High Fashion Goes Hi-Fi With L'Atelier Sonore by Valentino and Terraforma In New York

Lea Bertucci at L’Atelier Sonore at Valentino’s Midtown Manhattan location

text by Karly Quadros

In his 2012 book How Music Works, Talking Heads frontman David Byrne argues that over time, music and its technologies evolve to suit the spaces where people do their listening: the church organ’s bellows fill the cavernous chapel, the finely tuned bedroom pop of the 2010s nestles comfortably in one’s headphones. 

Lately, the fashion world has been dabbling in its own new experiments with music, style, and space, enlisting the help of sonic curators that inspire their own fervent devotion across the globe, like Terraforma and NTS Radio

Fashion and music have always been tightly bonded from the songs that soundtrack runway shows to the musicians sporting the latest collections. Early hints to the trend came when pioneering LA radio station Dublab released a capsule collection with Carhartt for their twenty-five year anniversary last year. Similarly, Crocs and the ominously lit Hör Berlin released a collaborative shoe in 2022; Adidas announced a collaboration with the collective the year after, featuring a broadcast from Adidas’ flagship store in Berlin with DJs Soyklo, Carmen Electro, Baugruppe90, and DJ Soulseek. Krakow’s own avant music festival Unsound has designed shirts in collaboration with Polish streetwear brand MISBHV and hosted a party with them in an abandoned railway station last year.

As the ways audiences discover music together continues to evolve in the digital age, so does the fashion world’s flirtation with musical communities and experiences that are more specific, intimate, and curated. 

On May 15, Valentino unveiled an intimate listening room at their Madison Avenue location in Midtown Manhattan, dubbed L’Atelier Sonore. The heavily curtained room lit with oranges and pinks was outfitted with sloping couches and an impressive sound system in the front, constructed by Francesco Lupia in collaboration with Terraforma, a collective that runs the cult classive Milanese experimental music festival of the same name. Lupia worked with impiallacciatura, a wood technique historically associated with Renaissance-era interiors. The result was something that felt opulent but modern.

“The idea was to build a sonic living room — intimate, soft, intentionally domestic. We were inspired by the Parisian salons of the early 20th century, spaces where literature, art, music, and conversation naturally converged,” said Ruggero Pietromarchi, one of Terraforma’s founders.

Over the course of the day, a small but impressive lineup of selectors took to the decks, spinning records The Loft-style, unmixed, from start to finish. There was downtown icon and New Age pioneer Laraaji, DJ and archival tape label Minimal Wave founder Veronica Vasicka, and Queens-based Nowadays resident Physical Therapy. Vibes were lush and meditative while not taking itself too seriously. Case and point? At one point, a “Careless Whisper” cover from unsung jazz hero Nancy Wilson was trotted out.

“Given the constant acceleration in our society, there’s a growing need for contemplative spaces and shared rituals. Listening requires stillness — it’s a focused, reflective act. The space was designed with that in mind: small, intimate, and free of distraction, to support attention and presence,” said Lupia.

Meanwhile in London, another fashion world plunge into hi-fi sounds was unfolding. Golden Sounds, a joint effort from Ugg and beloved Internet radio station NTS, filled two full days with programming. Panels, led by Saffron Records on Friday May 16 and NTS Radio on Saturday May 17, focused on everything from the basics of how to DJ to building your own sound system. Deep listening sets were curated, largely around South London’s jazz, R&B, and electronic scenes and featured artists like Goya Gumbani, dexter in the newsagent, Errol, and Alex Rita. There was a particular focus on sounds from London’s African and Caribbean diaspora communities: baile funk, hip hop, and soul.

For those used to going to the club for a specific producer for a particular energy, the historic importance of sound systems might not be readily apparent. Sound systems were a central feature of early dance music culture in Jamaica and the UK – often, the sound system itself was more of a draw than any one DJ or emcee. In ‘90s rave culture too, collectives and promotions would advertise on flyers the truly awesome power of their custom sound systems, often with flashy technobabble that had little to do with the actual mechanics of audio technology itself. For those that know and care about the cultural lineage of people dancing together in space, a sound system is the mothership, a monument to hedonistic release but also to the care, intention, and work that goes into bringing people together.

