Summergust by Charlotte Helwig & Natalia Farnaus

Fake fur stole DIESEL
Latex briefs & socks stylist's own

photography by Charlotte Helwig
styling by
Natalia Farnaus
Ine Michelmann via Modelwerk
makeup by
Leana Ardeleanu
hair by
Noriko Takayama
lighting by
Max Muthig
photography assistant
Emi Iguchi
set design by
Georgina Bates

 
 

Nappa leather high-neck blouse JOSEPH
Raffia dress JIMENA GUZMAN
Nude briefs WOLFORD

 
 

Statement shoulder midi dress SPORTMAX

 
 

Velvet dress TRANSE PARIS
Sheer tights FALKE 
Shoes stylist's own

Double-layered blazer SPORTMAX 
Double-layered midi skirt SPORTMAX 
Leather triangle bra ZANA BAYNE 

 
 

Ruched crop top NICKLAS SKOVGAARD
Sequin skirt NICKLAS SKOVGAARD

 
 

Leather triangle bra ZANA BAYNE
Cotton briefs WOLFORD

Statement shoulder midi dress SPORTMAX
Stretch Napa-leather boots SPORTMAX

 

Distressed t-shirt stylist's own
Bustier top with leather bra JIMENA GUZMAN
Leather briefs JIMENA GUZMAN

Single-breasted coat DIESEL

 
 

Blazer worn back to front T/SEHNE
Tassle skirt TIM RYAN

 

"Las Malas" by Katuring & Nayeli De Alba

earrings and purse by Merrferfull look by Ruisneakers by ASICS heals by Paula Canovas del Vas

earrings and purse by Merrfer
full look by Rui
sneakers by ASICS
heals by Paula Canovas del Vas

photography by Kapturing
styling by
Neyeli De Alba
nails by
Vanesa Juez
hair & makeup by
Hind Sousan 
photography assistance by
Angela Simi 
retouching by
Willi Artists
talents
Hylas, Violette & Arianne Du Casse
casting by
Annabelle Rose

body by Muglersunglasses by Balenciagagloves by Acne Studiosboots by Ninamounah

body by Mugler
sunglasses by Balenciaga
gloves by Acne Studios
boots by Ninamounah

blouse & tights by Isa Boulder purse by Ottolinger earrings by Diesel skirt by Laporte LTD boots by Cruda blouse by Jean Paul Gaultier Vintage

blouse & tights by Isa Boulder
purse by Ottolinger
earrings by Diesel
skirt by Laporte LTD
boots by Cruda 
blouse by Jean Paul Gaultier Vintage

 
blouse & tights by Isa Boulder purse by Ottolinger earrings by Diesel skirt by Laporte LTD boots by Cruda blouse by Jean Paul Gaultier Vintage

blouse & tights by Isa Boulder
purse by Ottolinger
earrings by Diesel
skirt by Laporte LTD
boots by Cruda 
blouse by Jean Paul Gaultier Vintage

sunglasses by Acne studios trench coat by Balenciaga earrings by Merrfer

sunglasses by Acne studios
trench coat by Balenciaga
earrings by Merrfer

 

full look by Courrèges
beret hat by Misbhv
shoes by Cruda
gloves Stylist’s own

 
sunglasses by Acne studios trench coat by Balenciaga earrings by Merrfer

sunglasses by Acne studios
trench coat by Balenciaga
earrings by Merrfer

earrings and purse by Merrfer
full look by Rui
sneakers by ASICS
heals by Paula Canovas del Vas

Backstage with Olivier Mohrińge by Lukas Goldschmidt

photography by Lukas Goldschmidt
styling by
Olivier Mohringe
hair by
Tina Pachta
makeup by
Janette Peters and Darja Crainiucenco
set design by
Nina Oswald
styling assistance by
Vlada Kitaeva
hair assistance by
Caroline Raick
modeling by
Sandra @ MIHA Managament, Nastya @ Viva Models, Ana @ IZAIO Management, Celine and Zen @ A Management

Nastya wear dress by Miu Miu
boots by Balenciaga

Celine wears dress by & Other Stories
bag by Vagabond
rings by mussels and muscles

Nastya wears jumper by Raf Simons
boots by Balenciaga
bag by Vagabond

Sandra wears dress and earrings by Balenciaga
pumps by Steve Madden
bag by Agneel
ring by mussels and muscles

