Hot Concrete: Los Angeles Comes To Hong Kong For A Groundbreaking Exhibition

K11 MUSEA presents Hot Concrete: LA to HK, the first major group presentation of Los Angeles-based artists in Hong Kong, running from Friday, 21 October through to Sunday, 13 November 2022. Sponsored and supported by UBS AG, H.Moser & Cie and Ruinart; the exhibition is curated by Sow & Tailor (Los Angeles), presented by K11 MUSEA (Hong Kong) and WOAW Gallery (Hong Kong); and co-organized by Ouyang Art Consulting (Los Angeles). Hot Concrete: LA to HK is the second iteration of Sow & Tailor’s inaugural exhibition from 2021 with an expanded selection of thirty artists and over fifty-five artworks. As an epicenter for creativity not only in Asia, but also internationally, Hong Kong enthusiastically welcomes the explosive creativity of Los Angeles and the breadth and rigor of its multidisciplinary and multi generational artists. Hot Concrete: LA to HK’s unique curatorial perspective uses the four major principles of ikebana, the Japanese art of flower arrangement, as its point of departure, particularly a fresh approach, movement, balance, and harmony. The exhibition is not only a bridge that connects two significant artistic hubs and geographies, but also provides Hong Kong’s art-viewing public with a glimpse into the current creative energy of Los Angeles and its limitless opportunities for exploration, innovation, and self-fashioning. Hot Concrete not only fosters cultural exchange, but also injects the vibrancy of Los Angeles into Hong Kong’s cultural landscape, benefiting the latter’s community of artists, curators, collectors, and enthusiasts of art.

All images Courtesy of Sow & Tailor, Los Angeles and WOAW Gallery, Hong Kong. Photography and video by Hannah Kirby / Time Based Media 911, Los Angeles.

"Stratagems in Architecture: Hong Kong in Venice" During The Venice Architecture Biennale 2016

Hong Kong is a city known for its versatility and resilience; yet what is often seen in daily life is rigidity and lack of alternatives. Architecture, under such circumstance, becomes an agency reflecting on human, social and even political conditions, and at the same time moulding the values of the public. On one hand, it conforms to the rules of capitalism and private demand; on the other, it seeks to transcend the norm and open up imagination. What lies in between could be conflictive and creates endless and ever-changing battlefields. New ideas are put to test at the borderline; they may fail or they may transform into new set of values. Working on the margins often unveils the social dilemma – whether human need should be replaced by the need for progress and wealth. The classical Chinese essay Thirty-Six Stratagems is a collection of military tactics applied at wars in ancient China. The wisdom provides guides in politics, business and civil interaction in modern time. The stratagems are categorized into chapters that illustrate different situations, both advantageous and disadvantageous. Drawing reference from the classic, the exhibiting architects and artists examine the challenges they face and attempt to provide solutions to the complexity of reality. “Stratagems in Architecture: Hong Kong in Venice” will be on view as a collateral event during the Venice Architecture Biennale, which runs until November 26, 2016. Location: Venue Campo della Tana, Castello 2126-30122 Venezia, Italia (opposite the main entrance of Arsenale)

Vhils "Debris" Neon Installation At Pier 4 In Hong Kong Presented by HOCA

Presented by HOCA, “Debris”, the first solo exhibition of celebrated Portuguese artist Alexandre Farto AKA Vhils in Hong Kong is a multi-site initiative that will include an intervention on one of the city’s iconic trams  and an exhibition at Pier 4 (open between 22 March– 4 April 2016), encouraging visitors to explore the city and reflect on the nature of the urban environment through the lens of the artist. The Pier 4 Solo Exhibition will be open until April 4. 

Read Our Exclusive Interview of Artist and Fictional Archeologist Daniel Arsham Before His Solo Show In Hong Kong

Daniel Arsham makes art. His studio is nestled away on a quiet street in the Greenpoint neighborhood in Brooklyn. You could pass his studio door a hundred times and not even notice it, were you not looking for it. The front of the building almost looks to be an extension of his art. And, behind the unassuming door is a vast treasure of ash, crystal, obsidian and other substances that make up the various forms of his sculptures. Click here to read the full interview. 

