Group Exhibition: Dark Fantasy @ UTA Artist Space In Beverly Hills

Based on the concept of Archeofuturism, which focuses on excavating forms of the past in order to shape future narratives of design, Dark Fantasy guides the viewer through a whimsical world of the fantastic and the obscure, questioning the constraints of reality and what it means to dream. By highlighting advanced techniques, traditional master craft, and new technology, Dark Fantasy brings to life organic and telluric forms that allude to bygone eras of production. The exhibition explores over a decade of functional art from 24 artists from Carpenters Workshop Gallery’s program, creating a dialogue between space, time and contemporary archeology.

The exhibition features over fifty pieces by Virgil Abloh, Atelier Van Lieshout, Maarten Baas, Aldo Bakker, Sebastian Brajkovic, Fernando and Humberto Campana, Nacho Carbonell, Wendell Castle, Vincenzo De Cotiis, Ingrid Donat, Vincent Dubourg, Najla El Zein, Kendell Geers, Steven Haulenbeek, Anton Hendrik Denys, Kostas Lambridis, Mathieu Lehanneur, Frederik Molenschot, Rick Owens, Random International, Robert Stadler, Studio Drift, Charles Trevelyan, and Verhoeven Twins. Dark Fantasy is on view through November 16 at UTA Artist Space 403 Foothill Rd. Beverly Hills, California

Sweet Harmony: Rave | Today Group Show @ Saatchi Gallery London

Sweet Harmony features multimedia room installations and audio-visual works by some of the rave movements' most prolific and authentic visual commentators. The acid house revolution is charted through typographic accounts, photo stories, live music events, talks and panel discussions by the movements' architects and influencers. By reliving the revolution through the voices and lenses of those who experienced it, the exhibition portrays the new world that emerged from the club scene of the 80s and 90s. Participating artists include Mattko, Ewen Spencer, Dave Swindells, Chelsea Louise Berlin, Seana Gavin, Project Zoltar, Carsten Nicolai, Lost Souls Of Saturn, Jeremy Deller, Minnie Griffith and Max Mcgarvie, Weirdcore, Adrian Fisk, Cleo Campert, Colin Nightingale and Stephen Dobbie, Liam Young, Cyril de Commarque, Aida Bruyère, Anna-Lena Krause, Matthew Wilkinson, Molly Macindoe, Mustafa Hulusi, Immo Klink, Shaun Bloodworth and Toby Mott.

Sweet Harmony is on view through September 14 @ Saatchi Gallery Duke of York's HQ, King's Road, London. all images courtesy of the gallery

Group Show "Charrette" Opens @ Maple St. Construct In Los Angeles

Charrette’ is a group show of large scale sculptures, where the artists confront materiality, space, collage, light, time, discomfort, and the unknown as a way to bring difference together as one interdependent exhibit of work. The exhibition features works from artists Shagha Ariannia, Daniel T. Gaitor-Lomack, Thomas Linder, Mike Nesbit andJenny Rask. Charrette is on view at 3626 west Jefferson blvd, Los Angeles. photographs by Lani Trock

Group Show : A Cloth Over a Birdcage @ Chateau Shatto In Los Angeles

In 1974, American poet John Ashbery composed a long form ekphrastic lyric occasioned by the painting, Self-Portrait in a Convex Mirror, by the minor late Renaissance master, Parmigianino. The original circular composition was meticulously rendered in 1524 on a convex panel whose diameter measured no more than 24.4cm, or just shy of ten inches. With its extravagantly curved perspectives, this remains a virtuosic feat of the medium made more so by being performed on such a tightly delimited stage.  

It was for this reason that Ashbery found therein not an enigma but a pearl – a concise distillation of the plight of the artist whose hand is distorted by the world even as he, in turn, seeks to distort it by capturing its reflection. It is a chiasmic conundrum with the inward pull of a compact atomic core.

