The Sun Hung Low or A Question Loomed: A Solo Exhibition By Morgan Mandalay @ Everybody In Chicago

A snake made of bottle caps wraps around itself on the floor. Trees grow, overgrow, burn, and grow again. And some kind of mouse created a hole in our newly-built drywall (this may or may not be related to the snake).

It’s hard to tell if the sun is rising or setting. You might come to a conclusion based on the time of day, the temperature outside, your political views, or something else. Whatever the case, you’re looking at some paintings and not the sun itself. This is probably a good thing.

The Sun Hung Low or A Question Loomed is on view through September 1 @ Everybody 1722 N Western Avenue, Chicago. photographs courtesy of the gallery

Hyun Jung Jun: Teyo’s Lightshield at Fresh Bread in Chicago

Teyo’s Lightshield is Fresh Bread’s inaugural exhibition. Fresh Bread is a kitchen-based exhibition series in Rogers Park, Chicago, run by artist Morgan Mandalay and writer Kim-Anh Schreiber. Each show meditates on metaphors of digestion and features an accompanying cookbook, a document of process and practice.

Teyo’s Lightshield is on view through August 4 at Fresh Bread, reservations recommended. photographs courtesy of the artist and Fresh Bread

Geraldo Perez Presents 'The Chicago Paintings' @ East Hollywood Fine Art In Los Angeles

The Chicago Paintings is a selection of paintings on canvas and phone books all made over the past 7 years. After being bought out of his New York apartment, Geraldo Perez moved to the suburbs of Chicago, Illinois and purchased a house, where he was able to convert his entire basement into his studio. The Chicago Paintings present a survey of memories lived and experienced from Perez’s birth in 1962 in the Dominican Republic, to his family’s emigration to New York six years later, and to his day-to-day experiences with intimacy, family, and transition. The paintings reflect on a chance encounter with Basquiat at Danceteria, studying under Jack Whitten and Dore Ashton at Cooper Union in the 2000’s, war and death in the DR, being a father, being brown, seeing the MOMA for the first time, making love, and so much more. The Chicago Paintings is on view through June 23 at East Hollywood Fine Art 4316 Melrose Avenue, Los Angeles. photographs by Lani Trock

The Power & Vitality Of The Image: Read Our Interview Of Controversial Artist Darja Bajagic


Where the political left was once the clear bastion of free speech and expression in the U.S., it could be argued that the new left silences thought and speech perceived as antithetical or offensive to its values almost as much as the right wing does, or did. This is a problem for culture, and evidently, for art. “Political correctness,” says Slovenian philosopher and cultural theorist Slavoj Žižek, “is a desperate attempt by the public norms to tell you what is decent, what is not.” What Žižek suggests here is that political correctness can be harmful in its ability to obscure the truth and dilute public discourse; by sanitizing rhetoric we sanitize cultural meaning. This climate of over-the-top, politically correct theatrics has infiltrated the art world; art’s job is ultimately to push back on societal taboos and interrogate prevailing norms. Good art is almost always offensive to someone. Click here to read more

John Stezaker "The Truth of Masks" at Richard Gray Gallery in Chicago

"The Truth of Masks" marks the latest exhibition of new collages by English artist John Stezaker, the largest U.S. exhibition of his work to date. For the past forty years, Stezaker has searched meticulously through vast archives of antique travel postcards, Hollywood film stills, and anonymous photographs to create collages that are sharp, poignant, and surreal. Through the reappropriation, alteration, and repurposing of these forgotten worlds, Stezaker creates new ones. Both minimal and complex, the collages are “transmissions of a Mass Age dream world.” "Truth of Masks" is on view until January 30th at Richard Gray Gallery, 875 N Michigan Ave #3800, Chicago. Text and photographs by Keely Shinners. 

The New Contemporary at the Art Institute of Chicago

The Art Institute's already extensive contemporary art collection was made richer this year by the generous donation of Chicago art collectors Stefan Edlis and Gael Neeson. The 44 paintings, sculptures, and photographs complete the largest donation in the museum's history. Their gift charts the course of the most adventurous art movements since the 1950s, featuring abstract expressionist Cy Twombly and Pop Art legend Andy Warhol. The collection also chronicles the significant and enduring influence of Pop Art on later generations of artists, including the photography-based critiques of Richard Prince and Cindy Sherman, and the pop-culture riffs of Jeff Koons. Newly designed, the New Contemporary exhibit at the Art Institute features these new donations alongside its comprehensive collection of works by Jackson Pollack, Felix Gonzalez-Torres, David Hockney, Joan Mitchell, Nan Goldin, Barbara Kruger, and more. See the exhibition now at the Art Institute of Chicago, 111 S. Michigan Ave., Chicago, IL. Photographs by Keely Shinners

Entre Nous: The Art of Claude Cahun


These are the last few days to catch Claude Cahun's firs retrospective in the states. Born Lucy Schwob to a family of French intellectuals and writers, Claude Cahun (who adopted the pseudonym at age 22) is best known for the staged self-portraiture, photomontages, and prose texts she made principally between 1920 and 1940. Rediscovered in the late 1980s, her work has not only expanded our understanding of the Surrealist era but also serves as an important touchstone to later feminist explorations of gender and identity politics. In her self-portraits, which she began creating around 1913, Cahun dismantled and questioned preexisting notions of self and sexuality. From her university years until her death, Cahun was accompanied by her partner and artistic collaborator, Suzanne Malherbe, a childhood friend and stepsister. They surrounded themselves with members of the Surrealist movement and created work that embraced leftist politics. Cahun, with assistance from Malherbe (under the pseudonym Marcel Moore), produced photographs, assemblages, and publications from the 1920s on. The photograph Entre Nous (Between Us), featuring a pair of masks embedded in sand, gives the title to this show and is emblematic of their multifaceted relationship. The first retrospective exhibition in the United States of Cahun’s work, Entre Nous: The Art of Claude Cahun, is on view now at the Art Institue of Chicago, brings together over 80 photographs and published material by Cahun and Moore, including several photomontages from their 1930 collaborative publication Aveux non avenus (Disavowals), and the only surviving object by Cahun, which is in the Art Institute’s permanent collection. On view until June 3, 2012.


Bruce LaBruce music video for Gio Black Peter

Homocult and Other Esoterica is a group show of short experimental queer films focused on magick and the occult and art works curated by Daniel McKernan. Featuring films by Genesis P-Orridge and Bruce LaBruce and artworks by Christos Andres and George Keller. McKernan says, "[Homocult is a] collection of artists & filmmakers who have an affiliation to the Generation Hex era, a blend of old school and new school. Each individual has his/her own unique interpretation of the theme of the occult and esoteric. Jason Louv, in his introduction to Generation Hex (2006), states that the book is a snapshot of those 'who are not only delving into this art of magick and science of the future, but who are coming to magical consciousness at a time when it has never been easier to find and link up with people of like minds and experience.' This is a video survey of such people. As Scott Treleaven, in the final issue of This is the Salivation Army (1999), said: 'We are the new circus. And we are the envy of the fucking World.'" On view April 6 and 7 S&S Projects 3145 S. Morgan Street, Chicago, IL.