Love & Everything In Between

Norman wears coat by Stamm & sunglasses by Marni.
Roman wears sneakers by Reebok, jeans by The Kooples, tie by Versace & jacket by Anni Salonen.

Art Direction & Styling by Stef Woods
Photography by
Ryan Molnar
Words by
Cameron Worsley
Producer by
Austin Huq
Casting by
Cameron Nedrick
Styling Assistance by
Dasha Vorobeva
Photography Assistance by
Emi Iguchi, Camilo Gonzalez & Mackenzie Walker
Hair by
Noriko Takayama|
HMU by
Anri Omori|
HMU by
Erika Leadbeater

What is love?

How do we know when we're in it - or out of it?
Can we even be sure we've found it in the first place?

During Autumn 2024, I sat down with five Berlin-based couples, each living their own unique love story, to explore what love means to them. I wanted to hear about their experiences with love and how they articulate this complex emotion.

Although I began without predetermined themes, common threads quickly emerged as I completed each interview. These included healing from toxic relationships, grappling with codependency, and navigating open relationship dynamics. Despite these challenges, I was struck by their self-awareness and commitment to building healthier, more authentic relationships.

Roman & Norman

As we’re sat in the back garden of their home in Brieselang, 1 hour outside of Berlin, Roman begins to recite a love note that he sent to his partner, Norman, just after they first met.

Dear Norman, across all the ages, all the journeys and time, I whisper in your ear, it is great to meet you again, and I look forward to all the adventures ahead of us. I love you. Roman - 7th November 2004.

Their love story began nearly two decades ago with a chance encounter in Berlin. Norman, working as a Spiritual Guide and Healer, had a last-minute opening due to a cancellation. Roman, a new client, filled that slot. When their eyes first met, they both experienced what they describe as a "loud silence," accompanied by an "intense flow of intimacy." This moment sparked a brief but passionate love affair in Berlin, which ended when Norman returned to his home in Sydney.

What followed was a slow-burning connection, built over years of meetings in cities like Berlin, San Francisco, and L.A. Both were cautious at first - Norman had just ended a 26-year relationship and was hesitant about dating an actor, while Roman was unsure about commitment. Their bond deepened with each encounter, eventually leading to Norman booking a one-way ticket to Berlin.

20 years later, their love continues to grow stronger, rooted in open communication - even when it’s hard - and a commitment to preserving their individual identities.

You must be you. He must be He. I must be me.
Expect nothing from that personality. That's who they are.
- Norman

Norman and Roman’s enduring love story can be defined by a profound respect for one another and a commitment to staying calm, even in challenging moments. Throughout their two decades together, they’ve embraced a philosophy of stepping back from confrontation and revisiting sensitive topics when they’re both ready - often over a cup of tea. For them, every challenge is an opportunity for growth, rather than a battle to be won.

As Norman put it:

Life's too short. The older you get, the shorter it gets. I've maybe, if I'm lucky, got 10-15 years to get to 95, maybe 100. I don't know, and it would be a blessing to live to that. But you know, time runs out, so why spend a moment fighting about something that's so insignificant? Come - on.

Jota & Dianna

Jota wears shirt by Moschino, trousers by Javier Guijarro & boots by Vivienne Westwood.
Dianna wears top & skirt by Javier Guijarro & bracelet by Uncommon Matters.

I didn’t use Grindr often because of the challenges of being a trans woman and dealing with cisgender men who didn’t know how to relate to trans bodies. But one day, I saw Jota’s profile - and I was enchanted. - Dianna

After breaking the ice, Dianna recalls the sheer joy she felt upon discovering that Jota was Brazilian - meaning she could speak in her own language. What followed was a marathon video call that lasted eight hours, leaving Dianna with an undeniable feeling:

When the call ended, that’s when I truly realised I was in love.

At the time, Dianna was living in Norway and Jota in Germany, but they embraced the distance, using it as an opportunity to explore each other’s worlds through conversation. It wasn’t until three months later that they would meet in person for the first time.

When we first met in Berlin, in between conversations and affection, we realised that we were no longer in a casual relationship, and that we were already walking a path together. - Dianna

A pivotal trip to Brazil would bring their relationship to even greater depths. Sharing five transformative months there, they closed the distance that had defined their connection, no longer speaking through a phone, but enjoying the closeness and intimacy of being together in daily life.

Now, as they celebrate one year together, Dianna and Jota reflect fondly of their journey of love, connection, and growth.

Growing together as a Brazilian trans black couple living in Berlin brings challenges and opportunities for connection, understanding and mutual support. We created our own safe space, and at the same time we honour our individual identity by respecting our own journey. - Jota

Lara & Valeria

Lara wears suit by David Koma, stockings by Falke & sneakers by Our Legacy.
Valeria wears top by Caterina Giovanelli, skirt by Anni Salonen & shoes by Our Legacy.

