Nobuyoshi Araki is a Japanese photographer born in Tokyo in 1940. Araki started his career as a commercial photographer before turning to diary-like documentation which included subjects ranging from the mundanity of everyday life to Japan’s underground sex industry. Continuing his exploration of erotic subjects, Araki incorporated Kinbaku, the Japanese art of bondage with other traditional Japanese themes to create what is now his defining aesthetic. With over 350 books published, Araki is one of the most prolific artists living or dead. This Fall, Supreme has worked with Araki on a Hooded Sweatshirt, Long Sleeve T-Shirt, Short Sleeve T-Shirt and a Zine featuring original photography. Available in-store NY, LA, London, Paris and online November 3rd.
Anton Yelchin and Kate Parfet in Joshua Tree, California on 35mm film
In an effort to avoid the tired '68 knockoff nostalgia that pervades desert images, actor Anton Yelchin (Charlie Bartlett, Star Trek Into Darkness, Only Lovers Left Alive, Green Room) and model/photographer Kate Parfet wanted to combine trash aesthetics with a flair for glam and Area 51. In a secluded desert domicile, the pair celebrated textures that inspired them, objects and fabrics they found erotic and simultaneously playful. Click here to read our interview with Yelchin and Parfet on their adventure in the desert.
A Glimpse Into the First Issue of The Feros Review, An Erotic Notebook From France
Sometimes sensual, sometimes sexual, Feros a call to awake the senses. Firmly rooted in this time, the erotic review explores an obsessive look aesthetic and contemporary fascinations for impulses living being. The publication stands out as the need to reveal the principles of a contemporary eros which seeks and is constantly renewing itself, without manipulating representations. In each issue, art and literature intersect, align and interact freely. Wild beauty and sought: Feros. The first issue includes contributions from Julian Feeld, Apollonia Saintclair, Mirka Lugosi and more. You can purchase the first issue of Feros in a standard edition and limited edition here.
In the Veil of Cashmere: Poet and Photographer Thomas Roma Takes Tender Portraits of A Secret Erotic Eden
Steven Kasher Gallery presents Thomas Roma: In the Vale of Cashmere. This exhibition of Roma’s most recent project consists of an intricate sequence of 75 black and white portraits and landscapes photographed in a secluded section of Prospect Park, a meeting place where black, Latino and other gay and bisexual men have long sought one another out to fulfill their wish for community and to satisfy sexual desire. This is Roma’s first major New York exhibition of new photographs since his acclaimed solo exhibition Come Sunday at the Museum of Modern Art in 1996. The book In the Vale of Cashmere will be published by powerHouse Books in conjunction with the exhibition. Thomas Roma: In the Vale of Cashmere will be on view starting today and running until December 19, 2015 at Steven Kasher Gallery, 515 W. 26th St., New York, NY
Men Should Be Touched by Audra Wist
photograph by Brooke Frederick
text by Audra Wist
“I love to be caressed,” he said to me, my hand on his chest. Color me impressed. As I get older, I continually notice the need for men to be touched. I’ve been a long time proponent of strip clubs, sex work, and so forth – physical sites designed for and marketed to men for sexual pleasure – even before I could really justify it legally or intellectually. I always had a hunch that something was going on there that was good for women and for sex, and that the usual bad mouthing on the grounds that men were sniveling tit-obsessed cretons was ill considered and lacked any constructive thought about the potential of these venues for sexual progress. For me, porn has always felt like a fall-back to these other privileged spaces in my mind, and for good reason. Though direct, quick-and-dirty and getting the job done for the most part, porn lacks something essential to desire, to sex: touch. These arenas I describe provide a context for touch and a real time one-to-one interaction that is becoming increasingly more important and unavailable.
Spending time in strip clubs across the U.S., I find something interesting yet not so surprising happens: people quickly open up. The awkwardness of being seen in a place like your local strip club melts away in an instant behind the closed doors, and an intimate ease comes forth. The low lights and typically recessed seating below the stages stake off a specific arena for erotic play with clear-cut boundaries. I’ve eavesdropped on numerous conservations between strippers and clients, men and women of all sexualities, and they are remarkably docile and cheerful, very inquisitive, albeit sometimes a little shy. Women seem to have a refined understanding of pleasure and people of all creeds are drawn to our innate knowledge of carnal ambiguities. In discussing the pornographic nature of the strip tease or naked body, people also want to talk with these women about their bodies, interests, and peculiarities in relation to their own, ultimately gaining a better understanding of themselves and others in the process. When women facilitate touch, touch facilitates acceptance and understanding. Porn cannot necessarily answer your burning questions on how to please a woman, but a woman probably can.
To be able to see and converse with a real person in a sexual context with distinct boundaries is an important interaction – and one I feel should be encouraged and coveted as a sexual savior amidst a sea of pornographic images. Touch, or the possibility for touch, makes all the difference.
