Bottega Veneta Reopens Paris Flagship Store

On September 25th, Bottega Veneta unveiled its new Paris flagship store on the iconic Avenue Montaigne. It is the first store designed by and under the creative direction of Matthieu Blazy.

Combining Italian craftsmanship with a modernist sensibility, the near 800-square-meter space is defined by two essential materials: glass, native to Venice, and Italian walnut wood. Industrial square glass blocks are integrated into floor, ceiling, and walls, creating a grid geometry and diffuse, homogenous light throughout the store. Walnut wood panels frame the blocks, and also distinguish the transitional spaces of stairway and jewelry gallery corridor.

Interaction with original design and the handmade begins upon entry, where the front door features a one-of-a-kind glass handle by the Venice-based Japanese glass artist, Ritsue Mishima. Further brass hooks and handles throughout the store pick up on Blazy’s Drop motif, while single Drop elements on store mirrors create rippling reflections suggestive of Venice’s aquatic cityscape.

Photographs by Francois Halard

 
 

Air Afrique Launches With Bottega Veneta To Celebrate Afro-Diasporic Creativity and Conversation

Bottega Veneta has initiated a new partnership with Air Afrique magazine, a fresh platform for Afro-diasporic art and conversation. The magazine, conceived by a young collective in Paris and inspired by the pan-African magazines of the 20th century, launched with an event at the Centre Pompidou in Paris on 23 June 2023. Air Afrique is named after the pan-African airline Air Afrique, co-owned by Senegal, Central African Republic, Cameroon, Ivory Coast, Gabon, Benin, Burkina Faso, Mauritania, Niger, Congo, and Chad, and operational between 1961 and 2002. An important expression of recently independent countries and of a certain pan-African ideal, the airline became a major patron of arts and culture, as well as a means of cross- border transportation. Published in both French and English, Air Afrique is led by the airline’s cultural vision, and by the logic of its in-flight magazine Balafon, which was distinguished by its ability to celebrate the cultural and historical diversity of the African continent. Air Afrique will combine this ethos with a sharp, precise aesthetic to transmit African cultural heritage and inspire cross-border creativity and discussion. Each issue of the magazine will include both archival material from the airline’s cultural patronage, and contemporary cultural expression from French, French-Caribbean, and African artists and writers.

The Air Afrique collective consists of Founder and Creative Director Lamine Diaoune, Editor-in-Chief Amandine Nada, Co-Founders Djiby Kebe and Jeremy Konko, Editors Zhedy Nuentsa and Ahmadou-Bamba Thiam and Graphic Designer Axel Pelletanche.

In its partnership with Air Afrique, Bottega Veneta will provide its brand name and platforms, as well as tailored events, to support the magazine launch and help build and connect engaged communities of readers. The brand will also release a limited-edition series of blankets by Franco-Sudanese designer, Abdel El Tayeb, a designer in the Bottega Veneta studio. Specially commissioned by Matthieu Blazy to mark the launch of Air Afrique, each blanket is a unique composition of the finest wool, silver leather, and shearling from the Bottega Veneta archive. Under his own label El Tayeb Nation, El Tayeb combines Sudanese craftsmanship with Western tailoring in an aesthetic that mixes couture and ease. The label aspires to create a space for Afro-descendents to express their multicultural identity. The Air Afrique Afro-futuristic blanket designs are inspired by the vibrant patterns of the traditional toub dress worn by El Tayeb’s mother.

A model looks into the camera behind the words Bottega Veneta wrapped in a plush textile blanket.

Bottega Veneta Celebrates Brazilian Culture @ Lina Bo Bardi’s Iconic Casa de Vidro

A square building with glowing orange floor-to-ceiling windows radiates behind a wall of dark palm fronds and trees.

Bottega Veneta’s cultural exchange series, The Square, was first introduced in Dubai in 2022. The Square São Paulo is the latest in Bottega Veneta’s cultural exchange series, which was preceded by a second installment in Tokyo. Under the creative direction of Matthieu Blazy, the series brings together artists, guests, and the public in immersive, site-specific events that inspire curiosity and dialogue, and champion Bottega Veneta’s values of craft, creativity, and self-expression.

Marking Bottega Veneta’s 10-year anniversary in Brazil, The Square São Paulo evolves beyond the custom square structures of Dubai and Tokyo with a curation by Mari Stockler in the lush setting of Casa de Vidro, a landmark of Brazilian modernism. Through the 11-day program, artists and artworks from across Brazil honor the legacy of Italian-born Bo Bardi, exploring her interaction with Brazilian culture and celebrating Brazilian creativity in all its forms.