“It’s not just about what you hear, but how you inhabit the space while listening,” said Pietromarchi.

Golden Sounds’ events, held in an open air stone courtyard, were less cloistered than L’Atelier Sonore at Valentino but sought to capture a similar audience and atmosphere. After all, what else inspires the same devotion, obsession, and sense of exclusivity than underground music? DJs guard their rare white labels with a fervence verging on feverishness. In-the-know music fans are happy that artist broke into the mainstream but also know they used to be better (but really, how i’m feeling now will always be superior to brat.) The status, the symbols, the devotion to the archive – it’s attractive for fashion brands like Valentino and Ugg to seek out the kinds of audiences cultivated by Terraforma and NTS Radio particularly for their discerning taste and dedication.

Hi-fi spaces like these split the difference between deep listening on one’s headphones and a dance night out on the town. The question is, is having the time and access to such spaces becoming a luxury in and of itself? Like the historic sound systems from decades past, communities centered around music will persevere sometimes in resistance to and sometimes in tandem with larger cultural forces like fashion. In the meantime, it’s clear that, in a time like ours, the need for spaces that encourage deep, active listening are greater than ever before.

When asked if time and space to pause and listen had become a luxury, Pietromarchi answered honestly: “Yes — unfortunately, it often is. But I don’t believe it should be. Listening is a basic, vital act. That’s what spaces like L’Atelier Sonore try to offer: a kind of pause that isn’t passive, but active. A moment to re-centre.”

L'Atelier Sonore, an immersive listening room, is open daily through August at Valentino Madison Avenue.

The turntable at Valentino’s L’Atelier Sonore

Bitter & Sweet by Emi Iguchi & Camille Ange Pailler

 

Sia Arnika velvet dress
Untitled Lab x Sia Arnika leather boots
Von Dutch cap
Wolford leopard tights

 

photography by Emi Iguchi
styling by
Camille Ange Pailler
hair and makeup by 
Janette Peters
casting direction by
Ananya Nisbet
model
Lilja Drab via @elf_mgmt
photo assistance by
Heinrich Wrede
styling assistance by 
Nadine Sham 

Katharina Dubrick knit wool top and mittens
Lina Nix skirt

Sia Arnika jumpsuit
Olivia Ballard bomber jacket
Lina Nix tutu skirt

 
 

Von Dutch cap
Sia Arnika velvet dress

Celine denim hooded jacket and shorts
Our Legacy t-shirt
Sia Arnika x Untitled Lab leather boots
Wolford leopard tights

 

Malene Specht jacket
Celine short

Celine short
Wolford leopard tights

 

Olivia Ballard bomber jacket

Sia Arnika jumpsuit
Olivia Ballard bomber jacket
Lina Nix tutu skirt

 
 

Valentino dress and sandals

Malene Specht jacket
Celine short
Sia Arnika x Untitled Lab leather boots

 
 

Cissel Dubrick shirt
Olivia Ballard shirt

Valentino dress

 
 

Cissel Dubrick shirt
Olivia Ballard shirt

 
 
 

Maison Valentino Unveils A New Concept For Worldwide Stores

The venerable Maison Valentino unveils a new concept for its stores worldwide, presenting an evolution of the brand towards an increasingly human-centric approach through a more intimate retail dimension. A gradual redesign of its global locations, the project stems within the Maison itself and strengthens the brand’s focus on client experience through a contemporary design language. On the cusp of tradition and innovation, the concept represents Valentino’s identity as a Maison de Couture, with an interior design that speaks of the brand’s artisanal approach and aesthetic. The interiors allude to 1930s Art Déco motifs and a bold 1970s aesthetic, which merge into a contemporary language expressed through an eclectic material palette and details inspired by Roman buildings. The color tones of the textile walls are a nod to the tailoring busts belonging to the world of Couture. The new concept pervades the architecture of the stores, with ceramic tiles covering the façade, and floors defined by iconic geometric motifs rendered in Botticino and Sahara Noir marbles. Elements in onyx and wood contribute to the sense of warmth, elegance and discreet luxury. Special areas will be reserved for private appointments, to enhance the feeling of intimacy and exclusivity within a carefully curated setting. The new store concept will be rolled out globally.