Zen wears top by Axel Arigato
skirt by Joseph
shoes by Vagabond
necklace by Bottega Veneta
earrings by mussels and muscles

Celine wears top by Jacquemus
pants by Aligne
earrrings by Sabrina Dehoff

Ana wears two-pieces by & Other Stories
boots by Iceberg
earrings by Sabrina Dehoff

Ana wears full look by Balenciaga
earrings by Sabrina Dehoff

Sandra wears dress by Wolford
earrings by Balenciaga
bag by Bottega Veneta
pumps by Scarcosso

Zen wears bodysuit by Falke
culottes by Joseph
earrings by Sabrina Dehoff
ring by Akind
bag by Jérôme Dreyfuss

Celine wears body by Ganni
pants by Ivy & Oak
earrings by Sabrina Dehoff
belt by Diesel
bag by Jérôme Dreyfuss
mules by Kurt Geiger

Zen wears trenchcoat by & Other Stories
tights by Falke
earrings by Vivienne Westwood
gloves by Roeckl
shoes by Vagabond

Zen wears two-piece by Ganni
tights by Falke

Celine wears pants by Ivy & Oak
earrings by Sabrina Dehoff
gloves by Roeckl
bag and belt by Diesel
shoes by Kurt Geiger

Nastya wears dress by Marc Cain
bag by Dior
mules by Ferragamo

Yearb00k by Prissilya Junewin & Camille Frank

photography by Prissilya Junewin
styling
Camille Frank
styling assistance by
Antonio Chiocca
hair by
Rabea Roehll
make-up by
Paloma Brytscha
casting by
First Encounters
modeling by Nora @
IZAIO Management, Xie, Giada, Paul, Sijo, Valentin, Cong, Anja

The Olympics by Shahram Saadat & Elizabete Pakule

photography by Shahram Saadat
styling & creative direction by
Elizabete Pakule
hair by
Myuji Sato
make-up by
Dasha Taivas
production by
Daniela Noriega
photography assistance by
Nicole LeBlanc
styling assistance by
Alex Tang
modeling by
Em, John Foley, Dehiry, Neve, Kwadwo and Kristie

Neve wears full look by Mowalola.
shoes: stylist’s own

Kwadwo wears pants and jacket by Nadia Roberts.
skirt: Mowalola
shoes: Alyssa Marie Groeneveld

Kristie wears full look by Ethan Mullings.
shoes: Eva Lee

Em wears top and skirts by Alyssa Marie Groeneveld.
leggings: Diesel
boots: Brogan Smith

John wears dress by Eva Lee.
shoes: Sarah Inyoung Park

tracksuit: Diesel
heels: Brogan Smith
tights: Raquel de Carvalho

John wears tracksuit by Diesel.

Em wears jacket and shorts by Diesel.
bra: model’s own
bralette: Raquel de Carvalho
boots: Brogan Smith

Dehiry wears shirts by Pariahcorp.
pants: Alyssa Marie Groeneveld

FREAKS! By Azazel & Francesca Cavalcanti

Eve wears body suit by Ann Summers
top & skirt: TYT

Lola wears jumpers by Marco Rambaldi
skirt: stylist’s own

photography by Azazel assisted by Kester Messan
styling by Francesca Cavalcanti assisted by Olivia Abadian
makeup by
Machiko Yano assisted by Yurino Kinjo
hair by
Shinosuke Nakashimo
models:
Hody from Milk Management
Bertie, Bella, Lola & Eve from Anti Agency

full look: Diesel
necklace: stylist’s own

t-shirt: Our Legacy
knitwear: GCDS

jumper: Marco Rambaldi
top: Diesel
shorts: SORRY MUMMY ARCHIVE 
boots: model’s own
jewelry: EXXXENTIAL

t-shirt: Mowalola
shoes: vintage MARC JACOBS from SORRY MUMMY ARCHIVE 
tights & hat: stylist’s own

Lola wears track top by SORRY MUMMY ARCHIVE 
skirt: Marco Rambaldi
earrings: ILENIA CORTI VERNISSAGE

