Alfredo Jaar Indulges In Radical Pessimism with "The Temptation to Exist" @ Galerie Thomas Schulte

For over four decades, Alfredo Jaar has used photography, film, installation, and new media to create compelling works that examine complex sociopolitical issues and the ethics and limits of representation.

The exhibition’s title makes a reference to a book by Emil Cioran, one of the artist’s favorite writers. A dark, subversive thinker, Cioran was the poet of pessimism. A philosopher who was always on the verge of suicide, he once said: “If I didn’t write, I could have become an assassin. Writing is a matter of life and death. Human existence, at its core, is endless anguish and despair, and writing can make things a bit more bearable. A book is a suicide postponed.” For Cioran, failure permeates everything. Great ideas can be stained by failure, and so can art and the human condition. “No longer wanting to be a man” he is dreaming of another form of failure he wrote. “The universe is one big failure, and not even poetry can succeed in correcting it.”

For Jaar, art is the impossible answer to an impossible question: how do we make art when the world is in such a state? In the gallery’s main space, an immersive experience is created with a large, red neon work, where the words of the stoic philosopher Seneca take center stage. Seneca strongly believed that if we have the essentials and a strong inner spirit, we can radically accept and endure any circumstances. Eschewing the presence of other objects, the room is entirely illuminated with a dense red light, building an atmosphere of poetic uncertainty, mirroring the unease of contemporary times. The philosopher’s emblematic phrase glimmers in the space, reacting to the tyranny of the white box space and filling it with an idea—a model for thinking about the world.

Jaar’s second part of the exhibition fills the second, smaller gallery space with more than 50 works from a diverse group of artists, including Bas Jan Ader, Rosa Barba, Angela de la Cruz, Valie Export, Yoko Ono, Zanele Muholi, Frédéric Bruly Bouabré, and more. Here, the artist has tried to create what he calls “a space of resistance, a space of hope.”

The Temptation to Exist is on view through August 12th at Galerie Thomas Schulte, Charlottenstraße 24, 10117 Berlin.

Mark Verabioff's Poolside Drive-by @ Team (bungalow) In Venice Beach

Long before the current administration’s ascendancy, the wheels had been turning in favor of hostile mechanisms of control. The blatant aggression and fascist broism of the present, however, have thrown into stark relief how identity and the gaze of another can be weaponized and internalized. Mark Verabioff’s practice is borne of the conjoined dynamics of identity and imaging and proposes self-definition as a position of resistance that can challenge cultural and political power structures. Existing at the intersection of autobiography and community, Poolside Drive-by is the mapping of an internal topography that tells us much about the artist’s choices and frames of reference, but also describes the kind of world in which he finds himself. Vulnerable, humorous, both reverent and irreverant, the work is grounded in Verabioff’s appropriative processing of cultural products and pushes against strictures of authorship, authority, and objectification. The show’s title, Poolside Drive-by, juxtaposes positions of blithe passivity and ruthless retaliation; when they go low, kick ‘em while they’re down.

Pooside Drive-by is on view through February 10 @ Team (bungalow) 306 Windward Avenue Venice, CA 90291. Image courtesy of the artist and team (bungalow). Photo: Jeff McLane.

The Opening Of Jeremy Everett's "The Good Part" @ Wilding Cran Gallery in Los Angeles

The Good Part is a mixed-media installation by Jeremy Everett. Acting as interventions, the various works on view offer notions of tension, movement, resistance, and corruption. The Good Part is on view through May 19th at Wilding Cran Gallery 939 South Santa Fe Avenue Los Angeles. photographs by Lani Trock