Bitter & Sweet by Emi Iguchi & Camille Ange Pailler
photography by Emi Iguchi
styling by Camille Ange Pailler
hair and makeup by Janette Peters
casting direction by Ananya Nisbet
model Lilja Drab via @elf_mgmt
photo assistance by Heinrich Wrede
styling assistance by Nadine Sham
Pipenco Lorena's Knitted Gowns Are A Delicate Homage to Her Mother's Post-Communist Immigration
photography by Kelli McGuire
creative direction and styling by Neptune Quek
set design by Lane Vineyard
makeup by Shoko Kodama
styling assistance by Madison Lynn
talent Millie Dunstan & Emma Deegan
The maternal determination to provide a life of opportunity for her post-Communist kin is woven with care into every stitch of Pipen Colorena’s knitwear gowns and slippers. Her newest collection is a delicate transmogrification of her family’s lived experience of immigrating from Romania to London, a push and pull between the pride and struggle of embracing a new chapter while mourning all that’s left behind.
Colorena takes inspiration from the creative exercises her grandmother developed for her as a child while her mother was away at work. After drawing a row of women in dresses on the page, her grandmother would challenge the young designer-to-be to find inventive ways of coloring and elaborating on them based on the various women within their community. Harkening those early mental souvenirs, a coquettish play with the memory of their softness, kindness, and flamboyant nature gives shape and dimension to each and every piece.
There is also a heavy dose of Romanian cinema and art from the 1970s imbued in the gowns, giving them a very personal sense of romantic nostalgia. Finally, to complement the elegant construction of finely knitted fabric, there are moments of conspicuous unraveling—a candid omission of subjection to struggle, the hardship inherent in the process of immigration and assimilation. It is an ode to the fortitude of a mother and a future generation made stronger by the crucible of passion and hardship.
First reprisal (sometimes I’m afraid if I disregard someone else’s story) by Polina Boyko, Bianca Nicolucci & Marzia Comuzio
photography by Polina Boyko
styling by Bianca Nicolucci & Marzia Comuzio
makeup by Yoko Minami
hair by Yoko Okuno
talents Miriam @ PRM Agency & Jasmine
lighting by Alexander Retnik
photography assistance by Oriana
makeup assistance by Lala
Santa Cruz by Saskia Schmidt & Pino Sartorio
photography by Pino Sartorio
styling by Saskia Schmidt
hair & makeup by Ischrak Nitschke
modeling by Marta Toba
FREAKS! By Azazel & Francesca Cavalcanti
photography by Azazel assisted by Kester Messan
styling by Francesca Cavalcanti assisted by Olivia Abadian
makeup by Machiko Yano assisted by Yurino Kinjo
hair by Shinosuke Nakashimo
models: Hody from Milk Management
Bertie, Bella, Lola & Eve from Anti Agency
Une Journée Au Lac; A Fashion Editorial shot by Edoardo De Ruggiero
Stylist: James Valeri
Model: Mariam Eya (Supreme)
Casting: Alexandra Sandberg
Make Up: Karin Westerlund
Hair: Franco Argento
Stylist Assistant: Stacy Guetta
Photo Assistant: Talo Buccellati
Executive Producer: Benoit Dreyfus
On Set Production: Fabien Jallot and Pierre Goldberg
See Our New Editorial "The Girls" Shot By Mynxii White →
Click here to see more
Anton Yelchin and Kate Parfet in Joshua Tree, California on 35mm film
In an effort to avoid the tired '68 knockoff nostalgia that pervades desert images, actor Anton Yelchin (Charlie Bartlett, Star Trek Into Darkness, Only Lovers Left Alive, Green Room) and model/photographer Kate Parfet wanted to combine trash aesthetics with a flair for glam and Area 51. In a secluded desert domicile, the pair celebrated textures that inspired them, objects and fabrics they found erotic and simultaneously playful. Click here to read our interview with Yelchin and Parfet on their adventure in the desert.
See Our New Editorial by Raquel Pellicano Shot In An Architectural Gem in Brasília →
Located in the Brazilian Highlands - Brasília was developed by urban planners and architects Lúcio Costa and Oscar Niemeyer in 1956 in order to move the capital from Rio de Janeiro to a more centralized located. Downtown proper is filled brilliant examples of midcentury splendor and some of the greatest masterpieces belonging to Costa and Niemeyer - along with landscapes by Roberto Burle Marx. In the this editorial, shot in one of the beautiful modernist homes in the suburbs by photographer Raquel Pellicano, the model's beauty is matched perfectly against the beauty of the architecture with its steel, wood and concrete accents. Click here to see the full editorial.