Eve wears dress by Marco Rambaldi
hoodie: vintage PALACE from SORRY MUMMY ARCHIVE 
hat: DR.CREATUR3
necklace: EXXXENTIAL

dress: ACT N°1
coat: Diesel

dress: GCDS
jacket: Acupuncture
hat: Poche Studio from SORRRY MUMMY ARCHIVE

Lola wears track top by SORRY MUMMY ARCHIVE 
skirt: Marco Rambaldi
earrings: ILENIA CORTI VERNISSAGE
socks: TYT
shoes: vintage Dr. Martens from SORRY MUMMY ARCHIVE

Eve wears dress by Marco Rambaldi
hoodie: Vintage PALACE from SORRY MUMMY ARCHIVE 
hat: DR.CREATUR3
necklace: EXXXENTIAL
shoes: model’s own

knitwear: GCDS
t-shirt: Our Legacy

top: Diesel
jumper: Marco Rambaldi
shorts: SORRY MUMMY ARCHIVE
jewelry: EXXXENTIAL

full look: Diesel
necklace: stylist’s own

shirt: SORRY MUMMY ARCHIVE 
leather vest: DESA1972
skirt: Diesel
hat: Hat.N.Spicy
tights: stylist’s own
shoes: ACT N°1

bodysuit: Ann Summers
top & skirt: TYT
shoes: CONVERSE from SORRY MUMMY ARCHIVE 

coat: Diesel
dress: ACT N°1

dress: GCDS
jacket: ACUPUNCTURE 
hat: POCHE STUDIO from SORRY MUMMY ARCHIVE 
bracelet: stylist’s own
shoes: Diesel

 

INSTA FAMOUS By Diego Cruz & Zion Dezm

 

Lisa is wearing earring 1CONCEPT, top MIU MIU, skirt and thong VALERIEVI, tights TYTM8.

 


creative direction, art direction and casting: Diego Cruz & Zion Dezm
photography by
Diego Cruz
styling by Zion Dezm, assisted by Andrea Brown
makeup by
David Gillers, assisted by Mialuca Backus
hair by
Moe, assisted by Jennifer Chan
Models: Lisa from PRM Model Agency
Arual & Olivia from Milk Management
Bertie from Anti Agency


Arual is wearing earrings 1CONCEPT, necklace and skirt MIU MIU, top NII HAI.

Lisa is wearing earring HEAVEN BY MARC JACOBS, top DOLCE & GABBANA.

Lisa is wearing bag HEAVEN BY MARC JACOBS, earring 1CONCEPT, ring and jumpsuit VALERIEVI.

Bertie is wearing shoes MIU MIU.

Olivia is wearing top R & M LEATHERS, dress PRADA, bag GIVENCHY.

Lisa is wearing earring 1CONCEPT, top DOLCE & GABBANA, thong NII HAI, skirt HEAVEN by MARC JACOBS, trousers PACO RABBANE, shoes GIVENCHY.

Bertie is wearing dress CHARLES JEFFREY.

left to right: Olivia is wearing necklace and earrings ALESSANDRA RICH, top JORDANLUCA, tights MM6, shoes MIU MIU.
Arual is wearing earring 1CONCEPT, dress CHRISTOPHER KANE, tights R & M LEATHERS, shoes NII HAI.
Lisa is wearing earring 1 CONCEPT, top and tights DOLCE & GABANNA, dress PACO RABANNE, shoes PRADA.


Hyperstitious Garments: A Treatise On Sartorial Immortality

 

earring: Tétier Bijoux

 

photography by Verity Smiley Jones
styling by
Lea Wilbrand
art direction by
Katharina Uhe
makeup by
Alice Dodds
hair by
Moe Mukai
casting by
Oliwia Jancerowicz
set design by
Jonquil Lawrence
production by
Alina Kolomiichenko
modeling by
Aworo Mayowa & India Grove @ Wilhelmina Models London
art by
Elena Hoskyns-Abrahall, Lucy Page, Janina Frye & Sophie Cunningham
text by
Julia Deutsch

photography assistance by
Grete Tuberik
styling assistance by
Katie Bishop
production assistance & on set production by
Sarah De Larue

full look: MONCLER

earrings: Panconesi x KNWLS
necklace: Matilda Little Jewellery
vest: Mainline:RUS/Fr.CA/DE

earrings: Laruicci
top: Mainline:RUS/Fr.CA/DE
trousers: Mainline:RUS/Fr.CA/DE
shoes: IOANNES
rings: Matilda Little Jewellery

