The Humanist architect-designer-artist Gaetano Pesce is a towering figure in each of his fields; a true multidisciplinarian with an iconoclastic agenda who, despite a career spanning seven decades, still refuses to be cowed or quantified. In numerous public and private works realized globally, in the fields of architecture, town planning, interior design, industrial design and exhibition design, the constant experimentation of an artist who refuses repetition infuses all.
Following the commission given to Pesce to create a temporary site-specific artwork as show space for the Summer ’23 Bottega Veneta fashion show, the dialogue continues and a further stage is explored. Once again given creative carte blanche, and this time situated in the brand’s Montenapoleone store, Pesce creates a unique installation called ‘Vieni a Vedere’ (Come and See). Spanning the store, the immersive installation utilizes resin and fabric to create a unique experience that the visitor travels through. It frames an edition of handbags realised by Bottega Veneta for the artist according to his designs.
Embracing figuration and stories of the personal rather than the purely functional, Pesce’s bags utilize the idiosyncratic both in terms of handcraft and creativity. Based on mountains and prairies, the handbags echo his early life in Italy growing up near the mountains in Este, and the prairies of America, a reflection of where he lives today.
“This is my first design of a bag and it is figurative – two mountains with a sunrise or a sunset behind. I wanted a bag with an optimistic view. There is a capacity to realize anything at Bottega Veneta and this bag opens up a way to express future design. The design of the future has to be figurative and it has to communicate – such an object has to tell a story.” Gaetano Pesce
The installation is on view through April 22, where the artist’s edition of handcrafted handbags can also be purchased. Look out for an interview of Pesce in our forthcoming SS23 Utopia issue, also available for preorder April 22.
