Art and Prostitution: Mark Morrisroe

Art is oft born from tragic circumstances. Mark Morrisroe was born in Boston to a drug-addicted mother and left home at  age 15. Morrisroe would turn to prostitution to support himself. When he was 17 years old, an unsatisfied John shot him in the back, leaving him with a bullet lodged next to his spine for the rest of his life. The experience had a profound influence on Morrisroe's art, which often incorporated images of young prostitutes and X-rays of his injured chest.  Grappling with his identity as a homosexual through photography and performance art, Morrisroe become a seminal figure in the punk scene of Boston during the 1970s and 80s. Mark Morrisroe died in 1980 from complications from AIDS - he was 30 years old. More than twenty years after Mark Morrisroe’s early death, Fotomuseum Winterthur is presenting the first comprehensive survey exhibition on his work. Mark Morrisroe is on view until Feb. 13. www.fotomuseum.ch

Flower Myth

Left: Klee in 1911, by Alexander Eliasberg Right: Flower Myth (1918), Watercolor on pastel foundation on fabric & newsprint mounted on board

Paul Klee in His Studio

"I cannot be grasped in the here and now. For I reside just as much with the dead as with the unborn. Somewhat closer to the heart of creation than usual. But not nearly close enough." Paul Klee

Artist: Devendra Banhart

Artist Devendra Banhart picks up where native cave painters left off 20,000 years ago.  There is a shamanistic catharsis in the pure forms, lines, and colors against stark simple backgrounds that give Banhart's art an almost talismanic quality.  I should also say that there is a common misconception that cave art is primitive - the Lascaux cave drawings, for instance, (which were discovered in 1940 by four teenagers and their dog in southwestern France), upon closer observation, are actually incredibly complex.  For example, they have found evidence of mathematical star charts, dimensional perspective not seen in art for centuries and  intricate spiritual iconography.  Inside Banhart's art one can find the same cosmic complexity. Banhart's art is a return to the id - as if there was ever a magic tab to dissolve on your tongue to return you there. Banhart has been more widely recognized in other mediums, but his art has touched hallowed museum walls.  In 2004 Banhart exhibited exclusively next to the art of Paul Klee, at the San Francisco Museum of Modern Art.  Banhart has also had many solo shows in galleries around the world. The newest revelation is that Banhart has bought some tattoo supplies and has started tattooing his friends and family. Banhart's tattoos are brilliant little mementos that don't stray too far from the style of his artwork.  They hover moderately within the confines of traditional tattooing - albeit, with a lot less shading.  His tattoos are currently an altruistic enterprise, and he has graciously offered to give me one the next time I stop through his neck of the woods.  Coming up in March Banhart will be having a show in Milano along with Adam Tullie of Cavern Collection and bonkers conceptual artist Keegan McHargue.  More info about the show here.

Text by Oliver Maxwell Kupper for Pas Un Autre

If You Don’t like the Picture, Blame the Ass

Tijuana Donkey Show

For over a century, millions of Americans have put on sombreros and posed for tourist photographs on top of donkeys in the border city of Tijuana, Mexico. For almost as long, one of the greatest urban legends in all of California history has been the Tijuana donkey show, the much-rumored, often-referenced, but never proven south of the border sex show that is perpetually re-invented in American high school locker rooms. The Donkey Show explores the border’s intersection of myth and reality through a blend of over 200 rare tourist photographs, vintage nightlife ephemera, and pop songs born of American myths of Tijuana. The exhibition is guest curated by cultural anthropologist and graphic design historian Jim Heimann and author and music critic Josh Kun.  On view at the Santa Monica Museum of Art until April 16th, 2011. www.smmoa.org

Our Future is in the Air

Adolph de Meyer 'Dance Study' 1912 - Alfred Steiglitz Collection

Adolph de Meyer - who would become Vogue magazine's first official fashion photographer, 1913 - photographed the dancer Ninjinsky and other members of Sergei Diaghilev's troupe when l'Apres Midi d'Un Faune was presented in Paris in 1912. It has been suggested that the above photograph, the only nude by de Meyer, has some connection to the Russian ballet, but if so, remains mysterious.

It has been commonly remarked that the 20th century didn't really begin until 1910. The above photograph and a selection of other  incredible photographs from the 1910s are on display at the Metropolitan Museum of Art in New York for the exhibit "Our Future Is In The Air": Photographs from the 1910s. On view till April 10, 2011.

Lure of Images: John Strezaker

Mask

John Strezaker 'Mask XXXV' 2007

British artist John Stezaker is fascinated by the lure of images. Taking classic movie stills, vintage postcards and book illustrations, Stezaker makes collages to give old images a new meaning. By adjusting, inverting and slicing separate pictures together to create unique new works of art, Stezaker explores the subversive force of found images. Stezaker’s famous Mask series fuses the profiles of glamorous sitters with caves, hamlets, or waterfalls, making for images of eerie beauty. This first major exhibition of John Stezaker offers a chance to see work by an artist whose subject is the power in the act of looking itself. With over 90 works from the 1970s to today, the artist reveals the subversive force of images, reflecting on how visual language can create new meaning. John Stezaker is organized by the Whitechapel Gallery, London, and Mudam, Luxembourg - on view till March 18, 2011.