Eric Baudart ‘Again, Again and Again’ at Edouard Malingue

Delicately transposed, it's the displaced materiality in Eric Baudart’s works that spurs their contemporary resonance. Millimeter paper, mattress frames, doormats – everyday, commonplace elements are flushed of everyday context and repurposed to create oeuvres that titter on the edge of artifice. ‘again, again and again’ at Edouard Malingue Gallery marks Baudart’s first solo show in Hong Kong and presents a new series of works as well as two installations that introduce how his practice evolves from Duchamp’s readymade, whilst simultaneously devolving from it. The works or situations proposed are not mere found objects but rather reconfigured and repurposed, composed and re-choreographed materials that have been carefully assembled or moulded to mount a delicate ballet of shapes, color and form. ‘Again, Again and Again’ a will be on view at until May 30th, 2015 at Edouard Malingue Gallery, 33 Des Voeux Road Central, Central, Hong Kong

Friedrich Kunath 'Earth to Fuckface' @ White Cube

White Cube Hong Kong presents a new exhibition by Los Angeles based German artist Friedrich Kunath. Kunath’s work, which covers a range of mediums including drawing, painting, sculpture, installation and photography, presents an altered reality whose subject matter taps into universal and existential concerns. For this exhibition Kunath has pushed his personal vision even further, producing a series of new paintings that explores the limits and extent of an inner, psychic landscape whose kaleidoscopic and fragmented scenes seem to uncannily cohere. Earth to Fuckface will be on view until January 31 at White Cube Hong Kong50 Connaught Road Central

Takashi Murakami Flowers and Skulls at Gagosian Hong Kong

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This exhibition, Takashi Murakami's first in Hong Kong, explores one of the central dichotomies of his art—between joy and terror, his optimistic magnanimity as an artist and his pessimistic perspective on postwar Japan. Here, this dichotomy is symbolized by the stark contrast of bright smiling flowers and disturbing, menacing representations of skulls. Flowers and Skulls will be on view until February 9, 2012, at Gagosian Gallery, 7/F Pedder Building, 12 Pedder Street Central, Hong Kong 

Yayoi Kusama: Hong Kong Blooms in My Mind

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Sotheby’s announces an exclusive selling exhibition of works by Yayoi Kusama in their brand new gallery space in Hong Kong. The exhibition, entitled Hong Kong Blooms In My Mind, showcases seminal works in a variety of mediums and from a range of important dates in the artist’s oeuvre. On view from May 19 to  May 30, 2012

Gilbert & George New Dark Show in Hong Kong

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White Cube Gallery Hong Kong's inaugural exhibition London Pictures is a disturbing examination of sex, violence, power and death through the medium of Britain's tabloid billboards, collected over six years from newsstands near the artists' home in East London.  For five decades, to international acclaim, Gilbert & George have been making art that is visionary, shocking, relentless, moral and richly atmospheric. London Pictures is on view March 2 to March 5, 2012.

Warhol 15 Minutes Eternal

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Its been 25 years today since Andy Warhol died in a New York hospital and he still permeates popular culture.  This year we will see an explosion of Warhol related exhibitions and retrospective due to the anniversary of his death. On view now the MMK in Frankfurt, Warhol: Headlines, is the first exhibition to cover this type of subject in his oeuvre. Starting in March Affirmation Arts in New York will presentConfections and Confessions, which will include over 50 rare and unique photographs of the artist.  And also starting in March a massive retrospective exhibition of Andy Warhol's artwork will tour five Asian cities over the next three years – Andy Warhol: 15 Minutes Eternal will open in Singapore first and then to Hong Kong, Shanghai and Beijing in 2013 and Tokyo in 2014.

RICHARD PRINCE, first solo exhibition in Asia

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Since the late 1970s, Prince has been mining images from mass media, advertising, and entertainment. Working in the tear-sheet department at TIME/LIFE in New York, he took magazine ads for jewelry, furniture, fashion, and cigarettes, and gave them new potency by cropping, removing ad copy from the images, reshooting black and white images on color film, and configuring them in generic groups. With these “rephotographs”, he redefined the artistic act and its related concepts of authorship, ownership, and the aura of the image. Applying his understanding of the complex transactions of representation to the making of art, he has crafted a unique signature filled with echoes of other signatures but that is unquestionably his own.

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An exhibition, that opened yesterday at the Gagosian gallery in Hong Kong, explores the role and representation of women in the male imaginary and in American culture, a principal theme in Prince’s oeuvre since the outset of his career and one that is charged with ambiguity and provocation. By locating, appropriating, and manipulating popular depictions of feminine types – from the aloof fashion model and the glamorous celebrity to the fetishistic nurse and the bold biker girlfriend - Prince explores how visual definitions of gender form in popular culture through repetition and reiteration. Gleaned from a variety of highbrow, lowbrow, and subcultural sources, Prince’s women abound with a diversity of stereotyped erotic appeal.

On view until July 16, 2011 www.gagosian.com

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Objet d'Art: Cupid's Lie

DAMIEN HIRST, Cupid's Lie, Gold

To inaugurate the Hong Kong exhibition space, Gagosian Gallery is pleased to present “Forgotten Promises,” an exhibition of new paintings and sculptures by Damien Hirst. Forgotten Promises - Jan 18 - Mar. 19, 2011 at the Gasgosian Gallery, Hong Kong.