I feel like love is like a building, you know. So the first level would be like, lust. Like, you wanna make out with the person. And then infatuation, and then it starts building and building. I would not say infatuation is not love, but you need to nurture it. You still need to go further up the ladder. And the further up you go, the bigger this feeling of safety gets, you know. - Lara

Lara and Valeria first met at a karaoke bar, where they bonded while giving advice to a mutual friend stuck in a toxic relationship, not knowing this would mark the start of a much deeper connection. They met again weeks later at KitKat, where they found themselves talking for hours in the smoking area. The conversation drifted from life and love to Valeria’s open marriage, which she had been navigating for the past year.

There was just this instant chemistry, this warmth between us. It felt different from anything I'd experienced before. - Valeria

As their relationship deepened over the following months, Valeria faced the truth about her marriage. “I was codependent on him, and he was codependent on me” she admitted. “We would have gradually destroyed each other.” Lara, seeing the emotional toll and protecting herself, gave Valeria an ultimatum - this led to a brief separation, during which both reflected on what they truly wanted.

While on a soul-searching trip to Portugal, Valeria gained clarity through conversations with elderly strangers who offered her some sage wisdom. After returning to Berlin, she made the hard decision to end her marriage and committed to building a life with Lara. Now, Lara and Valeria share a home in Berlin, navigating a love that feels both hard-won and deeply cherished.

It hurt. It hurt a lot, but it was also empowering, because I knew it was the right thing to do.
- Valeria

Lin & Alexius

Lin wears sweater by Marine Serre & jeans by Dhruv Kapoor.
Alexius wears hat by A Cold Wall, hoodie by Stamm, jeans by Anni Salonen & boots by Rombaut.

Lin and Alexius' romance is the freshest of the five, but despite only reconnecting three months prior to our meeting, their story was seven years in the making. They first met in Lisbon, during a formative period of both their lives, through a shared circle of queer friends. Although they didn’t develop beyond friends-of-friends at the time, they had definitely noticed each other.

Now fast forward to July 2024, they had long lost touch - only to randomly reconnect on the dance-floor at a Christopher Street Day party in Berlin. From that moment, they spent the following days in a whirlwind together, finally returning to Lin’s apartment after countless hours dancing around the city.

One month later I had to go back to Slovenia to pick up a piece of furniture that I created for a client here, so I got a van, and I said, “Hey, do you want to come with me? It's a 12 hour drive. We can meet each other's parents, but it won't be like a vacation. We have to work.” And he's like, “Yeah, let's go”. We spent most the time in Slovenia, but we also visited Trieste, where his mum resides. - Lin

Sharing this trip together proved to be a catalyst for their romance. During the long drive, a simple card game sparked intimate conversations, allowing them to learn more about each other’s inner worlds, and meeting each other’s parents along the way highlighted the natural ease they found together. Through these moments, they came to fully appreciate the quiet, steady love that was unfolding between them.

I used to think love had to be passionate. Had to be like going insane, crazy, waiting on the end of the phone for a message. And that was my experience with love. My first boyfriend in New York was exactly like this. My first French boyfriend as well. There's this French word—’déchirant’— that means you’ve been cut open, like your insides are being torn apart. For me, that was love. With Lin, I started experiencing calmer love, and slowly, it was like this cut that I had in myself, was slowly healing. And right now I feel good about myself. I feel good about my life. I don't need that kind of love anymore. - Alexius

Kim & Bene

Bene wears glasses by Prada, t-shirt by Marni & string vest stylist’s own.

Kim wears dress by Hauser Collective, tights by Falke, bracelets by La Manso & shoes by Nodaleto.

Berlin is a very quick city when it comes to love. Berlin is not a love city. Berlin does not keep your love safe. You have to do it on your own. Otherwise, the city will grab you—with dark energy sometimes. - Kim

Kim and Bene first crossed paths three years ago in Neukölln. At the time, Kim was in a relationship, and Bene was nursing a bruised heart from his own past. Their early conversations revealed a shared understanding, as both carried scars from toxic relationships. Whilst Bene described himself, at the time, as guarded but vulnerable, Kim became a calm and reassuring presence.

What followed was a natural and pressure-free progression. They spent time together as part of a close-knit friend group, sharing nights out in Berlin, becoming closer friends. Two years later, at a festival, their connection quietly evolved - and they shared their first kiss. Yet, even as they embarked on this new chapter, life brought its challenges - Kim still lived with her ex, with whom she shares a child. But, their relationship, grounded in patience and mutual respect, peacefully prevailed.

Everything fitted into place naturally. It always felt natural. It was not planned. And for sure, there were ups and downs - because it's also not easy to understand what you're feeling. Love means that you are verletzbar (vulnerable), and that you can get hurt. - Bene

Kim and Bene have built a love defined by calmness, trust, and the healing they’ve found in one another.