In its totality, Ashbery’s words would come to encompass a surface-area that far exceeds Parmigianino’s diminutive masterwork. Through that medallion-like portal he enters into expansive ruminations that span questions of memory, pathos and empathy all the while outlining a sweetly abbreviated ontology. As he writes:

But it is life englobed.
One would like to stick one’s hand
Out of the globe, but its dimension,
What carries it, will not allow it.

The artists in Château Shatto’s forthcoming exhibition share Ashbery and Parmiagianino’s affinity for revelations in miniature guises. Their output ranges from the modestly scaled to the truly petite and they embrace this limitation for their own idiosyncratic reasons. Some uncover respite from the heroic demands of the monumental; others an opportunity to work through ideas and impulses to be articulated later in a distended tableau. Some find purpose in offering peeks of private inner worlds or are galvanized by the economy of restrained abstraction; while others still harness the gravitational pull of locket-size images which are almost devotional in their allure.  Whatever their instinct, they craft ‘superficial but visible cores’ that propose an entirely different type of viewing. Arresting in their potency, these works demand an embodied and sustained perusal that, at its best, draws the viewer in slowly and deliberately not unlike thread through a needle’s eye. A Cloth Over a Birdcage is on view through September 7 at Chateau Shatto 1206 S. Maple Ave, Suite 1030, Los Angeles. photographs courtesy of the gallery

Group Show ‘The Real: Three Propositions’ @ White Cube In London

‘The Real: Three Propositions’ presents paintings and drawings by Peter Dreher, Konrad Klapheck and Des Lawrence, all of whom use precise, figurative styles to depict people, places and things. These artists merge realms of appearance and consciousness to varying degrees in their work, intermixing objectivity and subjectivity as they conjure things and their meanings in two dimensions. At a time when images and information, factual and fictional, circulate instantaneously, they ask the viewer to slow down and to consider how matter and mind intertwine when the world is re-envisioned. The Real: Three Propositions is on view through August 25 at White Cube Bermondsey 144 – 152 Bermondsey Street, London. photographs courtesy of the gallery

Group Show 'The Shape Of Content' @ Ochi Projects In Los Angeles

The Shape of Content is an exhibition of works by Thomas Linder, Erica Mahinay and Andrea Welton. By definition, form is the essential nature of a thing as distinguished from its matter. In his book from which this exhibition takes its title, Ben Shahn expanded on this definition by writing that “form is the shape of content” and argues that form cannot exist without content. The Shape of Content contextualizes three artists, who each use distinct materials, in their exploration of relating content—experience, memory and idea, to form—gesture, color and material.The Shape of Content is on view through July 13 at Ochi Projects 3301 W Washington Blvd, Los Angeles. photographs by Lani Trock

"Of Survival, Celebration, and Unlimited Semiosis" Group Show @ Freedman Fitzpatrick In Los Angeles

Of Survival, Celebration, and Unlimited Semiosis is a group show featuring works from Dachi Cole, Tommy, Hartung, Alima Lee, Kyp Malone, Diamond Stingily.

… those who fail to reread are obliged to read the same story everywhere … [Barthes]

What does this paradoxical statement imply? First, it implies that a single reading is composed of the already-read, that what we can see in a text the first time is already in us, not in it; in us insofar as we ourselves are a stereotype, an already-read text; and in the text only to the extent that the already read is that aspect of a text that it must have in common with its reader in order for it to be readable at all. When we read a text once, in other words, we can see in it only what we have already learned to see before.
– Barbara Johnson, The Critical Difference

from “Of Survival, Celebration, and Unlimited Semiosis,” Neveryóna, Samuel Delaney

Of Survival, Celebration, and Unlimited Semiosis is on view through July 6 at Freedman Fitzpatrick 6051 Hollywood Blvd, Los Angeles. photographs by Lani Trock

Parergon: Japanese Art of the 1980s and 1990s @ Blum & Poe Gallery In Los Angeles

