Playboy Model, Muse to Larry Clark and Designer Lindsay Jones On Her New "It" Fashion Label and Spring Style →

Right now, Lindsay Jones calls work her lover. A series of heartaches are behind the line of unisex luxe party clothes Jones launched this spring with partner Labana Babylon, called Músed. “She [Babylon] was my muse and the muse behind the label. When I was going through this heartache about two years ago, she was going through something similar and we had these nurturing phone calls with each other and it really did inspire me to shift my focus.” Click here to read more. 

A Visit to Charles Elliott Harbison's Design Atelier In New York

When I meet Harbison in his small, clothes-filled office near Manhattan’s City Hall, he is in great spirits despite a busy morning. Though his brand sat out the last NYFW, he is still moving forward. His next collection will be the first “gender-neutral” collection where the clothes are cut in ways to fit a man and a woman’s body. He laughs a lot, and has an ease in explaining his ideas that is absent in a lot of creatives. We spoke at length about his history and the direction of the brand. Click here to read more. photographs by Adam Lehrer

S!X Pop Up Presentation at Sarah Scout Gallery During the Virgin Australia Melbourne Fashion Festival 2016

Cult Aussie label S!X was stablished in 1994 by Denise Sprynskyj and Peter Boyd in response to the local industry’s lack of originality, over-consumption and over-production, S!X combines traditional tailoring, dyeing and fabric manipulation techniques with the practices of recycling and deconstruction. The presentation, photographed and art directed by Good John, was held at Sarah Scout Gallery during its present exhibition, Veronica Kent: I Get Nervous Around Bulls and Eagles. Styling by Peter Boyd and Denise Sprynskyj (Designers of S!X). Shoes by MM6 Maison Margiela and Nine West. Hair and Make Up by Beth Haywood. Models: Jessie, Sunny, Tyrone, Lucy, Scarlett, Ariele. 

A Cinematic Portrait of Chanel’s Paris in Rome Métiers d’Art Show at Cinecitta with Spoken Word by Jean-Luc Godard

If all roads lead to Rome, then which roads lead to Paris? For Chanel’s 13th Métiers d’Art show, Karl Lagerfeld took to the back lots of the famous Cinecittà film studios in Rome to show the luxury brand’s pre-fall 2016 collection. Since Lagerfeld’s reign at Chanel, his Métiers d’Art shows have become legendary:  a rodeo in Dallas (Paris in Dallas), a barge in Shanghai (Paris in Shanghai), a hotel in Salzburg (Paris in Salzburg) – the list goes on. The shows aren’t just bombastic gestures of wealth; their intention is also to celebrate the artisans around the world that contribute to the work of Chanel’s collections, from lace to buttonry to embroidery. But Lagerfeld’s decision to create a vintage Parisian set on Teatro No. 5, replete with bistro tables, a boulangerie, a cinema, a metro station, three weeks after the terrorist attacks in real Paris, had a deeper, more poetic and darkly coincidental meaning. The show, planned well before the attacks, was a cinematic love letter to Paris. Lagerfeld remarked: “I wanted to create a homage to Paris. The best Paris, the most romantic Paris and to nostalgia for an idealized version of the city that never really existed.” The Cinecittà, otherwise known as Hollywood on the Tiber, was built by Benito Mussolini in 1937 in a scheme to revive the Italian film industry – later, such classics as La Dolce Vita and Satyricon were filmed there. In Dustin Lynn’s own cinematic portrait of Métiers d’Art show, set to the soundtrack of Pink Floyd and a spoken word piece by film legend Jean-Luc Godard, a modern Rome and a modern Paris clashes with a make-believe, Charles de Gaulle-era Paris. Then there are the models walking the runway, the high fashion, and the after party – just to remind us that it is all just fantasy. 

Mad About The Boy: Read Our Interview With SHOWStudio's Lou Stoppard On Fashion And Fashion's Obsession With Youth →

With the massive outpour of round the clock fashion coverage and inundation, SHOWStudio editor’s Lou Stoppard still firmly stands out. As a writer, broadcaster, and curator, Stoppard offers both a conceptual understanding of fashion as well as an open-mindedness to the changes in the industry that allows her work a warm resonance that rings true throughout the media. As SHOWstudio editor, Stoppard has picked the brains of designers ranging from Nasir Mazhar, Gosha Rubchinskiy, Public School, Cottweiler, and many more. Perhaps most infamously, Stoppard was granted a two-hour interview with Kanye West following his Yeezy Season 2 presentation. Click here to read the full interview. 

Opening of Mad About The Boy, Curated by Lou Stoppard @ Fashion Space Gallery In London

Mad About The Boy explores fashion’s obsession with youth, focusing on the way ideas of the teenage boy are constructed through specific collections and fashion images. Sparked by the success of designers like Hedi Slimane at Saint Laurent, Raf Simons and Gosha Rubchinskiy – all of whom seem to share a fixation with youth culture – the exhibition sets out to examine the tropes and parallels within fashion’s treatment of youth, unpicking the many notions of the young male that feature in fashion’s imagination, from outsider to sexual fantasy to reveller. Click here to read our interview with Mad About The Boy curator Lou Stoppard. The exhibition will be on view until April 2, 2016 at Fashion Space Gallery, London College of Fashion, 20 John Princes Street