earrings: Panconesi
top: Mainline:RUS/Fr.CA/DE

artwork: Lucy Page

artwork: Janina Frye

dress: Dipetsa
armcuff: Laruicci

full look: MONCLER

dress: Olivier Theyskens

artwork: El Hoskyns-Abrahal




earrings: Tétier Bijoux

earrings: Panconesi, Matilda Little Jewellery
longsleeve: Pronounce

earrings: Tétier Bijoux
sunglasses: Gentle Monster x Coperni
dress: Goomheo

earrings: Panconesi, Matilda Little Jewellery

artwork: Sophie Cunningham

earrings: Panconesi
vest: Mainline:RUS/Fr.CA/DE
skirt: MYNOK
shoes: IOANNES
belt: Mainline:RUS/Fr.CA/DE

sunglasses: Gentle Monster x Marine Serre
dress: Laruicci
dress: MYNOK
boots: Nii HAi
bag: Sophia Webster

earrings: Panconesi, Matilda Little Jewellery
longsleeve: Pronounce

earrings: Tétier Bijoux
jumper: John Lawrence Sullivan
skirt: DIESEL
bag: DIESEL
shoes: Nii HAi

dress: Luis de Javier

What would happen if a black cat crossed your path? Would your superstitious mind calculate the time that you have left before bad fortune derails your life? Or would you walk away untouched by the symbolic doom, rather, dreaming about a salary raise that’s due, or a possible new sofa that you saw on Architectural Digest? Black cats, spilt salt, and their metaphysical implications might be ideas that never come to fruition. The impending salary raise, though, may already be around the corner. It’s manifesting itself in this very moment — that is what hyperstition does for you.

Hyperstition does not only affect individuals but also organizations and whole systems (comprised of individuals, naturally). Capitalist economics are especially sensitive to this modus operandi. It seems that the most cut-throat, radical players manifest wealth with ease. Their confidence is the magic ingredient in a recipe accompanied by rational thought and acute action that act together to shape our future. This, however, stands in stark contrast with the dominant Western belief system of Judeo-Christian morality, which is predicated on obligation and duty. Capitalism sells us the future, or at least produces the very future it has presented, for example, in the form of garments. Frederic Jameson states in his writings on postmodernism and the cultural logic of late capitalism that “it is easier to imagine the end of the world than the end of capitalism. We can now revise that and witness the attempt to imagine capitalism by way of imagining the end of the world.”

Imagining the future today, we see dystopian visions. They come in many forms and shapes but many would claim that envisioning utopia is inappropriate in times of doom. Not flying cars or nutritious meals in capsules, but rather, the colors of purgatory and the depths of the abyss. Are we collectively manifesting this through recursive thoughts? What we leave behind in an apocalypse are the products we used, garments we wore, and the knowledge we documented. William S. Burroughs argued that “You were not there for the beginning. You will not be there for the end. Your knowledge of what is going on can only be superficial and relative.” Time as a concept implies that we are always at the beginning and always at the end, every second that is. Therefore, the present is not only informed by the past but also by the future. The future hunts humanity in a sense, as Nick Land puts it: “The future is a better key to the present than the past.” But then, what is real in this moment besides the knowing that we must move forward?

The apprehension of the real is conceptually organized. This editorial we call “Hyperstitious Garments” derives from the question: What happens if clothes contain an emotional and affective capacity of their own? By relaying the perspective away from death, decay and documentation — garments have the ability to outlive the human body as the host and thereby change and overcome temporalities. Clothes are imbued with their own agency, therefore they emotionally unfold over time, and possibly live an infinite life. Also, the objects shown are not dependent on a body but exist untethered. Visual spatiality is created through the play with proportions, figurative and organic shapes — e.g. a static torso that wears a moving garment, or hair that behaves like sculpture. But the hyperstitious discourse does not end there, it also lives in how this very shoot was conceived, brought to fruition through production and is now accessible online through domain. It manifests itself as often as it is approached (clicked) and unfolds in front of our very eyes to be explored…


Elena Hoskyns-Abrahall (b. 1998, Edinburgh, Scotland) is a non-binary artist who lives and works in London. Elena's practice spans a wide variety of ideas and methods, however, they work predominantly in sculpture and performance, looking at themes relating to gender, identity politics and queer theory. Looking at the world through the lens of abjection, Elena uses this as a tool for exploring their human experience. Whether it be through objects or performance, the bodily and the repulsive become excellent tools for exploring the dysphoric nature of the human condition.

