Release Party for Elliott Landy's "Opening Night" At the Jane Hotel In New York

Photographer Elliott Landy, who is perhaps best known for his portraits of some of the most towering gods of Rock nโ€™ Roll like Van Morrison, Jimi Hendrix, and Jim Morrison, has a powerful way of capturing an ethereal glamour in his photos. He doesnโ€™t focus on glitz or color. Instead, his photos, often in black and white, have the power to realize their subjects as something akin to mystical. The rock gods and mega-celebrities in Landyโ€™s photos often resemble pseudo deities, but in no way does this extreme aura hinder upon the humanity of the subjects. Instead, it is the viewerโ€™s projection that elevates the subjects into something extra-human, and the subjects then appear trapped by the viewerโ€™s own elevated expectations of who and what the subject should be. This unique photographic dichotomy is captured beautifully in the black and white photographs found in Landyโ€™s new Imperial Pictures published book Opening Night. The book exemplifies Landyโ€™s best work in capturing the complexities attached to fame. The book doesnโ€™t focus on rock stars, but instead captures celebrities like Lauren Bacall, Elizabeth Taylor, Richard Harris, and more as well as the crowds of people that idolized and mobbed them. The photos both glamorize celebrity while sharply criticizing our obsessions with it. The message of these photos is more relevant than ever,โ€ writes Landy in the bookโ€™s opening, โ€œThat we, as a society, pay more attention to physical glamour and fame than to wisdom.โ€ It was superbly fitting then that to celebrate the release of the book, Landy got his own star treatment as a courtesy of a party thrown in his honor at the Jane Hotel by Paperwork NYC. With modern dance and pop tunes spliced in with vintage soul courtesy of PJ Monte, Landy found himself surrounded by fans, downtown NYC mainstays like Cat Marnell, and his oldest and dearest friends to celebrate this beautiful collection of his work. Landy has very unique warmth. When I approached him, I tried to relate via my love of Van Morrisonโ€™s records Astral Weeks and Veedon Fleece that pulled me out of some heartbreak after I got dumped by a girlfriend in college. โ€œVanโ€™s music has that ability to lift up your spirits,โ€ said Landy. He then signed my book, โ€œDear Adam, many moondances to youโ€”Elliot Landy.โ€ I was touched. Even people that just happened to be partying at the Jane picked up copies of the book and had them signed by Landy. Landy treated them all the same. It is that generosity and empathy that has allowed Landy to create such magnetic emotion in these pictures. Text and photographs by Adam Lehrer

Black Lives Matter: See Our Photographic Essay of the Freddie Gray Protests in New York City

After news emerged that Freddie Gray, Jr. had broken his spine and died while in the custody of police officers โ€“ a literal straw that broke the camel's back after countless public deaths of unarmed black men and women at the hands of authorities โ€“ riots and protests erupted in Baltimore; it soon spread to New York City. Mike Krim of subversive, cult publishing imprint Paperwork NYC and model Alex Papa grabbed their cameras and found themselves in the center of the action. "Alex Papa and I decided to grab some film and join in. Not knowing what to expect, we jumped in the crowd and started taking photos. That lasted roughly twenty minutes until we found ourselves chanting "No Justice No Peace Fuck The Police" and fully engaged in the protest, which took over city blocks and highways. As voices echoed loudly, we ran to fill in gaps, walking interlinked to shut down intersections, and marched forward. At times losing people to small pockets of raw emotion that took place. I'm not sure what the exact term of "peaceful assembly" is but I feel it was accomplished last night. Was anything achieved besides screwing up all the traffic in NYC? I'm not sure. I will tell you one thing, though, it felt fucking awesome approaching Times Square with that many people and taking over what some call the center of the universe." Click here to see the full photographic essay

Opening of LOVE/WAR Group Show @ MAMA Gallery

NYC artists MINT&SERF and PaperWorkNYC have come to Los Angelesโ€™ MAMA Gallery to present LOVE/WAR, a week-long group show examining the inevitability of uncertainty and conflict. LOVE/WAR is a multimedia exhibition comprised of photographs, paintings, installation and video, curated by Mint&Serf and PaperWorkNYC, a synergy that revels in the spirit of artistic collaboration. LOVE/WAR will be on view until February 7th, 2015 at MAMA Gallery, 1242 Palmetto Street, Los Angeles, CA.