Although I encourage all genders and sexualities to touch more, I focus on straight men here because they tend to reject the idea of being touched as it goes against the prescribed masculine position of assertive doer. To be touched could be likened to being held, being acted upon rather than in pursuit of action. I see an inconsistency here. The drive to participate in any sort of sexual spectatorship comes from a desire to get off, to be connected, to be with someone and that “with” denotes a want to touch them – someone, something, to be in unison, 1+1. Touch is the literal connection between us and unifies our experience. Touch is also reciprocal. When I touch you, you also touch me. I’ve felt the power in someone’s casual graze of my arm or playful grab of my side. It’s unparalleled – incredibly exciting and comforting to feel someone’s body come in contact with mine. I’m there with them in an instant. I find I surprise men when I touch them before they touch me. They like the change and surrender to being touched, a passive appreciator of my invitation to intimacy.
In a recent conversation with a sex therapist friend, we were discussing porn’s bad rap. I told him I never felt bad about porn, just that it sometimes made me feel gross afterwards. I wondered why. He asked when those gross feelings came to the surface and we deduced that it was after a period of continual porn watching with subsequent masturbation. He summed up the “is porn good or bad” controversy in a neat way that I liked and that I frequently share with my clients and friends dealing with sexual loneliness and/or heavy porn consumption. Think about porn like your go-to delicious greasy food and eating as masturbation. The occasional treat yourself moment can be tasty and it certainly won’t ruin your body if practised here and there.
"Strip clubs, massage parlors specializing in extracurriculars, professional domination sessions, escort services, physical smut – these are all ways in which sexual urges can be evenly distributed, demystified, and depressurized."
In a similar vein, eating is essential and keeps us alive and alert, it can even be fun and exciting, relaxing sometimes. However, if your entire diet becomes that delicious greasy item, then you are likely going to run into some problems, mentally and physically, during your slow build binge. Use your common sense and don’t overdo it. Though, do have as many sexual experiences (including masturbation) as you wish. Remember, I liken this to eating; it is healthy and good to do so.
There are small seemingly innocuous ways to do this. Annie Sprinkle and her partner Beth Stephens have coveted the term ecosexual and are currently making work based on “intersections of sexuality and ecological relations.” In my own similar experience of collecting erotica, I find the simple act of touching the magazines, the books, even seeing the typeface contributes to the objectness, the sexual nature, of the material itself. To touch the image, to touch the thing that contains the words is a sexual experience that I would liken to a modern day sexual encounter. Touch is inherently fetishistic as it signifies objecthood which gets me off.
Strip clubs, massage parlors specializing in extracurriculars, professional domination sessions, escort services, physical smut – these are all ways in which sexual urges can be evenly distributed, demystified, and depressurized. Varying a sexual diet assists in understanding our desires, and talking with like-minded folk helps to normalize our experiences with our bodies and others’ bodies, as well. Instead of having a one-to-one relationship between yourself and a screen, these other arenas offer up the benefit of having another person present that you interact with and casually discuss your likes/dislikes, fantasies, and so forth. While I do not disparage porn or its performers, I do privilege seeing a body before me under lights, on a stage, sitting next to me, on top of me, below me, kissing me and touching me as an absolute sexual essential.
Audra Wist is an artist, writer, social commentator and provocateur - she is also an avid collector of erotica and erotic ephemera. She is also a professional dominatrix based in Los Angeles specializing in all sorts of punishment and humiliation. As Autre's sex editor at-large she will be covering all sorts of naughty content in the realm of sex and sexuality – from masturbatorial musings to photographic editorials. Follow Autre on instagram: @AUTREMAGAZINE
Highlights From The Tom of Finland Art and Culture Festival 2015 In Los Angeles
The Tom of Finland Foundation hosted the Tom of Finland Art + Culture festival at TOM House in Echo Park, Los Angeles. This year's festival featured more than 30 artists, both emerging and established. The weekend showcased live performance, poetry readings, short films, and erotic art spanning sculpture, photography, paintings, sketches, digital renderings, and more. photographs by Oliver Maxwell Kupper
Read Audra Wist's Sumptuous Masturbatorial Meditation on Facesitting →
I just masturbated to the thought of sitting on someone’s face. I figured whatever came to mind I’d write about. And really, what better way to begin writing about facesitting than right after getting off to the thought. What is it about the act? Just a few minutes ago before writing these words, I was lying in bed rubbing myself to the thought of my ass coming down gently on a particular face, me “triumphantly” above him, as he often remarks. The pressure and weight of my ass resting on his face, suffocating him temporarily and squeezing my thighs against his neck and head. I like the way he gasps for air as I release his face from the grip of my derriere. The image alone sets off a fantastic wank — a vision of ivory softness, large and overwhelming, looming above his face, which is soon to be smothered into erogenous bliss. Click here to read more.
"California Fantasy" Figure Drawing Night @ New Image Art in Los Angeles
"California Fantasy," an exhibition that just ended at New Image Art gallery in Los Angeles, explored "the myth, sparkle, and sensuality that exist within the California environs" and evoked "feelings of psychedelia and euphoria with and aim to awaken a perceived Californian paradise as manifested through vibrant paintings, ethereal drawings, and transcendental sculptures." The group exhibition presented the work of Lola Rose Thompson, Elena Stonaker, Meagan Boyd, Peter Makela, Meegan Barnes, Raul de Nieves, and Mymo. Last week, artists Stonaker and Boyd held a special one night only experimental life drawing class that verged on bohemian, erotic performance art. all photographs by Natalie Yang
Alexia on Vacation in St. Barths
Alexia on vacation in St. Barths. photograph by Agnes Fischer
Falos y Vaginas

