The Prada Fall/Winter 2024 advertising campaign, titled ‘Now That We Are Here,’ is based on dialogue, on conversation between individuals - not just conveying knowledge and exchanging experience, but also as expressions of intimacy and presence. In a real-life mirror of the telephone interchanges at the heart of the campaign’s still and motion imagery, Prada collaborates with American filmmaker, artist, and writer Miranda July to bring these fantasized conversations to life. Billboards across key cities worldwide— Milan, Los Angeles, New York, London and Bangkok—advertise a dedicated toll-free phone number, allowing the public to interact from their own devices. Callers can “dial in” to speak with Miranda July, or rather, with July’s voice, which interprets conversation with the caller according to a pre-programmed script written by July herself. Combining the provocative with the quotidian, the intellectual with the instinctive, the scripted calls have a multitude of variations, randomly selected and triggered by caller responses. Spanning from ironic advice to seemingly friendly conversation to surreal and unexpected scenarios, each interaction tells an individual story determined by interaction - another form of dialogue. In July’s own words and her own voice, this Prada hotline combines technology with gestures to the analogue. It also seems to lift the lid on the campaign itself - allowing an audience to ‘listen in’ to the fragmented conversations hinted at. Ambiguous, abstract, possibly revelatory, each caller enters a unique exchange—with July, and with Prada—to unravel the meaning behind the image.
Prada Group and UNFPA Celebrated the Completion of Their Fashion Training Program in Mexico
Prada Group and UNFPA celebrated the completion of their first-of-its-kind fashion training program "Fashion Expressions: The Stories She Wears" in Mexico with an intimate event to highlight the milestones that the artisans achieved during the six-month period.
The training program implemented by UNFPA Mexico provides women with valuable knowledge and practical skills in the fashion industry while promoting women’s empowerment and sexual reproductive health. The expansion of the program to Querétaro state (Mexico) was initiated in September 2023.
The project involved thirty women artisans in Querétaro state, from Indigenous and surrounding communities with experience in weaving and embroidery, to strengthen their technical, artistic, and financial skills.
The participants – embroiderers and weavers between 18 and 50 years old – were mothers who work as artisans in small family-run home workshops, usually with the help of their children, supporting their families through the sale of artisanal items at Querétaro’s local markets.
The evening included a panel discussion, titled Doing great things together!, on the experiences and learnings from the program as well as its impact in the context of the wider fashion industry. Moderated by Farah Slim, Head of Editorial Content of Glamour México y Latinoamérica, the panel included Mariarosa Cutillo, Chief of Strategic Partnerships of UNFPA, Galo Bertin, fashion designer and Program Advisor, Adriana Barrón, artisan (San Juan del Río, Querétaro), Estela Porfirio, artisan (Amealco, Querétaro), Emilienne Limón, Mexico Artisan Program Advisor of Nest.
After the initial opening remarks and the panel discussion, guests explored an exhibition that showcased twenty designs from the artisans, which they created during the program.
Scarlett Johansson Stars in New Prada Galleria Campaign Directed by Jonathan Glazer
An actor is ceaselessly reinventing, and reinvented, transcending their own selves to embody the myriad of characters they can become. Here, the magnetic draw of the movie star is harnessed as a means of connecting to character, to personality, and to that constant shifting of identity that emblematizes both film and fashion.
Captured in New York City by director Jonathan Glazer, the still and motion images showcase Johansson as an actor, honing her art — repeating phrases with different feeling and meaning, she showcases the infinite self-transformation that define an actor’s skill. Abstracted, unreal, it is film at its most cinematic. Yet, as Johansson exits the studio, we then leap from screen to reality — albeit a reality fictionalized, idealized for us. In a quintessentially Prada dichotomy, the intimacy that the act of performing is able to generate contrasts with a panoramic normality of everyday life. Cinéma vérité — Johansson, seemingly undirected, as her true self.
The instrument of Johansson’s everyday is the Prada Galleria handbag, seen here as a tool of life rather than a product, a part of an everyday wardrobe. As with Johansson its persona can transform; as with acting, it is a symbol of excellence in craft. Here, the Prada Galleria is showcased, in motion, as a fundamental facet of a woman’s reality.
Zephyr by Prissilya Junewin & Maya Lu
photography by Prissilya Junewin
styling by Maya Lu
hair by Dennis Brandt
make up by Jamal Musa
photographer assistant by Emi Iguchi
modeling by Looloo, Damrasi, Idi
casting by Majin Scouting
production by Kaputt Agency
Color My Life With The Chaos Of Trouble By Jana Gerberding and Mine Uludag
photography by Jana Gerberding
styling by Mine Uludag
casting by Eli Xavier
modeled by Winter, Aime, Bethlehem, Lici, Xen Hur, Dhyhani, and Sophia
Life today offers almost infinite possibilities juxtaposed by maximum confrontation with internal pressures, domestic threats, and global uncertainties. We participate in social movements that are meant to liberate us from oppression and share them on the same social platforms that torment us with an incessant evaluation of our appearance and identity. What exactly do you have to prove today as a young woman? What is socially expected? What does femininity even mean? Is there a new femininity? Does gender play a role at all? Isn‘t it just about individuality and belonging?
Making choices and gaining confidence is for many young people an inner conflict between knowing who they want to be and who they really are.
Our heroines in these portraits embody different possibilities of the feminine. A portrayal that describes the role of the body, identity, the power of self-confidence, and individuality.
This is a portrait of a growing female generation who is not afraid.
