Jordan Sullivan "The Divine Nothing" @ MAMA Gallery In Los Angeles

The Divine Nothing is an exhibition of new photographs, paintings, and sound collages by Los Angeles-based artist Jordan Sullivan. The first room of the exhibition is composed of photographic works from two recent series - After The Funeral and Death Valley. These ethereal images of mountains, light reflections after a flash flood, and double and triple exposures of wildflowers shot through painted transparencies in the hours after a funeral ceremony for Sullivan's grandmother, at times feel more like portraits than landscapes, reflections of an inner life, meditations on color, time, love, and loss. Jordan Sullivan "The Divine Nothing" will be on view until January 21, 2017 @ MAMA Gallery in Los Angeles. photographs by Oliver Maxwell Kupper

Jake And Dinos Chapman "Back to the End of the Beginning of the End Again" @ Kamel Mennour Gallery In Paris

After seventeen years, British duo Jake and Dinos Chapman are back in Paris. For their first exhibition at Kamel Mennour, they are taking over the gallery on the Rue Saint-André des Arts together with the new space on the Avenue Matignon, with a series of especially explosive works, where the fates of art and humanity appear inextricably linked. Jake And Dinos Chapman "Back to the End of the Beginning of the End Again" will be on view until November 26, 2016 @ Kamel Mennour gallery in Paris. photographs by Mazzy-Mae Green

Nan Goldin "Blood On My Hands" @ Matthew Marks Gallery In New York

Matthew Marks presents Nan Goldin "Blood On My Hands." It is the first public exhibition of Goldin’s drawings, and it includes five new large-scale “grids” of multiple photographs composed in a single frame. Goldin has kept a diary since childhood, often filling the pages with drawings. Recently those drawings have taken on a new life as independent works of art. Emerging from her regular practice of daily reflection, they share the charged emotional atmosphere of her photographs, but their symbolic imagery, handwritten texts, and complex surfaces, made with a variety of mediums, introduce an expressive element that is new to her work. Goldin selects the photographs for her grids according to formal or psychological themes. For the new grids, the unifying element is color: pink, blue, gold, red, or black. Nan Goldin "Blood On My Hands" will be on view until December 23, 2016 @ Matthew Marks Gallery in New York. photographs by Adam Lehrer