"From the modernist project to her embrace of the power of Brazilian popular culture and collaboration with the counterculture, Lina challenged norms and developed ideas that crossed chronological time like arrows and are, today, an essential perspective of Brazilian identity,” says curator Mari Stockler. “With The Square São Paulo, we dive into her revolutionary thinking. The event is designed as a dialogue. We provoke time by contrasting Lina’s objects with works by modern and contemporary artists in an exchange between past, present, and possible futures.”

Born in Rome, Bo Bardi moved to Brazil in 1946, and became one of the most important and expressive figures in Brazilian modernism. With a strong emphasis on the social potential of design and architecture, her pioneering projects include the Museu de Arte de São Paulo and the leisure center, SESC Pompéia. A keen writer and thinker, she co-founded the influential art magazine Habitat and also created jewelry, costume, furniture, and set designs.

Casa de Vidro was Bo Bardi’s first built project and personal residence until her death in 1992. Completed in 1951, the house has been a meeting point for artists, architects, and intellectuals both during Bo Bardi’s lifetime, and subsequently under the direction of the Instituto Bardi / Casa de Vidro.

Participating talents in The Square São Paulo include Arnaldo Antunes, Ibã Salles, Vivian Caccuri, Luiz Zerbini, Carlito Carvalhosa, Rosana Paulino, Alaíde Costa, Lenora de Barros, Cristiano Lenhardt, Leda Catunda, Ricardo Aleixo, and João Camarero. The event will also feature works by Lygia Pape, Hélio Oiticica, Augusto de Campos, Mestre Guarany, Surubim Feliciano da Paixão – as well as Bo Bardi’s own work, writings, and original furnishings housed in Casa de Vidro. Four books, based on The Square’s four pathways, are published in a limited-edition boxed set.

The event is curated around four themed pathways related to time, geometry and spirituality, Brazilian counterculture, and the roots of Bossa Nova.

“Casa de Vidro is one of my favorite places,” says Matthieu Blazy. “It’s a real inspiration to meet here with artists from across generations, across disciplines, and across Brazil to celebrate Lina Bo Bardi’s legacy and the richness of Brazilian culture. Bottega Veneta is all about timeless style. With The Square São Paulo, we recognize how Lina’s ideas and aesthetics resonate to this day, always reminding us of the transformative power of design and culture.”

The Square São Paulo opened on May 24th and will be open to the public from May 27th through June 3rd.

Bottega Veneta & Gaetano Pesce Present 'Vieni a Vedere' @ Salone del Mobile in Milan

The Humanist architect-designer-artist Gaetano Pesce is a towering figure in each of his fields; a true multidisciplinarian with an iconoclastic agenda who, despite a career spanning seven decades, still refuses to be cowed or quantified. In numerous public and private works realized globally, in the fields of architecture, town planning, interior design, industrial design and exhibition design, the constant experimentation of an artist who refuses repetition infuses all.

Following the commission given to Pesce to create a temporary site-specific artwork as show space for the Summer ’23 Bottega Veneta fashion show, the dialogue continues and a further stage is explored. Once again given creative carte blanche, and this time situated in the brand’s Montenapoleone store, Pesce creates a unique installation called ‘Vieni a Vedere’ (Come and See). Spanning the store, the immersive installation utilizes resin and fabric to create a unique experience that the visitor travels through. It frames an edition of handbags realised by Bottega Veneta for the artist according to his designs.

Embracing figuration and stories of the personal rather than the purely functional, Pesce’s bags utilize the idiosyncratic both in terms of handcraft and creativity. Based on mountains and prairies, the handbags echo his early life in Italy growing up near the mountains in Este, and the prairies of America, a reflection of where he lives today.

“This is my first design of a bag and it is figurative – two mountains with a sunrise or a sunset behind. I wanted a bag with an optimistic view. There is a capacity to realize anything at Bottega Veneta and this bag opens up a way to express future design. The design of the future has to be figurative and it has to communicate – such an object has to tell a story.” Gaetano Pesce

The installation is on view through April 22, where the artist’s edition of handcrafted handbags can also be purchased. Look out for an interview of Pesce in our forthcoming SS23 Utopia issue, also available for preorder April 22.

 
Stone Building with windows covered with green watercolor style art and "BOTTEGA VENATA" across the front of the building.
 

Backstage with Olivier Mohrińge by Lukas Goldschmidt

photography by Lukas Goldschmidt
styling by
Olivier Mohringe
hair by
Tina Pachta
makeup by
Janette Peters and Darja Crainiucenco
set design by
Nina Oswald
styling assistance by
Vlada Kitaeva
hair assistance by
Caroline Raick
modeling by
Sandra @ MIHA Managament, Nastya @ Viva Models, Ana @ IZAIO Management, Celine and Zen @ A Management

Nastya wear dress by Miu Miu
boots by Balenciaga

Celine wears dress by & Other Stories
bag by Vagabond
rings by mussels and muscles

