materials, and through processes that intentionally avoid damage to the Earth’s resources, artists are using their creative expression to highlight environmental degradation and the stark reality of climate change. 

Margate-based artist Louise Frances Smith worked mainly with clay until she became increasingly concerned and frustrated with the unsustainable plastic packaging used to store her medium of choice. After conducting considerable research, it became clear to her that it was not possible to naturally source clay from her local area, so she decided to get creative and utilize what was available, better yet, she used what was in abundance: seaweed and oyster shells. Smith has spent the last two years collecting and experimenting with both as part of her newly adopted approach to creating sustainable work. 

This year, as part of Somerset House’s 2023 Collect, Smith exhibited Sargassum Tide, a new body of work that examines wireweed seaweed and Pacific oysters, two non-native species thriving on the UK coastlines due to climate change. She subsequently presented the series in a solo show at The Margate School where she facilitated workshops on how to work with sustainable materials in collaboration with community groups, families, and creative practitioners. 

In the following interview, Smith shares her journey with adopting a sustainable art practice, discusses the scientists, artists, and experts that have inspired her, and where she hopes to take her sustainable practice in the future. Read more.

House & Garden Is A World Of Domestic Bliss @ Stroll Garden In Los Angeles

Conceived as a singular installation, House & Garden welcomes viewers into a home of domestic items rendered in clay by Analuisa Corrigan and a garden of working ceramic fountains by Lily Clark, complimented by live plant vignettes created by Alice Lam of A.L. BASA. In recontextualizing the familiar, the artists invite a moment of pause to reengage our senses and reconsider our relationship to often overlooked elements of the everyday, both domestic and elemental. Corrigan creates organic, figurative forms that unite material exploration and personal expression. Corrigan’s pieces are deceptively labor intensive, taking up to a month to make. After sketching and prototyping, each is carefully built up through a coil technique, then dried and sanded to achieve the desired silhouette. The resulting work feels simultaneously robust and delicate.

Whereas Corrigan works intuitively, Clark’s process embraces precision, reflecting her interest in engineering. After drafting a design, she rolls slabs of clay and cuts using a template, then carefully joins the seams. The surface is left unglazed to contrast with the water’s luster. For her large-scale fountains, Clark incorporates stones that she spent six months sourcing from the Whitewater quarry just outside of Palm Springs, fine tuning the design to achieve her desired water flow and sound. Clark’s fountains are arranged within an “indoor garden” by Alice Lam, whose Los Angeles-based creative studio A.L. BASA specializes in sculptural floral installations. Lam’s site-specific design references Buddhist Zen gardens created around works by Isamu Noguchi, as well as plants that are representative of California’s biodiversity. Immersive and temporal, House & Garden contemplates notions of interior and exterior — both somatic and psychological, experienced and subjective.

House & Garden is on view through June 11 @ Stroll Garden 7380 Beverly Boulevard.

 
 

Theodore Boyer & Grant Falardeau Present Aleph and The Rock @ H I L D E LA

Aleph & The Rock, a two-person exhibition of painting and sculpture by Theodore Boyer & Grant Falardeau is on exhibition January 13th through February 24 at H I L D E L.A. photographs by Summer Bowie