In the past I had mistaken my true feelings for being in love - and that quickly fades when you realise. You can confuse being in love with someone who is pushing the right buttons for you. The older I get the more I realise what love really means to me. It makes me feel calm. It’s not always just a rollercoaster. It feels like a mixture between butterflies and calmness. I had to realise that I was deeply, calmly in love with someone. Like the calm love I have with Bene. - Kim

 

Love is as varied as the people who experience it, and these stories are just glimpses into what it can mean. Whether you find inspiration, validation, or simply curiosity in these reflections, their purpose is to offer insight rather than answers. Love is a journey we each define for ourselves.

 

Challenging the Gaze: A Photographic Homage to Sofonisba Anguissola by Arale Reartes & Saskia Schmidt


photography by
Arale Reartes c/o Magali Mgmt
styling by
Saskia Schmidt
Models
Uzu at NEU 
Happy, Steve & Louis at IZAIO 
makeup and hair by
Berenice Ammann
casting by
Cameron Niedrick
movement by
Leonardo D'Aquino
production by
Magali Mgmt 
photography assistant
Brenda Vazquez
production assistant
Dominik Graf
stylist assistant
Denys Sadovyi & Kamal Emanga
Location scout by
Marco Wagner

Arale is wearing Haderlump leather pants.
Steve is wearing Miu Miu longsleeve and Fendi pants.
Lou is wearing Miu Miu longsleeve and Avenir pants.

Sofonisba Anguissola, one of the first female Renaissance painters to gain recognition, created a celebrated self-portrait during a time when women were often confined to the role of muses. To avoid openly challenging the patriarchal norms of her era, Anguissola rendered her self-portrait such that it appears as though she, the subject, is being painted by her master.

This photographic editorial draws inspiration from Anguissola’s work and reflects on the persistence of social limitations that, centuries later, continue to relegate women to secondary roles—as muses or caregivers—creating discomfort when we occupy spaces of power and artistic creation.

Just as Anguissola defied expectations through her painting, this photographic self-portrait series by Arale Reartes plays with the ambiguity of the act of portrayal. Although these are self-portraits, the male figures also hold remote triggers, deliberately creating confusion about the identity of the author and the subject. This ambiguity invites the viewer to question not only who the true creator of the image, but also to challenge preconceived ideas about women’s place in art and society.

Arale is wearing Paloma Wool dress.
Lou is wearing Our Legacy blazer and William Fan pants.
Uzu is wearing Coach coat and Avenir pants.

Arale is wearing Haderlump dress.
Happy is wearing Coach shirt and Fendi pants.

Arale is wearing Milk of Lime bra and Falke tights.
Lou is wearing Avenir pants.

Arale is wearing Milk of Lime skirt and Haderlump jacket.
Lou is wearing full look by William Fan.
Uzu is wearing full look by Haderlump.
Happy is wearing William Fan shirt and Fendi pants.

Arale is wearing Haderlump dress.
Lou is wearing Namilia coat. 
Uzu is wearing a Joseph skirt and Coach blazer. 
Steve is wearing Chenaski pants and Namilia blazer.
Happy is wearing Namilia pants and Our Legacy Jacket.

Pipenco Lorena's Knitted Gowns Are A Delicate Homage to Her Mother's Post-Communist Immigration


photography by
Kelli McGuire
creative direction and styling by Neptune Quek
set design by
Lane Vineyard
makeup by
Shoko Kodama
styling assistance by
Madison Lynn
talent
Millie Dunstan & Emma Deegan

The maternal determination to provide a life of opportunity for her post-Communist kin is woven with care into every stitch of Pipen Colorena’s knitwear gowns and slippers. Her newest collection is a delicate transmogrification of her family’s lived experience of immigrating from Romania to London, a push and pull between the pride and struggle of embracing a new chapter while mourning all that’s left behind.

Colorena takes inspiration from the creative exercises her grandmother developed for her as a child while her mother was away at work. After drawing a row of women in dresses on the page, her grandmother would challenge the young designer-to-be to find inventive ways of coloring and elaborating on them based on the various women within their community. Harkening those early mental souvenirs, a coquettish play with the memory of their softness, kindness, and flamboyant nature gives shape and dimension to each and every piece.

There is also a heavy dose of Romanian cinema and art from the 1970s imbued in the gowns, giving them a very personal sense of romantic nostalgia. Finally, to complement the elegant construction of finely knitted fabric, there are moments of conspicuous unraveling—a candid omission of subjection to struggle, the hardship inherent in the process of immigration and assimilation. It is an ode to the fortitude of a mother and a future generation made stronger by the crucible of passion and hardship.

