Pussy Riot Presents Putin's Ashes @ Jeffrey Deitch Gallery in Los Angeles

photographs by Morgan Rindengan

On January 27, Pussy Riot brought its radical performance art to Jeffrey Deitch's Los Angeles gallery, inviting everyone to join their protest against the authoritarian leader of Russia who started the biggest war in Europe since World War II. This was the first presentation of Pussy Riot’s political performance art at a gallery in Los Angeles.

Putin's Ashes was initiated in August 2022 when Pussy Riot burned a 10 x 10 foot portrait of the Russian president, performed rituals, and cast spells aimed to chase Putin away. Twelve women participated in the performance. In order to join, women were required to experience acute hatred and resentment toward the Russian president. Most of the participants were either Ukrainian, Belarusian or Russian.

Pussy Riot's founding member Nadya Tolokonnikova bottled the ashes of the burnt portrait and incorporated them into her objects that were being presented alongside her short art film, Putin's Ashes, directed, edited, and scored by Tolokonnikova.

"While working with artifacts, bottling ashes and manufacturing the faux furry frames for the bottles, I used skills that I learned in the sweatshops of my penal colony. I was forced to sew police and army uniforms in a Russian jail. I turned what I learned in my labor camp against those who locked me up. Putin is a danger to the whole world and he has to be stopped immediately," says Tolokonnikova.

In 2012, Tolokonnikova was sentenced to two years imprisonment following an anti-Putin performance. She went through a hunger strike protesting savage prison conditions and ended up being sent far away to a Siberian penal colony, where she managed to maintain her artistic activity and with her prison punk band made toured around Siberian labor camps. Tolokonnikova published a book Read and riot: Pussy Riot's guide to activism in 2018.

Pussy Riot stands for gender fluidity, inclusivity, matriarchy, love, laughter, decentralization, anarchy and anti-authoritarianism.

 
 

Unique To The Unison: Read Our Interview Of Taboo Founder Kenny Eshinlokun →

 

Photograph by Agustín Farías

 

In the fall of 2020, Kenny Eshinlokun launched her creative agency, Taboo, to create world class projects that transcend audiences and industry borders. After working for a decade in the marketing and music industries, she saw the need for artists to build meaningful, long-term partnerships with brands that truly care about their creative endeavors. Through Taboo, she has built a global cohort of creatives and brands that are committed to giving back to their communities and building relationships that are rooted in genuinely shared visions. Autre caught up with the Eshinlokun to talk about the inspiration for starting her own agency, the meaning of true allyship, and the future of Taboo. Read more.

Sustainability As Emotion: Niko June By Axel Swan

Odorico with Niko June ceramic stool

photography by Axel Swan
art direction by Niko June
casting by Simone Drost

“Good objects are such that they give power to an attitude, which treats sustainability not as a science, but as emotion.”

In the fall of 2021, photographer Axel Swan traveled to Copenhagen to shoot portraits of some of its unique inhabitants in collaboration with Niko June, an emerging sustainable brand that emphasizes craftsmanship, DIY, and the spirit of inclusivity. The series takes aim at the deep intimacy of its subjects and their everyday lives across the city and its boroughs. 

Elinor with Niko June Eros Torso Vase

Niko June Studio Vase & Emilie seated on Niko June P-L 01 Chair

Maria with Niko June P-L 02 Stool and P-L 01 Chair

Noa with Niko P-L 02 Stool & Eros Torso Vase

Rasmus with Niko June Studio Candleholder

Johannes with Niko June Eros Torso Vase

Students At The European Institute Of Design In Milan Are Innovating Inclusivity

In their first semester of the 20/21 academic year, students of the European Institute of Design in Milan were asked to design in an inclusive way with gender, disability, ethnicity, and age in mind. Conducted by professors Mia Vilardo and Riccardo Polidoro, partners of Studio Elitre, the inclusive design course asked students to create original products capable of satisfying everyone's needs.

In terms of gender inclusiveness, the REN proposal goes to intercept the needs of those who do not identify with one of the two sexes and of those who feel unique through what they choose to wear: a mix of garments and accessories that reflects the person without distinction between man and woman. On the disability front, there are those who have imagined a fashion brand " for anyone who feels wrong or not fully represented ". JFMP - Joy for mistaken people (proposed by Penelope Bazzani, Michela Polo, Jennifer Rossi, Federica Santangelo) subverts the rules and looks at things in a different light, working specifically on blindness and low vision.

On the path of ethnic inclusion, the To.get.there - Rebirth project instead works conceptually to "unite" what is at the deepest roots of human experience, what unites all cultures (both physically and spiritually). This translates not only into the choice of fabrics made from elements present in nature, but also into the reuse, grinding and processing of industrial and production waste to obtain, with the appropriate binders, new design materials.

Good taste and being able to be inspirational have no age: thus, the working group on the ageless theme (Simone Ricetti, Alice Marchetti, Alessandra Natalino, Martina Sagliaschi) imagined AMAS, a range of accessories perfect for all seasons of the life.