Antler: A Fashion Editorial By Jaara Lange & Camille Pailler

photography by Jaara Lange
art direction and styling by Camille Pailler
styling assistance by Katya Makhno
makeup by Leana Ardeleanu
hair by Reiya Yamaoka
modeling by Gigi @ Let It Go

AUTRE: Where does your inspiration come from?

JAARA LANGE: Looking back, my art was born from a deep need to escape a world that was not safe for me. So, I created a world for myself accordingly. Even today, I am inspired by daydreams, science fiction, and fairy tales. I created my own world where I could exist, which was beautiful and dark at the same time. I think this deep experience still inspires me today.

 
 

AUTRE: What drew you to Gigi as a muse?

LANGE: Gigi is a powerhouse and role model for me at the same time. I don't know anyone who enters the room with such presence — that fascinates me a lot. In her I see strength, beauty, and above all, resilience. We are all very grateful for what she does for the Berlin trans community and as sisters we support each other.

 
 
 
 

AUTRE: Why is nature such a dominant subject in your photography practice?

LANGE: Nature has always fascinated me. It represents a place of refuge for me. Out in the green, I have always felt freer — nature is a space without condemnation or connotation. It forms a complete projection surface for me with its wealth of forms, surface structures, and change. It is the perfect stage for me. Today, I only need to embed my protagonists in nature as a stage, wait for the right light and the spectacle is complete. I find this fascinating every time anew, because it is also so simple.

 

Anomalous Beauty by Christian Ferretti & Donovan McClenton

 
A model wearing a colorful draping dress tied at the waist by Dries Van Noten and boots by Dr. Martens. The model is also wearing a face mask similar to the shape of a dog by Mr. S Leather
 

face mask MR. S LEATHER, dress DRIES VAN NOTEN, necklace ALEXANDER MCQUEEN,
bracelet ISABEL MARANT, boots vintage DR. MARTENS

photography by Christian Ferretti
styling by Donovan McClenton
talent by Nell Rebowe (Next Models Agency)

dress MOSCHINO, jewelry VALENTINO

full look and jewelry ISABEL MARANT

full look ISABEL MARANT,
jewelry ALEXANDER MCQUEEN

full look and jewelry ALEXANDER MCQUEEN

 
A model in movement wearing a match short long-sleeve top anf long skirt with a satchel purse across their chest, in the pattern of flowers and moldings by Versace.
 

full look VERSACE, jewelry ALEXANDER MCQUEEN

Gloss Explores The Glamorous and Dangerous Work of Chris von Wangenheim

The first monograph on notorious photographer Chris von Wangenheim, whose shocking work epitomized the glamour and excess of the 1970s and reflected the fashionable underworld living life on the edge. Between the years 1968 and 1981, photographer Chris von Wangenheim shocked the world with a body of work that explored sex, violence, and danger in the realm of high fashion. Von Wangenheim’s dark photographs were emblematic of the time—an era that encompassed Deep Throat, the sexual revolution, punk, and porn—and continually challenged the viewers’ taste by its stylized depictions of suggestive (and often harrowing) narratives. His images appeared in every top fashion publication—including Vogue, Harper’s Bazaar, Vogue Italia, and Interview—and he produced unforgettable campaigns for Dior and Valentino until he died in a car accident at age 39. This book, the first monograph on von Wangenheim’s career, contains over two hundred provocative and iconic images from this tumultuous era, including never-before-seen outtakes from memorable shoots with such supermodels as Christie Brinkley, Lisa Taylor, and the late Gia Carangi. Drawing on interviews with models, editors, art directors, and photographers who were influenced by him, the Padilhas revive von Wangenheim’s explosive depictions of the glamour and excess of the 1970s for a contemporary audience and reveal how his work continues to inform fashion imagery today. Click here to preorder the book.