 
 

Bal(enciag)at by Hakan Solak and Osman Özel

all clothing by Balenciaga Spring 2023

photography by Osman Özel
styling by
Hakan Solak
set design by
Stefanie Grau
hair by
Masayuki Yuasa
make-up by
Gianluca Venerdini
using
Haebmau Atelier, Pat McGrath and Byredo
production by
Laura Howes
light assistance by
Riccardo Contrino
styling assistance by
Aleix Llussà Lòpez
hair assistance by
Lee Hyangsoon
set assistance by
Catherine Lemeshynska
casting by
Eli Xavier Casting
modeling by
Sarah G. @ TIAD, Lici, Albena @ Indeed and Tarek
special thanks to Hayley Foo and the
Balenciaga Team

Model poses in Balenciaga Adidas collaboration
Model poses in Balenciaga Adidas collaboration
Model poses in Balenciaga Adidas collaboration
Model poses in Balenciaga Adidas collaboration
Model poses in Balenciaga Adidas collaboration
Models pose in Balenciaga Adidas collaboration
Photo of evil eye pendent
Model poses in Balenciaga Adidas collaboration
Models pose in Balenciaga Adidas collaboration
Models pose in Balenciaga Adidas collaboration
Model poses in Balenciaga Adidas collaboration
Model poses in Balenciaga Adidas collaboration
Model poses in Balenciaga Adidas collaboration
Photo of metal structure with chandeliers
Models pose in Balenciaga Adidas collaboration

Ještěd Tower: Krista Papista with Isotta Acquati & Hakan Solak

photography by Isotta Acquati
concept by
Krista Papista
styling by
Hakan Solak
photography assistance by
Maria Larrea
styling assistance by
Aleix Llussà Lòpez
set design by
Jillian Van Koutrik
light design by
Ashley Young
hair by
Dushan Petrovich
makeup by
Lee Hyangsoon
produced by Grace Farson
location assistance by
Tatiana Bastos
graded by Carlos Vasquez
starring Krista Papista,
Débora Fernandes and Eliza Chojnacka

Débora is wearing blazer and shoes by Comme des Costumes, stockings by Falke, earrings by Uncommon Matters, and brooch by Hugo Kreit
gloves: stylist’s own

Krista is wearing dress by Lou de Bétoly, faux fur coat by Comme des Costumes, fishnet, stockings and socks by Falke.
shoes and necklace: Krista’s own

Eliza is wearing vintage Mugler by Nightboutique Berlin, heels by Comme des Costumes, rings and earrings by Alan Crocetti. gloves: stylist’s own

Krista is wearing dress by Lou de Bètoly, faux fur coat by Comme des Costumes, fishnet, stockings and socks by Falke.
shoes and necklace: Krista’s own

Krista is wearing dress by Jean Paul Gaultier x Lotta, Volkova by Nightboutique, coat by A Better Mistake, and shoes by Buffalo

headpiece by Bjoern van der Berg at Nightboutique Berlin

Krista is wearing dress by Jean Paul Gaultier x Lotta. Volkova by Nightboutique, and coat by A Better Mistake

Eliza is wearing tank top by Axel Arigato.
Krista is wearing net tights and socks by Falke.
jewelry: Krista’s own

 

Yearb00k by Prissilya Junewin & Camille Frank

photography by Prissilya Junewin
styling
Camille Frank
styling assistance by
Antonio Chiocca
hair by
Rabea Roehll
make-up by
Paloma Brytscha
casting by
First Encounters
modeling by Nora @
IZAIO Management, Xie, Giada, Paul, Sijo, Valentin, Cong, Anja

Antler: A Fashion Editorial By Jaara Lange & Camille Pailler

photography by Jaara Lange
art direction and styling by Camille Pailler
styling assistance by Katya Makhno
makeup by Leana Ardeleanu
hair by Reiya Yamaoka
modeling by Gigi @ Let It Go

AUTRE: Where does your inspiration come from?

JAARA LANGE: Looking back, my art was born from a deep need to escape a world that was not safe for me. So, I created a world for myself accordingly. Even today, I am inspired by daydreams, science fiction, and fairy tales. I created my own world where I could exist, which was beautiful and dark at the same time. I think this deep experience still inspires me today.

 
 

AUTRE: What drew you to Gigi as a muse?

LANGE: Gigi is a powerhouse and role model for me at the same time. I don't know anyone who enters the room with such presence — that fascinates me a lot. In her I see strength, beauty, and above all, resilience. We are all very grateful for what she does for the Berlin trans community and as sisters we support each other.

 
 
 
 

AUTRE: Why is nature such a dominant subject in your photography practice?

LANGE: Nature has always fascinated me. It represents a place of refuge for me. Out in the green, I have always felt freer — nature is a space without condemnation or connotation. It forms a complete projection surface for me with its wealth of forms, surface structures, and change. It is the perfect stage for me. Today, I only need to embed my protagonists in nature as a stage, wait for the right light and the spectacle is complete. I find this fascinating every time anew, because it is also so simple.