Objet d'Art: Cupid's Lie

DAMIEN HIRST, Cupid's Lie, Gold

To inaugurate the Hong Kong exhibition space, Gagosian Gallery is pleased to present “Forgotten Promises,” an exhibition of new paintings and sculptures by Damien Hirst. Forgotten Promises - Jan 18 - Mar. 19, 2011 at the Gasgosian Gallery, Hong Kong.

Exotic Regrets by Aoi Kotsuhiroi

I received an image over the weekend of the fascinating first chapter of sartorial sculptor, poet, and conjurer Aoi Kotsuhiroi's new collection entitled Exotic Regrets. As in past collections, Kotsuhiroi, based in the South of France, releases imagery of her new collections in chapter's to express gravity and anticipation. www.aoikotsuhiroi.com

Big Shots

Paloma Picasso by Andy Warhol

"Big Shots: Andy Warhol Polaroids of Celebrities" provides a look at a lesser-known but seminal body of work by the artist who was dazzled by celebrity and found much of his inspiration in the photographic image. Comprised of over thirty Polaroids of subjects ranging from Debbie Harry to Yves St. Laurent and Giorgio Armani to Yoko Ono, the pictures were taken between 1970 and 1986 on Warhol's favorite camera - the Polaroid Big Shot. Created by Polaroid for practical purposes like the quick creation of I.D. cards and passport pictures, the camera's fixed focal length and point-and-shoot mechanism were perfect for the snapshot-loving artist. www.danzigerprojects.com

Mannerism Versus Modernism

Hans Hoffmann, An Affenpinscher (detail), 1580, watercolor and gouache on vellum. Kasper Collection, New York.

The Morgan Library & Museum presents over one hundred drawings and photographs from the collection assembled by American fashion designer Herbert Kasper—known simply as Kasper. The collection, exceptional for its distinctive character and superb quality, is being exhibited to the public for the first time. Mannerism and Modernism: The Kasper Collection of Drawings and Photographs is being held at the Morgan Library and Museum in New York City through May 1st, 2011.

Folk Art: The Clay Skulls of James "Son Ford" Thomas

Photo by William Ferris, 'James "Son Ford" Thomas and Clay Skull, Leland, 1971' Collection of the Ogden Museum of Southern Art

Grave digger, blues musician, and dark, mystic soul of the south, James "Son Ford" Thomas made skulls from clay collected at the banks Mississippi's Yazoo River, often using authentic human teeth. His art mirrored, or was a catharsis, from the constant nearness of death at his job digging graves. "We all end up in the clay" was Thomas' oft quoted philosophy on life. The cemetery was probably a great place to pick up teeth too.  You can find his work at various blues museums throughout the south.

Text by Oliver Maxwell Kupper

For Your Pleasure

Almost 18+ For Your Pleasure

At this years Art Rotterdam TORCH gallery will offer a stage for a special performance and presentation of the project Almost 18+ (for your pleasure) by TINKEBELL. These works display a wryly ironic commentary on the contrast between the worlds of pornography and public debate. Seated in a chair designed by renowned designer Marcel Wanders she will devote her time at the fair embroidering lovely flowers, butterflies and birds on images of humiliated teenage girls. More info here.

Brass Tears: Experpts from the Travel Diaries of Dustin Lynn

Brass Tears: Dustin Lynn
Brass Tears: Dustin Lynn

"And with a soft kiss I bid my adieu to Casa Voyageurs and Casablanca, speeding galliantly towards the Atlas Forrest and the ancient Medina of Fes (Fez) with the Brass Tears of Ted Curson in my ear, seat 5f, compartment 1, express train 119. Enshallah."

Text by Dustin Lynn

Timm Ulrichs: Keep out of the exhibition!

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The Kunstverein Hannover and the Sprengel Museum Hannover present one of the most comprehensive surveys of the work by the concept artist Timm Ulrichs (born 1940). Timm Ulrichs’ oeuvre not only has an undisputed art historical importance, but has also gained a new relevance against the backdrop of contemporary art production. This joint exhibition project is thus not only occasioned by Timm Ulrichs’ 70th birthday and five decades of artistic activities in Hannover, but also by the significance of his work, which is still pertinent in the context of recent contemporary art through the increased recourse to conceptual paradigms. The double exhibition encompasses his early works from the nineteen sixties to recent productions that have been developed especially for this exhibition. November 28, 2010-February 13, 2011 Opening Saturday, November 27, 2010 at 5 pm at the Sprengel Museum Hannover at 7 pm at the Kunstverein Hannover. (SITE)

Tableau Vivant: Ulla von Brandenburg

Ulla von Brandenburg, 'Geister Ghosts,' Image Courtesy of Chisenhale Gallery/ Studio Voltaire

Ulla von Brandenburg's artworks are within the penumbra of tableau vivant, or 'living picture,' a nineteenth century mode of image making that includes costumes, elaborate lighting, and the immutable stillness of one or more actors. Brandenburg was born in Germany in 1978, but now lives and creates in Paris. "Working with drawing, painting, textiles, film and installation von Brandenburg investigates historical socio-cultural practices including the occult, magic, early psychoanalysis and modernist theatre..." Her works are now on display at the London Art Fair - through the 23rd. www.londonartfair.co/uk