INSTA FAMOUS By Diego Cruz & Zion Dezm
creative direction, art direction and casting: Diego Cruz & Zion Dezm
photography by Diego Cruz
styling by Zion Dezm, assisted by Andrea Brown
makeup by David Gillers, assisted by Mialuca Backus
hair by Moe, assisted by Jennifer Chan
Models: Lisa from PRM Model Agency
Arual & Olivia from Milk Management
Bertie from Anti Agency
What Will I Become By Gabriella Rowland & Nicolas Robin Hobbs
photography by Nicolas Robin Hobbs
photo assistance by Leo Köhler & Mengyu Zhou
styling by Gabriella Rowland
styling assistance by Bastian Hagn
casting by Nicolas Robin & Gabriella Rowland
hair by Bronwyn Stewart
makeup by Naomzz
talent by MARIAM D @ MIRRRS, KARINA & JOANNA @ Tomorrow Is Another Day
Special thanks to Effi at TIAD
Papou: A Vintage Fashion Editorial Pays Homage To Greek Grandfather Steez By Hakan Solak
stylist & photographer: Hakan Solak
model: Ilias Paci (@ Viva Models)
Kate Crawford & Trevor Paglen: Training Humans @ Osservatorio Fondazione Prada In Milan
Training Humans, conceived by Kate Crawford, AI researcher and professor, and Trevor Paglen, artist and researcher, is the first major photography exhibition devoted to training images: the collections of photos used by scientists to train artificial intelligence (AI) systems in how to “see” and categorize the world.
In this exhibition, Crawford and Paglen reveal the evolution of training image sets from the 1960s to today. As stated by Trevor Paglen, “when we first started conceptualizing this exhibition over two years ago, we wanted to tell a story about the history of images used to ‘recognize’ humans in computer vision and AI systems. We weren’t interested in either the hyped, marketing version of AI nor the tales of dystopian robot futures.” Kate Crawford observed, “We wanted to engage with the materiality of AI, and to take those everyday images seriously as a part of a rapidly evolving machinic visual culture. That required us to open up the black boxes and look at how these ‘engines of seeing’ currently operate”. Training Humans is on view through February 24 2020 at Osservatorio Fondazione Prada Corso Vittorio Emanuele II, 20121 Milano
Exclusive Preview Of "Kienholz: Five Car Stud" @ Fondazione Prada in Milan
Milan’s Fondazione Prada presents “Kienholz: Five Car Stud”. The exhibition brings together a selection of artworks by Edward Kienholz and his wife Nancy Reddin Kienholz, including the well known installation that gives the show its title. A self-taught artist from Washington State, Edward Kienholz’s work was described by Germano Celant as “making no attempt to sublimate the meanness and tragedy of life, its condition of loneliness and triviality, but on the contrary using them as a way of highlighting a low and popular universe in which the wasted and the dirty, the depraved and the filthy, represented a new and surprising beauty”. The exhibition features numerous installations and tableaux created by the couple between the early late fifties and the nineties, often directly representing death, violence, war and various kinds of social injustices. Looking at them makes the viewer feel uncomfortable and powerless but, at the same time, turns him into a participating witness as the urge to meticulously explore the details take over: Voyeurism and the power of crude beauty win over the common sense of morality. The main installation, “Five Car Stud”, catapults the viewer into a nightmarish situation, plunging him into a dimension of extreme violence. It recreates a dark, isolated environment, illuminated merely by the headlights of four cars and a pick-up truck, at the center of which lies an African–American man, surrounded by five white men wearing Halloween masks. The aggressors grab his arms and legs while one of them prepares to castrate him. A woman is forced to watch, shocked and powerless, and a frightened little boy witnesses the scene from the backseat of his father’s car. This work was defined by Kienholz as the representation of “The Burden of Being American”. The exhibition will be on view until December 31 2016 at Fondazione Prada, Largo Isarco 2, Mila. Text and photographs by Sara Kaufman
Read Autre's Favorites from Milan Fashion Week
Oh, Italy. The land of luxury behemoths. Young fashion people scoff at Milan, but Milan is planting itself once more at the forefront of conceptual fashion. Versace and Prada will always be doing their thing. Damir Doma decided to leave the herd of Paris and create his architectural garments in Italy. Arthur Arbesser is injecting youth and idea-driven fashion into the city revitalizing Iceberg and launching his own brand. And, less we forget, Alessandro Michele is the hottest designer in fashion at Gucci. It feels like people are ready for Italian fashion again, and they certainly want Gucci to be relevant again. We’ve had so many years of “cool” and “arty” brands out of Paris and London that maybe the coolest thing to do right now is to pay heed to the luxury giants of Italy. It’s hip to be square, motherfuckers. Click here to read the full review.
An Exclusive Sneak-Peek At the New Fondazione Prada in Milan
For the last two decades, the Fondazione Prada has held numerous ground-breaking exhibitions, but without a permanent place to call home. An avid collector and matriarch of the Prada and Miu Miu brands, Miuccia Prada has been exhibiting artists like Dan Flavin and Anish Kapoor in a ramshackle assortment of shifting industrial buildings in Milan, Venice and elsewhere in the world. Yet, tomorrow will see the opening of a permanent campus in Milan – designed Rem Koolhaas, the new home of the Fondazione Prada will occupy more than 200,000 square-feet of a century-old distillery in Milan, which has been completely transformed by the Dutch architect and his firm OMA. Indeed, there is a lot to explore at the new foundation – including inaugural exhibitions, like Serial Classic, which plays with classic Roman sculpture, you can also view a new Roman Polanski film in the newly added theater, or you can visit the Haunted House – a permanent installation of late the Louise Bourgeois’ sculptural work. After exploring the expansive space, you can stop and have a cocktail at Bar Luce, which has been designed by the director Wes Anderson, and is inspired by the Milanese cafés of the 1970s. Autre was lucky enough to gather a sneak-peek of the space before it’s official opening – browse through photos to see the exhibitions, the architecture and the perfectly kitschy café. photographs by Juanco Viso for Autre Magazine.