In concrete-clad tunnels deep within the earth, radioactive matter is being buried on a daily basis. It is only a question of time before this creates an environmental catastrophe. Not a day goes by without men somehow ruining the planet. Every day we somehow mark our existence on this Earthby transforming the landscape, subverting the rules of nature and, slowly but significantly, damaging it beyond repair. Just as we now can admire vestiges of past civilizations such as ancient ruins, the generations after us will linger overexcavated caverns andunnaturally bright tunnels. Layersand layers of lethal material, piled underground and ready to react: the catacombs of the future. But when exactly will this be? Who are the people that will look at this catastrophe? How do we even know that there will be people on Earth by that time? Taking responsibility for the future has become the resounding imperative of our age, but how do we relate to something lost in an undefined future? Such are the questions asked in the group exhibition βRiddle of the Burial Grounds,β which stares unblinkingly into this future: a trashed landscape of industrial ruin, where humanity somehow seems to have lost its dominant role. Riddle of The Burial Ground will be on view until July 17th, 2016 at Extra City Kunsthal, Eikelstraat 25, Antwerp. text and photographs by Sara Kaufman
Katherine Bernhardt "Product Recall: New Pattern Paintings" @ Xavier Hufkens in Brussels
Known for her large-scale pattern paintings depicting constellations of everyday items that have been isolated from their original context, American artist Katherine Bernhardt has created a new ensemble of colorful and dynamic images that take inspiration from both Brussels and New York. Executed in acrylic and spray paint on canvas, in a spontaneous and fluid style, her latest work features objects typically associated with Belgian popular culture, such as Smurfs and chocolate, with those representative of America, such as Lisa Simpson and Nike trainers. Added to the mix are domestic objects like toilet rolls and Windex; toucans and tropical fruits (a reference to the artistβs frequent travels to Puerto Rico); iconic games from her teenage years during the early 1980s (Pac-Man and the Rubikβs cube); and food and drink (Nutella, cigarettes, wine). Because of the myriad objects in her work, it is sometimes interpreted as a wry comment on consumerism. Yet this is not a conscious concern of the artist, who is primarily motivated by a fascination with her everyday surroundings, and in giving it expression through color and composition. Katherine Bernhardt "Product Recall: New Pattern Paintings" will be on view until June 18, 2016 at Xavier Hufkens, 107 rue St-Georges, Brussels, Belgium
Carson Fisk-Vittori "Disturbance Ecology" @ Mon ChΓ©ri in Belgium
photographs by Benoit Cattiaux
Art From The Dark Heart of Europe: Read Our Conversation With The Dangerous and Alluring Gallery Director Harlan Levey on the Eve of Art Rotterdam →
Harlan Levey Projects is not only one of the most exciting galleries in new art hot spot Brussels, but the gallery may also have one of the greatest and most exciting rosters and platforms in the world. On the eve of Art Brussels 2016, we have a chat with Harlan about his stint as a professional soccer player, contemporary art and more. Read the full interview here.
Joris Van de Moortel "Γa vous intΓ©resse l'architecture?" @ Be-Part Contemporary Art Center in Belgium
Click here to read our interview with Joris Van de Moortel. "Γa vous intΓ©resse l'architecture?" will be on view until January 31, 2016 at the Be-Part Contemporary Art Center in Belgium, Westerlaan 17, 8790 Waregem, Belgium
The Other Half of the Antwerp 6: Read About Belgium's Unsung Fashion Heroes That Continue To Influence Today
When it comes to fashion, the Belgians will continue to be a driving, influential force. With a round of fashion weeks upon us in September, there will undoubtedly be a few references to these sartorial geniuses from this unlikely creatively kinetic country. Sure, the Martin Margiela and Raf Simons stars burn the brightest β especially at retrospectives like the one that is on view now at the Bozar Center For Fine Arts in Brussels β but the credit for laying the first fashion stakes belongs to a band of misfit outsiders known as the Antwerp 6. Here, our fashion editor-at-large, Adam Lehrer, explores the life and works of the more unknown members of this fashion collective that may not be household names, but are just as influential and still worth talking about. Click here to read.