Nastya wears jumper by Raf Simons
boots by Balenciaga
bag by Vagabond

Sandra wears dress and earrings by Balenciaga
pumps by Steve Madden
bag by Agneel
ring by mussels and muscles

Zen wears top by Axel Arigato
skirt by Joseph
shoes by Vagabond
necklace by Bottega Veneta
earrings by mussels and muscles

Celine wears top by Jacquemus
pants by Aligne
earrrings by Sabrina Dehoff

Ana wears two-pieces by & Other Stories
boots by Iceberg
earrings by Sabrina Dehoff

Ana wears full look by Balenciaga
earrings by Sabrina Dehoff

Sandra wears dress by Wolford
earrings by Balenciaga
bag by Bottega Veneta
pumps by Scarcosso

Zen wears bodysuit by Falke
culottes by Joseph
earrings by Sabrina Dehoff
ring by Akind
bag by Jérôme Dreyfuss

Celine wears body by Ganni
pants by Ivy & Oak
earrings by Sabrina Dehoff
belt by Diesel
bag by Jérôme Dreyfuss
mules by Kurt Geiger

Zen wears trenchcoat by & Other Stories
tights by Falke
earrings by Vivienne Westwood
gloves by Roeckl
shoes by Vagabond

Zen wears two-piece by Ganni
tights by Falke

Celine wears pants by Ivy & Oak
earrings by Sabrina Dehoff
gloves by Roeckl
bag and belt by Diesel
shoes by Kurt Geiger

Nastya wears dress by Marc Cain
bag by Dior
mules by Ferragamo

Yearb00k by Prissilya Junewin & Camille Frank

photography by Prissilya Junewin
styling
Camille Frank
styling assistance by
Antonio Chiocca
hair by
Rabea Roehll
make-up by
Paloma Brytscha
casting by
First Encounters
modeling by Nora @
IZAIO Management, Xie, Giada, Paul, Sijo, Valentin, Cong, Anja

Design Miami Review: Reflections on a Future Golden Age of Design

 
A disco ball flattened on a basketball hoop.

Rotganzen
Quelle Basket, Miami Edition, 2022
Vintage Basketball Hoop, Quelle Fête
Mirror object: glass mirror, foam, grout, glue
Basket hoop: metal ring with fabric netting
62 x 69 x 80 cm
Edition of 12

 


text by Jennifer Piejko


There isn’t much time to sit down, considering all the seating options. For the eighteenth year in a row, Design Miami has set up next to the Miami Convention Center during Art Basel Miami Beach, bringing galleries, presentations, and talks to Pride Park. 

The fair’s curatorial director, Maria Cristina Didero, leads a program with the theme “The Golden Age: Looking to the Future,” which celebrates “a tomorrow of our own creation.” Looks like tomorrow can go many ways, including enthusiasm, or, if not, at least surrender to amusement: there are Gaetano Pesce and Matthieu Blazy’s lustrous dripped resin chairs for Bottega Veneta sitting in a prismatic half-circle, offering gleeful, freeform optimism (and one of them even a cheeky smile); Finnish designer Kim Simonsson’s mossy children and miniature astronauts occupying levels of an industrial metal scaffolding installation by Urban Umbrella at New York’s Jason Jacques Gallery; Amsterdam’s Rademakers gallery’s room of deflated, dripping, gluttonous disco balls by the collective Rotganzen.

 
 

Lots of designs for tomorrow incorporate historical elements into their design as well: the collection of Brazilian modernist pieces including work by Joaquim Tenreiro, Jorge Zalszupin, and José Zanine Caldas at Rio de Janeiro’s Mercado Moderno; sensual, weathered wood and stone by Natasha Dakhli and Giancarlo Valle at New York’s Magen H Gallery; warm bronze seating by Ingrid Donat, monumental Rick Owens chairs, and radiant, alien translucent cubes by Niko Koronis, shown by Carpenter’s Workshop Gallery; Maestro Dobel Tequila constructed their “Artpothecary” in the center of the fair, offering a pink crossroads of sorts in the installation The Mexican Golden Age by Mexico City-based design studio Clásicos Mexicanos, as well as their new Latinx Art Prize with El Museo del Barrio in New York, awarded for the first time next fall. 

A number of booths also took this year’s theme as a prompt for starting tomorrow at the beginning—looking backward. New York’s Bernard Goldberg Fine Arts had a booth of historical works, many of them screens and dividers, including Nicola D’Ascenzo’s freestanding stained-glass wall. The geometric Art Deco florals of The Chestnut Street Window (c. 1925) was made for the Philadelphia luncheonette Horn & Hardart, the coffee and sandwich dispensary that revolutionized “fast food.” Samuel Yellin’s Gates (1912–15), ornate black wrought-iron gates from a grand private residence, rest on a nearby wall; so do 1920s and ’30s fire screens by William Hunt Diederich and Adalbert Szabo, the latter made for the transatlantic ocean liner S.S. Normandie. 