Blum & Poe’s Parergon, a selected survey exhibition of Japanese art of the 1980s and ‘90s, curated by Mika Yoshitake. Focusing on the themes of abject politics, transcending media, performativity, and satire and simulation, this show will present the work of over twenty-five visual artists including Kodai Nakahara, Tatsuo Miyajima, Kazumi Nakamura, Yukie Ishikawa, Tsuyoshi Ozawa, and Yukinori Yanagi in an array of media spanning painting, sculpture, duration performance, noise, video, and photography. Parergon: Japanese Art of the 1980s and 1990s will be on view until March 23 at Blum & Poe Gallery, 2727 La Cienega Blvd, Los Angeles, CA. photographs by Oliver Kupper

#followme, A Group Show @ Desert Center In Los Angeles

#followme is a group show composed of one-dozen-plus artists, among them, Scott Benzel, Steve Hash, Paul Verdell and Robert Lazzarini. The exhibition, curated by Michael Slenske, an arts writer and editor who opened Desert Center earlier this year, centers on themes of truth and deceit in an age when social media has turned the concept of following and gaining followers into a daily ritual. Follow @desertcenterlosangeles on Instagram. #followme closes this Sunday at Desert Center 7466 Beverly Blvd, Suite 207, Los Angeles. photographs by Oliver Maxwell Kupper

Ochi Projects Presents 'Soft Pretzel' Group Show @ Vacation Gallery In New York

Soft Pretzel features works that investigate sculptural forms and perceived tactility. Evaluating our ability to anticipate sensory experiences as they are conveyed through visual cues, each work explores implied softness, rigidity, dimension, weight and movement. The exhibition includes works by Tanya Brodsky, Rives Granade, Nasim Hantehzadeh, Lilian Martinez, Daniel McKee, Erin Morrison, Claudia Parducci, Ben Sanders and James Seward. Soft Pretzel is on view through October 28 @ Vacation Gallery, 24A Orchard Street, New York, NY 10002. images courtesy of Ochi Projects

Group Show "I Don’t Like Fiction, I Like History" @ Gagosian Gallery In Los Angeles


I Don’t Like Fiction, I Like History, with works by Thomas Demand, Andreas Gursky, Duane Hanson, Sharon Lockhart, and Jeff Wall opens at Gagosian Gallery. Using the pictorial languages of realism and illusion, the participating artists turn fragments of everyday life into legible narratives. Duane Hanson’s ensemble of construction workers at rest, Lunchbreak (1989), and a figure modeled after his own child in a quiet moment, Child with Puzzle(1978), are installed with photographic works that both reflect and complicate ideas of recorded reality and subjective, constructed composition. On view through September 28th at Gagosian Gallery 456 North Camden Drive, Beverly Hills.

"Separation" Group Show @ Tin Flats In Los Angeles

Separation is a group show fueled by the trauma unfolding at our borders. AVA has invited artists to respond to the border crisis and examines different ways separation has existed as a political strategy in American history. "Separation" is on view through August 26th at Tin Flats 1989 Blake Avenue, Los Angeles. photographs by Lani Trock

Group Show “How They Ran” @ Over The Influence

Taking the name from the second chapter of Germaine Greer’s landmark text “The Obstacle Race” from 1979, “How They Ran” brings together a selected group of LA-based artists whose diverse practices represent the heartbeat of the Los Angeles art scene today. Greer’s book presented an art historical account of artists who are missing from academic literature and how they overcame historical obstacles to achieve notoriety anyway. Through this lens, Over the Influence will present a group exhibition of LA-based artists from different backgrounds, practices, and generations. "How They Ran" is on view through September 5th at Over The Influence 833 East 3rd Street Los Angelesphotographs by Lani Trock

Opening Of take care Group Show @ Gas In Los Angeles

How do radical ambitions of “self-care” persist or depart from capitalist society’s preoccupation with wellness and the industry surrounding it, particularly when filtered through technological advances? How can we imagine personal wellness that complicates or diverges from capitalist and consumerist tendencies? Taking its name from the common valediction, which is both an expression of familiarity and an instruction of caution, take care, is a group exhibition that considers the many tensions surrounding the possibilities of self-care. Participating artists: Hayley Barker, Darya Diamond, Ian James, Young Joon Kwak, C. Lavender, Sarah Manuwal, Saewon Oh, Amanda Vincelli, and SoftCells presents: Jules Gimbrone. Gas is a mobile, autonomous, experimental and networked platform for contemporary art. take care will be on view through July 20, and can be seen from 12pm-6pm on Saturdays in front of BBQLA 2315 Jesse Street, Los Angeles CA 90023. photographs by Lani Trock

