Anish Kapoor New Stainless Steel Sculptures at Regen Projects In Los Angeles

Regen Projects presents an exhibition by renowned artist Anish Kapoor. Since the 1980s Kapoor’s ambitious practice has continuously expanded the limits of sculptural form by investigating scale, volume, color, and materiality. With this exhibition, the artist’s sixth solo presentation following his gallery debut in 1992, Kapoor brings together a selection of new mirror works that challenge optical perception and phenomenological experience through experiments in shape and form. On view until February 16, 2020. photographs by Oliver Maxwell Kupper

Anish Kapoor Stainless Steel Sculptures @ Lisson Gallery in Milan

For his first exhibition in Milan’s Lisson Gallery, Anish Kapoor presents a new series of fourteen steel sculptures, stainless and polished, twisted through an unspecified number of degrees. These small scale twists - thirty centimeters by height - are shown for the first time as an entire group, placed together in a room, interacting with one another and with the public by creating fluid reflections, which disrupt and dismantle any stable imagery: their original pre-twisted form becomes impossible to detect and the space around them turns into a surreal mixture of reality and reflection, continuously changing according to one’s vision and perspective . The artist has referred to similar sculptures as “non – objects”, losing themselves almost completely because of their unidentifiable geometry and their highly reflective material. One larger twist (100 cm) is placed outside on the terrace. Just like in some of his best –known works such as the Cloud Gate in Chicago’s and the C-Curve at the Chateau De Versailles, Anish Kapoor once again explores the idea of the curve. In this particular case his twisted forms somehow provide an optical vision of the universe by warping the light on its way through space and tilting our intuition to one side, presenting to the viewer a distorted vision of reality which is totally subjective to his point of view. The exhibition will be on view until July 22nd at Lisson Gallery Milan (via Zenale 3, Milan). text and photographs by Sarah Kaufman

Ai Weiwei and Anish Kapoor Walk Out of London to Support the 60 Million Refugees In the World Today

Ai Weiwei and Anish Kapoor joined forces today when they walked out of London to support the some 60 million refugees in the world today. The walk started at 10 am from the Royal Academy of Arts where Weiwei's retrospective has just opened to Stratford. The action will be carried out in cities across the world. photograph by Anish Kapoor

Anish Kapoor's Statement On His Sculpture "Dirty Corner" That Has Been Vandalized By Antisemitic Right-Wing Royalists

This is the second time a public sculpture by the British-Indian artist Anish Kapoor has been vandalized. This time, it's a lot more sensitive, especially in the light of European refugee crisis and a seemingly worldwide paranoia and xenophobia. The 230-foot sculpture, entitled Dirty Corner, caused a stir when it was erected in Versailles and the artist alluded that it "evoked the vagina of the queen." In this instance, Kapoor has decided to leave the anti-semitic, royalist text as a rebellion to the perpetrators. 

Once again my work Dirty Corner has become a receptacle for the dirty politics of anti-Semitic vandals, racists and right-wing royalists. The vandalised sculpture now looks like a graveyard, the stones are now gravestones marking the ruinous politics of fundamentalist bigotry. Dirty Corner allows this dirty politics to expose itself fully, in full view for all to see. At this time, when we need to have compassion for the thousands of refugees on the road in Europe, the anti-Semitic, racist attack on Dirty Corner at Chateau de Versailles in Paris, brings to the forefront the intolerance and racism in our midst. Dirty Corner has become the vehicle for the expression of our anxiety of "the other" and emphasis that Art is a focus for our deepest longings and fears. It is urgent that we show our solidarity with the oppressed the downtrodden and those of our brothers and sisters in need. As the artist I have -for the second time- to ask myself what this act of violence means to my work. The sculpture will now carry the scars of this renewed attack. I will not allow this act of violence and intolerance to be erased. Dirty Corner will now be marked with hate and I will preserve these scars as a memory of this painful history. I am determined that Art will triumph. text by Anish Kapoor

An Exclusive Sneak-Peek At the New Fondazione Prada in Milan

For the last two decades, the Fondazione Prada has held numerous ground-breaking exhibitions, but without a permanent place to call home. An avid collector and matriarch of the Prada and Miu Miu brands, Miuccia Prada has been exhibiting artists like Dan Flavin and Anish Kapoor in a ramshackle assortment of shifting industrial buildings in Milan, Venice and elsewhere in the world. Yet, tomorrow will see the opening of a permanent campus in Milan – designed Rem Koolhaas, the new home of the Fondazione Prada will occupy more than 200,000 square-feet of a century-old distillery in Milan, which has been completely transformed by the Dutch architect and his firm OMA. Indeed, there is a lot to explore at the new foundation – including inaugural exhibitions, like Serial Classic, which plays with classic Roman sculpture, you can also view a new Roman Polanski film in the newly added theater, or you can visit the Haunted House – a permanent installation of late the Louise Bourgeois’ sculptural work. After exploring the expansive space, you can stop and have a cocktail at Bar Luce, which has been designed by the director Wes Anderson, and is inspired by the Milanese cafés of the 1970s. Autre was lucky enough to gather a sneak-peek of the space before it’s official opening – browse through photos to see the exhibitions, the architecture and the perfectly kitschy café. photographs by Juanco Viso for Autre Magazine.