A array of furniture with a gold table, wood accents in the back, and balloned shaped chairs.

The Future Perfect’s presentation at Design Miami/ 2022, Booth G09.
Photo: Joseph Kramm. Courtesy the artists and The Future Perfect.

As with so many art and design fairs, there are a fair number of mirrored works, providing lots of selfie opportunities. One of the most popular, the squiggly, tentacled gold wall mirrors shown by the Haas Brothers’ Gallery All, literally framed rose-colored glass. The simple change to the standard mirror gave passersby a chance to sneak in a little self-flattery and self-reflection, the little boost that it takes to keep moving on a long day. 

 
 

INSTA FAMOUS By Diego Cruz & Zion Dezm

 

Lisa is wearing earring 1CONCEPT, top MIU MIU, skirt and thong VALERIEVI, tights TYTM8.

 


creative direction, art direction and casting: Diego Cruz & Zion Dezm
photography by
Diego Cruz
styling by Zion Dezm, assisted by Andrea Brown
makeup by
David Gillers, assisted by Mialuca Backus
hair by
Moe, assisted by Jennifer Chan
Models: Lisa from PRM Model Agency
Arual & Olivia from Milk Management
Bertie from Anti Agency


Arual is wearing earrings 1CONCEPT, necklace and skirt MIU MIU, top NII HAI.

Lisa is wearing earring HEAVEN BY MARC JACOBS, top DOLCE & GABBANA.

Lisa is wearing bag HEAVEN BY MARC JACOBS, earring 1CONCEPT, ring and jumpsuit VALERIEVI.

Bertie is wearing shoes MIU MIU.

Olivia is wearing top R & M LEATHERS, dress PRADA, bag GIVENCHY.

Lisa is wearing earring 1CONCEPT, top DOLCE & GABBANA, thong NII HAI, skirt HEAVEN by MARC JACOBS, trousers PACO RABBANE, shoes GIVENCHY.

Bertie is wearing dress CHARLES JEFFREY.

left to right: Olivia is wearing necklace and earrings ALESSANDRA RICH, top JORDANLUCA, tights MM6, shoes MIU MIU.
Arual is wearing earring 1CONCEPT, dress CHRISTOPHER KANE, tights R & M LEATHERS, shoes NII HAI.
Lisa is wearing earring 1 CONCEPT, top and tights DOLCE & GABANNA, dress PACO RABANNE, shoes PRADA.


What Will I Become By Gabriella Rowland & Nicolas Robin Hobbs

coat: RICHERT BEIL
shirt: Prada (stylist’s archive)
tie: Emporio Armani
bag: Celine


photography by Nicolas Robin Hobbs
photo assistance by Leo Köhler & Mengyu Zhou  
styling by Gabriella Rowland 
styling assistance by Bastian Hagn 
casting by Nicolas Robin & Gabriella Rowland 
hair by Bronwyn Stewart
makeup by Naomzz 
talent by MARIAM D @ MIRRRS, KARINA & JOANNA @ Tomorrow Is Another Day
Special thanks to Effi at TIAD



coat: RICHERT BEIL
shirt: Prada (stylist’s archive)
tie: Emporio Armani

LEFT
top: vintage (solastseason Archive) 
skirt: Gucci (solastseason Archive) 
shoes: Celine 
ring: JOHANNA GAUDER

RIGHT
top: Blumarine (solastseason Archive) 
skirt & bag: Diesel 
shoes: CAMPER

LEFT
jacket: Cottonade Paris (solastseason Archive) 
tights: Diesel
bag: Diesel
shoes: Balenciaga (solastseason Archive)

RIGHT
coat: RICHERT BEIL
shirt: Prada (stylist’s archive)
tie: Emporio Armani
tights: Falke
shoes: Bottega Veneta (NIGHTBOUTIQUE Archive)
bag: Celine

suit: Miu Miu
knitwear: Miu Miu
shoes: Diesel
rings: INA BEISSNER



Read Autre's Favorites from Milan Fashion Week

Oh, Italy. The land of luxury behemoths. Young fashion people scoff at Milan, but Milan is planting itself once more at the forefront of conceptual fashion. Versace and Prada will always be doing their thing. Damir Doma decided to leave the herd of Paris and create his architectural garments in Italy. Arthur Arbesser is injecting youth and idea-driven fashion into the city revitalizing Iceberg and launching his own brand. And, less we forget, Alessandro Michele is the hottest designer in fashion at Gucci. It feels like people are ready for Italian fashion again, and they certainly want Gucci to be relevant again. We’ve had so many years of “cool” and “arty” brands out of Paris and London that maybe the coolest thing to do right now is to pay heed to the luxury giants of Italy. It’s hip to be square, motherfuckers. Click here to read the full review.