Opening Of Metamorphosis, Lightly (Intimacy Of Form) Group Show @ OOF Books

In a quest to challenge our perceptions of materiality, objectivity, gender identity and medium, Alex Rojas has curated a group show that pushes the individual boundaries of self.  Featured artists include Nasim Hantehzadeh, Carolyn Janssen, Larissa Lockshin, Erica Mahinay, Sophia Narrett, and Sarah Ann Weber. These works highlight the perennial and intimate connection with chaos inherent in human existence. Speaking to a desire for reason, these works provide intimate outlets for exploration and clarity through identity and physicality. The exhibition is on through July 1, 2018 at OOF Books 912A Cypress Ave. Los Angeles, CA 90065. photographs by Lani Trock

"Beyond The Streets" Showcases Works by the Guerrilla Girls, Dennis Hopper, Takashi Murakami, and More

BEYOND THE STREETS (BTS) is the premier exhibition of graffiti, street art and beyond, celebrating the soaring heights to which the world’s most recognizable modern art movement has risen. BTS is a groundbreaking multimedia showcase of paintings, sculpture, photography, installations and more throughout 40,000+ sq ft of industrial indoor and outdoor space. The exhibition is curated by Roger Gastman, with additional curation by Evan Pricco, Caleb Neelon, and David Villorente. Beyond the Streets is on view through through July 6 at Werkartz 1667 N. Main Street, Los Angeles. photographs by Oliver Kupper

The Opening Of "Blue State" A Group Show @ Night Gallery

Blue State explores the invention of “blueness” through various historical narratives, examining the role of the color as a catalyst for geographic and technological discovery. Once the essence that inspired scientific pilgrimage, blueness is now itself a geographic measuring instrument, serving as a shorthand to map political constituencies across the American landscape. District by district, blueness blankets a matrix of values under a single shade of establishment liberalism. A desire for exactness, for natural blueness rich in detail and meaning, has given way to its opposite: blueness as projection, a tool of blurring and false ascription. Blue acts not as an organizing principle but as an organizing force, one that points us at once to the paradoxes of discovery and repression, of global apocrypha and intimate secrets, of the joy of nature and its dissolution into the ether. Featured artists include: Cameron Crone, Cynthia Daignault, Paul Kremer, Divya Mehra, Monique Mouton, Elizabeth Marcus-Sonenberg, and Elise Rasmussen. Blue State will be on view through April 14 at Night Gallery 2276 E 16th Street Los Angeles. photographs by Lani Trock

Highlights From Sun Kissed Chokehold Curated By Laura Watters & Kaylie Schiff

Sun Kissed Chokehold was a pop up group show on view in Highland Park on October 17, 2018. Featured artists include: Aaron Elvis Jupin, Adam Beris, Alina Perkins, Ariana Papademetropoulos, Bennet Shliesinger, Brendan Donnelly, Chris Fallon, Chris Lux, David Black, Giovanni Duca, Greg ito, Gustaf von Arbin, Hannah Hooper, Ivan Comas, Jessica Williams, John Zane Zappas, Lukas Geronimus, Mattea Perrotta, Maxwell McMaster, Nick Darmstaedter, Nicklas Stewart, Sam Keller, Steve Aldahl, and Sophia Green. photographs by Oliver Maxwell Kupper

The Opening Of "Nose Job" A Group Show Curated By Adam Beris @ BBQLA

Nose Job groups together artists who work knowingly/unknowingly within the process of transformation: to look at material as character and alter its identity into something aesthetically functional. Featured artists include: Bjorn Copeland, Andrew Dadson, Trulee Hall, Ariel Herwitz and Joshua Miller. The exhibition will be on view through April 14 at BBQLA 2315 Jesse Street Los Angeles. photographs by Lani Trock