Janina Frye (b. 1987, Neuwied, Germany) lives and works in Amsterdam and Leiden. Frye studied at AKV St. Joost in 's-Hertogenbosch in the Netherlands and the Royal College of Art in London. In 2020, she was a participant at the EKWC (European Ceramic Workshop Center) in Oisterwijk, NL. Her work has been exhibited at Arti et Amicitae, Amsterdam, among others; First Site, Colchester; Old Operation Theater Museum, London; Onomatopee, Eindhoven; P/////ACT, Amsterdam; Stedelijk Museum, 's-Hertogenbosch; Saatchi Gallery, London and South London Gallery, London. On the 17th of September, her upcoming solo show is opening at Kunstverein Friedrichshafen, Germany. Janina Frye’s sculptures and installations present a concept of the human – a transformative system with connections, overlaps, and entanglements linking the body to the outside world. Through the lens of new materialistic and systemic theories and personal observations, she posits that the human skin is not a border, but an interface with the outside world. Moreover, Frye is interested in 'the invisible,' where immaterial and imaginary entities, fictions, phantoms, and emergent processes influence our bodily cognitions and perceptions.

Sophie Cunningham (b. 1992, West Midlands, UK) is a London-based artist. Her work is an exploration of the irrational psychology behind the expediency and disposability of Western shopping habits. She creates sculptural arrangements using fast-fashion ordered online, which last the duration of the retailer's return policy. When the sculpture ends, she sends the clothes back with a photographic reminder of the sculpture placed in the return parcel to push her artwork directly into the supply-chain. She tries to communicate with the brands with an ‘irrational’ consumer response to start a dialogue. Often, works are not acknowledged by brands – for instance, in her video work ‘Papier-mâché Boots’ she swaps returned products for Papier-mâché versions and still receives a full refund. These absurd activities aim to raise questions about the impact of over-consumption. Recent exhibitions and talks include her ‘Systems at the Seams’ showcase at Goldsmiths MFA Fine Art Degree Show (2022) and being a guest speaker for the V&A Museum series ‘Live Conversations: Designed to Make a Difference’ (2021).

Lucy Page (b. 1995, London, England) studied Fine Art & History of Art at Goldsmiths University, and she is now developing her own sculpture practice from her studio in London. Lucy is interested in the ways that we inhabit the domestic space, from small daily gestures and routines to the motion of our bodies within this environment. Her work is bodily, exploring our use of this space. Lucy’s work centers around freezing movement and moments into tactile objects, bringing them into the home and transforming the domestic into purposeful design. In this way, the sculptor’s work bridges the gap between design and function; either meant to be kept as a piece of art, used to hold other objects, or sit on the wall. Lucy makes every piece by hand, using traditional casting and mold-making techniques. The process is very physical and each piece is unique. She works with a range of materials to create different designs including food, body parts, and clay.

What Will I Become By Gabriella Rowland & Nicolas Robin Hobbs

coat: RICHERT BEIL
shirt: Prada (stylist’s archive)
tie: Emporio Armani
bag: Celine


photography by Nicolas Robin Hobbs
photo assistance by Leo Köhler & Mengyu Zhou  
styling by Gabriella Rowland 
styling assistance by Bastian Hagn 
casting by Nicolas Robin & Gabriella Rowland 
hair by Bronwyn Stewart
makeup by Naomzz 
talent by MARIAM D @ MIRRRS, KARINA & JOANNA @ Tomorrow Is Another Day
Special thanks to Effi at TIAD



coat: RICHERT BEIL
shirt: Prada (stylist’s archive)
tie: Emporio Armani

LEFT
top: vintage (solastseason Archive) 
skirt: Gucci (solastseason Archive) 
shoes: Celine 
ring: JOHANNA GAUDER

RIGHT
top: Blumarine (solastseason Archive) 
skirt & bag: Diesel 
shoes: CAMPER

LEFT
jacket: Cottonade Paris (solastseason Archive) 
tights: Diesel
bag: Diesel
shoes: Balenciaga (solastseason Archive)

RIGHT
coat: RICHERT BEIL
shirt: Prada (stylist’s archive)
tie: Emporio Armani
tights: Falke
shoes: Bottega Veneta (NIGHTBOUTIQUE Archive)
bag: Celine

suit: Miu Miu
knitwear: Miu Miu
shoes: Diesel
rings: INA BEISSNER